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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 72 / 0 / 22 it is the complementary color CMYK 17 / 0 / 72 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 72 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 72 / 0 / 22: CMYK 51 / 71 / 0 / 24, CMYK 47 / 65 / 0 / 16, CMYK 44 / 60 / 0 / 9, CMYK 42 / 56 / 0 / 2 and CMYK 36 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 72 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 72 / 0 / 22: CMYK 55 / 72 / 0 / 22, CMYK 59 / 79 / 0 / 29, CMYK 65 / 88 / 0 / 37, CMYK 73 / 99 / 0 / 44 and CMYK 82 / 100 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

Complementary color

CMYK 17 / 0 / 72 / 22

HEX #A5C738

RGB 165 199 56

HSL 74.27, 0.56%, 0.5%

LAB 75.53, -30.6, 63.85

 

CMYK 51 / 71 / 0 / 24

HEX #5F38C2

RGB 95 56 194

HSL 256.96, 0.55%, 0.49%

LAB 36.28, 49.97, -66.16

 

CMYK 47 / 65 / 0 / 16

HEX #704AD5

RGB 112 74 213

HSL 256.4, 0.62%, 0.56%

LAB 42.98, 48.71, -66.17

 

CMYK 44 / 60 / 0 / 9

HEX #815CE8

RGB 129 92 232

HSL 255.86, 0.75%, 0.64%

LAB 49.67, 47.4, -66.03

 

CMYK 42 / 56 / 0 / 2

HEX #926EFB

RGB 146 110 251

HSL 255.32, 0.95%, 0.71%

LAB 56.32, 46.14, -65.83

 

CMYK 36 / 50 / 0 / 0

HEX #A380FF

RGB 163 128 255

HSL 256.54, 1%, 0.75%

LAB 62.04, 41.04, -58.77

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 59 / 79 / 0 / 29

HEX #4926B4

RGB 73 38 180

HSL 254.79, 0.65%, 0.43%

LAB 29.66, 51.77, -68.85

 

CMYK 65 / 88 / 0 / 37

HEX #3814A1

RGB 56 20 161

HSL 255.32, 0.78%, 0.35%

LAB 23.39, 52.19, -67.83

 

CMYK 73 / 99 / 0 / 44

HEX #27028E

RGB 39 2 142

HSL 255.86, 0.97%, 0.28%

LAB 17.59, 51.4, -65.78

 

CMYK 82 / 100 / 0 / 52

HEX #16007B

RGB 22 0 123

HSL 250.73, 1%, 0.24%

LAB 13.23, 46.54, -61.05

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 43 / 72 / 0 / 22

HEX #7138C6

RGB 113 56 198

HSL 264.08, 0.56%, 0.5%

LAB 38.58, 54.08, -64.66

 

CMYK 31 / 72 / 0 / 22

HEX #8938C6

RGB 137 56 198

HSL 274.23, 0.56%, 0.5%

LAB 41.57, 58.49, -59.66

 

CMYK 19 / 72 / 0 / 22

HEX #A038C6

RGB 160 56 198

HSL 283.94, 0.56%, 0.5%

LAB 44.77, 63.06, -54.33

 

CMYK 7 / 72 / 0 / 22

HEX #B838C6

RGB 184 56 198

HSL 294.08, 0.56%, 0.5%

LAB 48.38, 68.05, -48.35

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 55 / 72 / 0 / 2

HEX #7146FA

RGB 113 70 250

HSL 254.33, 0.95%, 0.63%

LAB 45.35, 61.2, -83.24

 

CMYK 54 / 72 / 0 / 82

HEX #150D2E

RGB 21 13 46

HSL 254.55, 0.56%, 0.12%

LAB 5.82, 13.5, -20.4

 

CMYK 55 / 72 / 0 / 62

HEX #2C1B61

RGB 44 27 97

HSL 254.57, 0.56%, 0.24%

LAB 16.42, 28.01, -38.76

 

CMYK 55 / 72 / 0 / 42

HEX #432A94

RGB 67 42 148

HSL 254.15, 0.56%, 0.37%

LAB 26.7, 39.44, -54.37

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 0 / 72 / 31 / 22

HEX #C63889

RGB 198 56 137

HSL 325.77, 0.56%, 0.5%

LAB 47.8, 62.43, -13.01

 

CMYK 60 / 0 / 72 / 22

HEX #4FC638

RGB 79 198 56

HSL 110.28, 0.56%, 0.5%

LAB 71.1, -58.83, 58.05

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 0 / 55 / 72 / 22

HEX #C65938

RGB 198 89 56

HSL 13.94, 0.56%, 0.5%

LAB 51.19, 41.37, 39.58

 

CMYK 72 / 0 / 55 / 22

HEX #38C659

RGB 56 198 89

HSL 133.94, 0.56%, 0.5%

LAB 70.84, -59.91, 43.52

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 0 / 72 / 31 / 22

HEX #C63889

RGB 198 56 137

HSL 325.77, 0.56%, 0.5%

LAB 47.8, 62.43, -13.01

 

CMYK 17 / 0 / 72 / 22

HEX #A5C638

RGB 165 198 56

HSL 73.94, 0.56%, 0.5%

LAB 75.25, -30.13, 63.57

 

CMYK 72 / 0 / 41 / 22

HEX #38C675

RGB 56 198 117

HSL 145.77, 0.56%, 0.5%

LAB 71.22, -55.45, 30.05

 

CMYK 55 / 72 / 0 / 22

HEX #5A38C7

RGB 90 56 199

HSL 254.27, 0.56%, 0.5%

LAB 36.22, 50.62, -69.19

 

CMYK 0 / 72 / 53 / 22

HEX #C6385E

RGB 198 56 94

HSL 343.94, 0.56%, 0.5%

LAB 46.5, 58.15, 11.34

 

CMYK 17 / 0 / 72 / 22

HEX #A5C638

RGB 165 198 56

HSL 73.94, 0.56%, 0.5%

LAB 75.25, -30.13, 63.57

 

CMYK 72 / 0 / 19 / 22

HEX #38C6A0

RGB 56 198 160

HSL 163.94, 0.56%, 0.5%

LAB 72.07, -46.26, 8.35

 

Description

Color code: CMYK 55 / 72 / 0 / 22 | qconv.com Color code: CMYK 55 / 72 / 0 / 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 56 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 56 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 72 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 72% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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