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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48F5E it is the complementary color #3B70A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48F5E shade: #C98F59, #DAA16C, #EBB37F, #FCC592 and #FFD7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48F5E shade: #C48F5E, #B37D4B, #A26B38, #915925 and #804712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48F5E shade: #C48F5F, #C4745F and #C45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48F5E shade: #C48F5F, #C4AB5F, #C2C45F, #A7C45F and #8BC45F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48F5E shade matches the following richer shades: #C48F5F, #D68F4D, #E78E3B and #F98D2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48F5E shade: #C48F5F, #B29071, #A09182, #8F9194 and #7D92A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48F5E shade: #C45F66, #C4735F, #C48E5F, #C4A95F and #C4C45F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48F5E shade: #986638, #B67A43, #C48F5F, #CFA47D and #DAB99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48F5E shade: #C48F5E, #81C45F and #665FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48F5E shade: #C48F5E, #5FC48E and #8E5FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48F5E shade: #C48F5E, #81C45F, #5F95C4 and #A25FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48F5E shade: #C48F5E, #62C45F, #5F95C4 and #C05FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

Complementary color

CMYK 63 / 30 / 0 / 37

HEX #3B70A1

RGB 59 112 161

HSL 208.82, 0.46%, 0.43%

LAB 45.76, -1.95, -31.68

 

CMYK 0 / 29 / 56 / 21

HEX #C98F59

RGB 201 143 89

HSL 28.93, 0.51%, 0.57%

LAB 63.99, 16.04, 37.21

 

CMYK 0 / 26 / 50 / 15

HEX #DAA16C

RGB 218 161 108

HSL 28.91, 0.6%, 0.64%

LAB 70.51, 14.97, 35.74

 

CMYK 0 / 24 / 46 / 8

HEX #EBB37F

RGB 235 179 127

HSL 28.89, 0.73%, 0.71%

LAB 76.94, 14.05, 34.36

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 0 / 16 / 35 / 0

HEX #FFD7A5

RGB 255 215 165

HSL 33.33, 1%, 0.82%

LAB 88.25, 7.16, 29.89

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

CMYK 0 / 30 / 58 / 30

HEX #B37D4B

RGB 179 125 75

HSL 28.85, 0.41%, 0.5%

LAB 56.84, 15.5, 35.34

 

CMYK 0 / 34 / 65 / 36

HEX #A26B38

RGB 162 107 56

HSL 28.87, 0.49%, 0.43%

LAB 50.08, 16.84, 36.94

 

CMYK 0 / 39 / 74 / 43

HEX #915925

RGB 145 89 37

HSL 28.89, 0.59%, 0.36%

LAB 43.21, 18.45, 38.52

 

CMYK 0 / 45 / 86 / 50

HEX #804712

RGB 128 71 18

HSL 28.91, 0.75%, 0.29%

LAB 36.25, 20.38, 39.69

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 41 / 52 / 23

HEX #C4745F

RGB 196 116 95

HSL 12.48, 0.46%, 0.57%

LAB 57.13, 29.25, 25.08

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 13 / 52 / 23

HEX #C4AB5F

RGB 196 171 95

HSL 45.15, 0.46%, 0.57%

LAB 70.66, -0.72, 42.14

 

CMYK 1 / 0 / 52 / 23

HEX #C2C45F

RGB 194 196 95

HSL 61.19, 0.46%, 0.57%

LAB 77.15, -14.55, 49.83

 

CMYK 15 / 0 / 52 / 23

HEX #A7C45F

RGB 167 196 95

HSL 77.23, 0.46%, 0.57%

LAB 75.15, -25.39, 46.98

 

CMYK 29 / 0 / 52 / 23

HEX #8BC45F

RGB 139 196 95

HSL 93.86, 0.46%, 0.57%

LAB 73.41, -35.93, 44.48

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 33 / 64 / 16

HEX #D68F4D

RGB 214 143 77

HSL 28.91, 0.63%, 0.57%

LAB 65.34, 20.61, 45.36

 

CMYK 0 / 39 / 74 / 9

HEX #E78E3B

RGB 231 142 59

HSL 28.95, 0.78%, 0.57%

LAB 67.01, 27.26, 56.25

 

CMYK 0 / 43 / 83 / 2

HEX #F98D2A

RGB 249 141 42

HSL 28.7, 0.95%, 0.57%

LAB 69.01, 34.53, 65.68

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 19 / 37 / 30

HEX #B29071

RGB 178 144 113

HSL 28.62, 0.3%, 0.57%

LAB 62.17, 8.38, 21.32

 

CMYK 0 / 9 / 19 / 37

HEX #A09182

RGB 160 145 130

HSL 30, 0.14%, 0.57%

LAB 61.08, 3.03, 9.98

 

CMYK 3 / 2 / 0 / 42

HEX #8F9194

RGB 143 145 148

HSL 216, 0.02%, 0.57%

LAB 60.09, -0.13, -1.85

 

CMYK 25 / 12 / 0 / 35

HEX #7D92A6

RGB 125 146 166

HSL 209.27, 0.19%, 0.57%

LAB 59.59, -2.84, -12.99

 

CMYK 0 / 52 / 48 / 23

HEX #C45F66

RGB 196 95 102

HSL 355.84, 0.46%, 0.57%

LAB 52.82, 40.97, 15.22

 

CMYK 0 / 41 / 52 / 23

HEX #C4735F

RGB 196 115 95

HSL 11.88, 0.46%, 0.57%

LAB 56.9, 29.79, 24.78

 

CMYK 0 / 28 / 52 / 23

HEX #C48E5F

RGB 196 142 95

HSL 27.92, 0.46%, 0.57%

LAB 63.27, 15.01, 32.99

 

CMYK 0 / 14 / 52 / 23

HEX #C4A95F

RGB 196 169 95

HSL 43.96, 0.46%, 0.57%

LAB 70.13, 0.34, 41.51

 

CMYK 0 / 0 / 52 / 23

HEX #C4C45F

RGB 196 196 95

HSL 60, 0.46%, 0.57%

LAB 77.31, -13.73, 50.05

 

CMYK 0 / 33 / 63 / 40

HEX #986638

RGB 152 102 56

HSL 28.75, 0.46%, 0.41%

LAB 47.58, 15.28, 33.73

 

CMYK 0 / 33 / 63 / 29

HEX #B67A43

RGB 182 122 67

HSL 28.7, 0.46%, 0.49%

LAB 56.36, 17.87, 39.08

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 21 / 40 / 19

HEX #CFA47D

RGB 207 164 125

HSL 28.54, 0.46%, 0.65%

LAB 70.38, 10.63, 26.27

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

CMYK 34 / 0 / 52 / 23

HEX #81C45F

RGB 129 196 95

HSL 99.8, 0.46%, 0.57%

LAB 72.87, -39.43, 43.71

 

CMYK 48 / 52 / 0 / 23

HEX #665FC4

RGB 102 95 196

HSL 244.16, 0.46%, 0.57%

LAB 45.63, 29.44, -52.14

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

CMYK 52 / 0 / 28 / 23

HEX #5FC48E

RGB 95 196 142

HSL 147.92, 0.46%, 0.57%

LAB 72.14, -41.98, 18.29

 

CMYK 28 / 52 / 0 / 23

HEX #8E5FC4

RGB 142 95 196

HSL 267.92, 0.46%, 0.57%

LAB 49.4, 39.36, -45.9

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

CMYK 34 / 0 / 52 / 23

HEX #81C45F

RGB 129 196 95

HSL 99.8, 0.46%, 0.57%

LAB 72.87, -39.43, 43.71

 

CMYK 52 / 24 / 0 / 23

HEX #5F95C4

RGB 95 149 196

HSL 207.92, 0.46%, 0.57%

LAB 59.81, -4.58, -29.79

 

CMYK 17 / 52 / 0 / 23

HEX #A25FC4

RGB 162 95 196

HSL 279.8, 0.46%, 0.57%

LAB 51.67, 44.76, -42.16

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5E

RGB 196 143 94

HSL 28.82, 0.46%, 0.57%

LAB 63.5, 14.37, 33.82

 

CMYK 50 / 0 / 52 / 23

HEX #62C45F

RGB 98 196 95

HSL 118.22, 0.46%, 0.57%

LAB 71.49, -49.06, 41.71

 

CMYK 52 / 24 / 0 / 23

HEX #5F95C4

RGB 95 149 196

HSL 207.92, 0.46%, 0.57%

LAB 59.81, -4.58, -29.79

 

CMYK 2 / 52 / 0 / 23

HEX #C05FC4

RGB 192 95 196

HSL 297.62, 0.46%, 0.57%

LAB 55.46, 53.06, -35.93

 

Description

Color code: HEX #C48F5E | qconv.com Color code: HEX #C48F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 143 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 143 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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