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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 42 / 1 it is the complementary color CMYK 97 / 47 / 0 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 42 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 42 / 1: CMYK 0 / 23 / 45 / 0, CMYK 0 / 16 / 37 / 0, CMYK 0 / 9 / 30 / 0, CMYK 0 / 2 / 22 / 0 and CMYK 0 / 0 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 42 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 42 / 1: CMYK 0 / 22 / 42 / 1, CMYK 0 / 24 / 46 / 8, CMYK 0 / 26 / 50 / 15, CMYK 0 / 29 / 56 / 21 and CMYK 0 / 32 / 62 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

Complementary color

CMYK 97 / 47 / 0 / 57

HEX #033A6D

RGB 3 58 109

HSL 208.87, 0.95%, 0.22%

LAB 24.16, 5.21, -34.15

 

CMYK 0 / 23 / 45 / 0

HEX #FFC58D

RGB 255 197 141

HSL 29.47, 1%, 0.78%

LAB 83.5, 13.9, 36

 

CMYK 0 / 16 / 37 / 0

HEX #FFD7A0

RGB 255 215 160

HSL 34.74, 1%, 0.81%

LAB 88.16, 6.59, 32.35

 

CMYK 0 / 9 / 30 / 0

HEX #FFE9B3

RGB 255 233 179

HSL 42.63, 1%, 0.85%

LAB 92.92, -0.35, 29.01

 

CMYK 0 / 2 / 22 / 0

HEX #FFFBC6

RGB 255 251 198

HSL 55.79, 1%, 0.89%

LAB 97.77, -6.89, 25.95

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 0 / 24 / 46 / 8

HEX #EBB37F

RGB 235 179 127

HSL 28.89, 0.73%, 0.71%

LAB 76.94, 14.05, 34.36

 

CMYK 0 / 26 / 50 / 15

HEX #DAA16C

RGB 218 161 108

HSL 28.91, 0.6%, 0.64%

LAB 70.51, 14.97, 35.74

 

CMYK 0 / 29 / 56 / 21

HEX #C98F59

RGB 201 143 89

HSL 28.93, 0.51%, 0.57%

LAB 63.99, 16.04, 37.21

 

CMYK 0 / 32 / 62 / 28

HEX #B87D46

RGB 184 125 70

HSL 28.95, 0.45%, 0.5%

LAB 57.37, 17.27, 38.76

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 0 / 15 / 42 / 1

HEX #FCD591

RGB 252 213 145

HSL 38.13, 0.95%, 0.78%

LAB 87.16, 4.84, 38.64

 

CMYK 0 / 9 / 42 / 1

HEX #FCE691

RGB 252 230 145

HSL 47.66, 0.95%, 0.78%

LAB 91.38, -3.82, 44.06

 

CMYK 0 / 2 / 42 / 1

HEX #FCF891

RGB 252 248 145

HSL 57.76, 0.95%, 0.78%

LAB 95.94, -12.76, 49.79

 

CMYK 6 / 0 / 42 / 1

HEX #EDFC91

RGB 237 252 145

HSL 68.41, 0.95%, 0.78%

LAB 95.86, -20.43, 49.44

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 0 / 21 / 42 / 81

HEX #30261C

RGB 48 38 28

HSL 30, 0.26%, 0.15%

LAB 16, 2.87, 8.4

 

CMYK 0 / 22 / 42 / 61

HEX #634D39

RGB 99 77 57

HSL 28.57, 0.27%, 0.31%

LAB 34.51, 6.21, 15.4

 

CMYK 0 / 22 / 42 / 41

HEX #967557

RGB 150 117 87

HSL 28.57, 0.27%, 0.46%

LAB 51.72, 8.74, 21.49

 

CMYK 0 / 22 / 42 / 21

HEX #C99D74

RGB 201 157 116

HSL 28.94, 0.44%, 0.62%

LAB 67.87, 10.99, 27.69

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 28 / 0 / 42 / 1

HEX #B5FC91

RGB 181 252 145

HSL 99.81, 0.95%, 0.78%

LAB 92.35, -40.55, 44.28

 

CMYK 40 / 42 / 0 / 1

HEX #9891FC

RGB 152 145 252

HSL 243.93, 0.95%, 0.78%

LAB 64.93, 27.88, -52.59

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 42 / 0 / 23 / 1

HEX #91FCC3

RGB 145 252 195

HSL 148.04, 0.95%, 0.78%

LAB 91.5, -43.34, 17.79

 

CMYK 23 / 42 / 0 / 1

HEX #C391FC

RGB 195 145 252

HSL 268.04, 0.95%, 0.78%

LAB 68.67, 39.23, -46.44

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 28 / 0 / 42 / 1

HEX #B5FC91

RGB 181 252 145

HSL 99.81, 0.95%, 0.78%

LAB 92.35, -40.55, 44.28

 

CMYK 42 / 20 / 0 / 1

HEX #91CAFC

RGB 145 202 252

HSL 208.04, 0.95%, 0.78%

LAB 79.21, -5.76, -30.33

 

CMYK 14 / 42 / 0 / 1

HEX #D891FC

RGB 216 145 252

HSL 279.81, 0.95%, 0.78%

LAB 70.79, 45.12, -42.96

 

CMYK 0 / 22 / 42 / 1

HEX #FCC592

RGB 252 197 146

HSL 28.87, 0.95%, 0.78%

LAB 83.29, 13.23, 33.07

 

CMYK 41 / 0 / 42 / 1

HEX #95FC91

RGB 149 252 145

HSL 117.76, 0.95%, 0.78%

LAB 90.8, -50.6, 41.99

 

CMYK 42 / 20 / 0 / 1

HEX #91CAFC

RGB 145 202 252

HSL 208.04, 0.95%, 0.78%

LAB 79.21, -5.76, -30.33

 

CMYK 2 / 42 / 0 / 1

HEX #F891FC

RGB 248 145 252

HSL 297.76, 0.95%, 0.78%

LAB 74.34, 54.28, -37.15

 

Description

Color code: CMYK 0 / 22 / 42 / 1 | qconv.com Color code: CMYK 0 / 22 / 42 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 197 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 197 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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