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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB99B it is the complementary color #254664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB99B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB99B shade: #DFB996, #F0CBA9, #FFDDBC, #FFEFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB99B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB99B shade: #DAB99B, #C9A788, #B89575, #A78362 and #96714F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB99B shade: #DAB99A, #DAA89A and #DA9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB99B shade: #DAB99A, #DACA9A, #D9DA9A, #C8DA9A and #B7DA9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB99B shade matches the following richer shades: #DAB99A, #E5B88F, #F0B884 and #FBB779

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB99B shade: #DAB99A, #CFB9A6, #C4BAB1, #B8BABC and #ADBBC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB99B shade: #DA9A9F, #DAA79A, #DAB89A, #DAC99A and #DADA9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB99B shade: #C48E5E, #CFA47C, #DAB99A, #E5CEB9 and #F0E3D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB99B shade: #DAB99B, #B0DA9A and #9F9ADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB99B shade: #DAB99B, #9ADAB8 and #B89ADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB99B shade: #DAB99B, #B0DA9A, #9ABCDA and #C59ADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB99B shade: #DAB99B, #9DDA9A, #9ABCDA and #D89ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

Complementary color

CMYK 63 / 30 / 0 / 61

HEX #254664

RGB 37 70 100

HSL 208.57, 0.46%, 0.27%

LAB 28.63, -1.89, -21.23

 

CMYK 0 / 17 / 33 / 13

HEX #DFB996

RGB 223 185 150

HSL 28.77, 0.53%, 0.73%

LAB 77.63, 8.7, 22.89

 

CMYK 0 / 15 / 30 / 6

HEX #F0CBA9

RGB 240 203 169

HSL 28.73, 0.7%, 0.8%

LAB 84.02, 8.16, 21.82

 

CMYK 0 / 13 / 26 / 0

HEX #FFDDBC

RGB 255 221 188

HSL 29.55, 1%, 0.87%

LAB 90.14, 6.94, 20.55

 

CMYK 0 / 6 / 19 / 0

HEX #FFEFCF

RGB 255 239 207

HSL 40, 1%, 0.91%

LAB 94.95, 0.39, 17.43

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 0 / 17 / 32 / 21

HEX #C9A788

RGB 201 167 136

HSL 28.62, 0.38%, 0.66%

LAB 70.76, 7.95, 20.7

 

CMYK 0 / 19 / 36 / 28

HEX #B89575

RGB 184 149 117

HSL 28.66, 0.32%, 0.59%

LAB 64.14, 8.56, 21.85

 

CMYK 0 / 22 / 41 / 35

HEX #A78362

RGB 167 131 98

HSL 28.7, 0.28%, 0.52%

LAB 57.4, 9.28, 23.11

 

CMYK 0 / 25 / 47 / 41

HEX #96714F

RGB 150 113 79

HSL 28.73, 0.31%, 0.45%

LAB 50.52, 10.14, 24.49

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99A

RGB 218 185 154

HSL 29.06, 0.46%, 0.73%

LAB 77.24, 7.28, 20.14

 

CMYK 0 / 23 / 29 / 15

HEX #DAA89A

RGB 218 168 154

HSL 13.13, 0.46%, 0.73%

LAB 73.05, 16.39, 14.31

 

CMYK 0 / 29 / 29 / 15

HEX #DA9A9A

RGB 218 154 154

HSL 0, 0.46%, 0.73%

LAB 69.72, 23.95, 9.6

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99A

RGB 218 185 154

HSL 29.06, 0.46%, 0.73%

LAB 77.24, 7.28, 20.14

 

CMYK 0 / 7 / 29 / 15

HEX #DACA9A

RGB 218 202 154

HSL 45, 0.46%, 0.73%

LAB 81.55, -1.66, 26.03

 

CMYK 0 / 0 / 29 / 15

HEX #D9DA9A

RGB 217 218 154

HSL 60.94, 0.46%, 0.73%

LAB 85.62, -10.24, 31.48

 

CMYK 8 / 0 / 29 / 15

HEX #C8DA9A

RGB 200 218 154

HSL 76.88, 0.46%, 0.73%

LAB 84.36, -16.62, 29.57

 

CMYK 16 / 0 / 29 / 15

HEX #B7DA9A

RGB 183 218 154

HSL 92.81, 0.46%, 0.73%

LAB 83.2, -22.8, 27.81

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99A

RGB 218 185 154

HSL 29.06, 0.46%, 0.73%

LAB 77.24, 7.28, 20.14

 

CMYK 0 / 20 / 38 / 10

HEX #E5B88F

RGB 229 184 143

HSL 28.6, 0.62%, 0.73%

LAB 77.83, 10.73, 26.98

 

CMYK 0 / 23 / 45 / 6

HEX #F0B884

RGB 240 184 132

HSL 28.89, 0.78%, 0.73%

LAB 78.74, 13.89, 34.18

 

CMYK 0 / 27 / 52 / 2

HEX #FBB779

RGB 251 183 121

HSL 28.62, 0.94%, 0.73%

LAB 79.48, 17.79, 41.04

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99A

RGB 218 185 154

HSL 29.06, 0.46%, 0.73%

LAB 77.24, 7.28, 20.14

 

CMYK 0 / 11 / 20 / 19

HEX #CFB9A6

RGB 207 185 166

HSL 27.8, 0.3%, 0.73%

LAB 76.51, 4.79, 12.5

 

CMYK 0 / 5 / 10 / 23

HEX #C4BAB1

RGB 196 186 177

HSL 28.42, 0.14%, 0.73%

LAB 76.09, 1.96, 5.81

 

CMYK 2 / 1 / 0 / 26

HEX #B8BABC

RGB 184 186 188

HSL 210, 0.03%, 0.73%

LAB 75.41, -0.32, -1.26

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC7

RGB 173 187 199

HSL 207.69, 0.19%, 0.73%

LAB 75.17, -2.37, -7.7

 

CMYK 0 / 29 / 27 / 15

HEX #DA9A9F

RGB 218 154 159

HSL 355.31, 0.46%, 0.73%

LAB 69.84, 24.63, 6.99

 

CMYK 0 / 23 / 29 / 15

HEX #DAA79A

RGB 218 167 154

HSL 12.19, 0.46%, 0.73%

LAB 72.81, 16.93, 13.97

 

CMYK 0 / 16 / 29 / 15

HEX #DAB89A

RGB 218 184 154

HSL 28.13, 0.46%, 0.73%

LAB 76.99, 7.81, 19.79

 

CMYK 0 / 8 / 29 / 15

HEX #DAC99A

RGB 218 201 154

HSL 44.06, 0.46%, 0.73%

LAB 81.3, -1.14, 25.68

 

CMYK 0 / 0 / 29 / 15

HEX #DADA9A

RGB 218 218 154

HSL 60, 0.46%, 0.73%

LAB 85.7, -9.86, 31.59

 

CMYK 0 / 28 / 52 / 23

HEX #C48E5E

RGB 196 142 94

HSL 28.24, 0.46%, 0.57%

LAB 63.25, 14.92, 33.51

 

CMYK 0 / 21 / 40 / 19

HEX #CFA47C

RGB 207 164 124

HSL 28.92, 0.46%, 0.65%

LAB 70.37, 10.51, 26.79

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99A

RGB 218 185 154

HSL 29.06, 0.46%, 0.73%

LAB 77.24, 7.28, 20.14

 

CMYK 0 / 10 / 19 / 10

HEX #E5CEB9

RGB 229 206 185

HSL 28.64, 0.46%, 0.81%

LAB 84.12, 4.71, 13.36

 

CMYK 0 / 5 / 10 / 6

HEX #F0E3D7

RGB 240 227 215

HSL 28.8, 0.45%, 0.89%

LAB 90.95, 2.43, 7.43

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 19 / 0 / 29 / 15

HEX #B0DA9A

RGB 176 218 154

HSL 99.38, 0.46%, 0.73%

LAB 82.76, -25.28, 27.14

 

CMYK 27 / 29 / 0 / 15

HEX #9F9ADA

RGB 159 154 218

HSL 244.69, 0.46%, 0.73%

LAB 66.17, 15.8, -31.89

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 29 / 0 / 16 / 15

HEX #9ADAB8

RGB 154 218 184

HSL 148.13, 0.46%, 0.73%

LAB 82.09, -27.3, 10.29

 

CMYK 16 / 29 / 0 / 15

HEX #B89ADA

RGB 184 154 218

HSL 268.13, 0.46%, 0.73%

LAB 68.29, 23.42, -28.45

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 19 / 0 / 29 / 15

HEX #B0DA9A

RGB 176 218 154

HSL 99.38, 0.46%, 0.73%

LAB 82.76, -25.28, 27.14

 

CMYK 29 / 14 / 0 / 15

HEX #9ABCDA

RGB 154 188 218

HSL 208.13, 0.46%, 0.73%

LAB 74.76, -4.52, -18.77

 

CMYK 10 / 29 / 0 / 15

HEX #C59ADA

RGB 197 154 218

HSL 280.31, 0.46%, 0.73%

LAB 69.5, 27.51, -26.48

 

CMYK 0 / 15 / 29 / 15

HEX #DAB99B

RGB 218 185 155

HSL 28.57, 0.46%, 0.73%

LAB 77.26, 7.41, 19.63

 

CMYK 28 / 0 / 29 / 15

HEX #9DDA9A

RGB 157 218 154

HSL 117.19, 0.46%, 0.73%

LAB 81.64, -31.74, 25.44

 

CMYK 29 / 14 / 0 / 15

HEX #9ABCDA

RGB 154 188 218

HSL 208.13, 0.46%, 0.73%

LAB 74.76, -4.52, -18.77

 

CMYK 1 / 29 / 0 / 15

HEX #D89ADA

RGB 216 154 218

HSL 298.13, 0.46%, 0.73%

LAB 71.4, 33.6, -23.41

 

Description

Color code: HEX #DAB99B | qconv.com Color code: HEX #DAB99B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 185 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 185 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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