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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42F90 it is the complementary color #3BD06F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42F90 shade: #C92F8B, #DA419E, #EB53B1, #FC65C4 and #FF77D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42F90 shade: #C42F90, #B31D7D, #A20B6A, #910057 and #800044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42F90 shade: #C53091, #C53069, #C53040 and #C53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42F90 shade: #C53091, #C530B9, #A930C5, #8030C5 and #5830C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42F90 shade matches the following richer shades: #C53091, #D91C97 and #ED089D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42F90 shade: #C53091, #B1448B, #9D5785, #8A6B7F and #767F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42F90 shade: #A730C5, #C530BB, #C53093, #C5306B and #C53044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42F90 shade: #832060, #A42879, #C53091, #D34BA4 and #DB6CB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42F90 shade: #C42F90, #C57F30 and #30C5BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42F90 shade: #C42F90, #93C530 and #3093C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42F90 shade: #C42F90, #C57F30, #30C562 and #3075C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42F90 shade: #C42F90, #C5AC30, #30C562 and #3049C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

Complementary color

CMYK 72 / 0 / 47 / 18

HEX #3BD06F

RGB 59 208 111

HSL 140.94, 0.61%, 0.52%

LAB 74.31, -59.66, 37.1

 

CMYK 0 / 77 / 31 / 21

HEX #C92F8B

RGB 201 47 139

HSL 324.16, 0.62%, 0.49%

LAB 47.38, 66.33, -14.81

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 0 / 65 / 25 / 8

HEX #EB53B1

RGB 235 83 177

HSL 322.89, 0.79%, 0.62%

LAB 59, 67.28, -19.03

 

CMYK 0 / 60 / 22 / 1

HEX #FC65C4

RGB 252 101 196

HSL 322.25, 0.96%, 0.69%

LAB 64.95, 67.12, -20.57

 

CMYK 0 / 53 / 16 / 0

HEX #FF77D7

RGB 255 119 215

HSL 317.65, 1%, 0.73%

LAB 69.01, 62.73, -24.98

 

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

CMYK 0 / 84 / 30 / 30

HEX #B31D7D

RGB 179 29 125

HSL 321.6, 0.72%, 0.41%

LAB 41.13, 64.13, -16.15

 

CMYK 0 / 93 / 35 / 36

HEX #A20B6A

RGB 162 11 106

HSL 322.25, 0.87%, 0.34%

LAB 35.91, 61.36, -12.48

 

CMYK 0 / 100 / 40 / 43

HEX #910057

RGB 145 0 87

HSL 324, 1%, 0.28%

LAB 31.13, 57.06, -7.77

 

CMYK 0 / 100 / 47 / 50

HEX #800044

RGB 128 0 68

HSL 328.13, 1%, 0.25%

LAB 26.75, 51.33, -2.02

 

CMYK 0 / 76 / 26 / 23

HEX #C53091

RGB 197 48 145

HSL 320.94, 0.61%, 0.48%

LAB 47.01, 65.75, -19.06

 

CMYK 0 / 76 / 47 / 23

HEX #C53069

RGB 197 48 105

HSL 337.05, 0.61%, 0.48%

LAB 45.64, 61.5, 3.31

 

CMYK 0 / 76 / 68 / 23

HEX #C53040

RGB 197 48 64

HSL 353.56, 0.61%, 0.48%

LAB 44.74, 58.6, 27.35

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

CMYK 0 / 76 / 26 / 23

HEX #C53091

RGB 197 48 145

HSL 320.94, 0.61%, 0.48%

LAB 47.01, 65.75, -19.06

 

CMYK 0 / 76 / 6 / 23

HEX #C530B9

RGB 197 48 185

HSL 304.83, 0.61%, 0.48%

LAB 48.87, 71.25, -39.89

 

CMYK 14 / 76 / 0 / 23

HEX #A930C5

RGB 169 48 197

HSL 288.72, 0.61%, 0.48%

LAB 45.05, 67.53, -53.23

 

CMYK 35 / 76 / 0 / 23

HEX #8030C5

RGB 128 48 197

HSL 272.21, 0.61%, 0.48%

LAB 39.13, 59.95, -63.1

 

CMYK 55 / 76 / 0 / 23

HEX #5830C5

RGB 88 48 197

HSL 256.11, 0.61%, 0.48%

LAB 34.44, 53.76, -70.97

 

CMYK 0 / 76 / 26 / 23

HEX #C53091

RGB 197 48 145

HSL 320.94, 0.61%, 0.48%

LAB 47.01, 65.75, -19.06

 

CMYK 0 / 87 / 30 / 15

HEX #D91C97

RGB 217 28 151

HSL 320.95, 0.77%, 0.48%

LAB 49.27, 75.72, -18.88

 

CMYK 0 / 97 / 34 / 7

HEX #ED089D

RGB 237 8 157

HSL 320.96, 0.93%, 0.48%

LAB 52.52, 82.73, -17.16

 

CMYK 0 / 76 / 26 / 23

HEX #C53091

RGB 197 48 145

HSL 320.94, 0.61%, 0.48%

LAB 47.01, 65.75, -19.06

 

CMYK 0 / 62 / 21 / 31

HEX #B1448B

RGB 177 68 139

HSL 320.92, 0.44%, 0.48%

LAB 46.1, 52.07, -17.13

 

CMYK 0 / 45 / 15 / 38

HEX #9D5785

RGB 157 87 133

HSL 320.57, 0.29%, 0.48%

LAB 46.55, 35.26, -13.11

 

CMYK 0 / 22 / 8 / 46

HEX #8A6B7F

RGB 138 107 127

HSL 321.29, 0.13%, 0.48%

LAB 48.82, 15.84, -6.33

 

CMYK 7 / 0 / 5 / 50

HEX #767F79

RGB 118 127 121

HSL 140, 0.04%, 0.48%

LAB 52.3, -4.56, 2.11

 

CMYK 15 / 76 / 0 / 23

HEX #A730C5

RGB 167 48 197

HSL 287.92, 0.61%, 0.48%

LAB 44.75, 67.14, -53.74

 

CMYK 0 / 76 / 5 / 23

HEX #C530BB

RGB 197 48 187

HSL 304.03, 0.61%, 0.48%

LAB 48.97, 71.55, -40.89

 

CMYK 0 / 76 / 25 / 23

HEX #C53093

RGB 197 48 147

HSL 320.13, 0.61%, 0.48%

LAB 47.09, 66, -20.14

 

CMYK 0 / 76 / 46 / 23

HEX #C5306B

RGB 197 48 107

HSL 336.24, 0.61%, 0.48%

LAB 45.7, 61.68, 2.16

 

CMYK 0 / 76 / 65 / 23

HEX #C53044

RGB 197 48 68

HSL 351.95, 0.61%, 0.48%

LAB 44.8, 58.81, 25

 

CMYK 0 / 76 / 27 / 49

HEX #832060

RGB 131 32 96

HSL 321.21, 0.61%, 0.32%

LAB 31.12, 47.64, -13.92

 

CMYK 0 / 76 / 26 / 36

HEX #A42879

RGB 164 40 121

HSL 320.81, 0.61%, 0.4%

LAB 39.23, 56.95, -16.83

 

CMYK 0 / 76 / 26 / 23

HEX #C53091

RGB 197 48 145

HSL 320.94, 0.61%, 0.48%

LAB 47.01, 65.75, -19.06

 

CMYK 0 / 64 / 22 / 17

HEX #D34BA4

RGB 211 75 164

HSL 320.74, 0.61%, 0.56%

LAB 53.56, 62.21, -20.12

 

CMYK 0 / 51 / 18 / 14

HEX #DB6CB4

RGB 219 108 180

HSL 321.08, 0.61%, 0.64%

LAB 60.85, 52.02, -18.15

 

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

CMYK 0 / 36 / 76 / 23

HEX #C57F30

RGB 197 127 48

HSL 31.81, 0.61%, 0.48%

LAB 59.22, 20.51, 51.85

 

CMYK 76 / 0 / 5 / 23

HEX #30C5BB

RGB 48 197 187

HSL 175.97, 0.61%, 0.48%

LAB 72.33, -39.71, -5.97

 

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

CMYK 25 / 0 / 76 / 23

HEX #93C530

RGB 147 197 48

HSL 80.13, 0.61%, 0.48%

LAB 73.77, -37.19, 64.46

 

CMYK 76 / 25 / 0 / 23

HEX #3093C5

RGB 48 147 197

HSL 200.13, 0.61%, 0.48%

LAB 57.59, -11.44, -33.94

 

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

CMYK 0 / 36 / 76 / 23

HEX #C57F30

RGB 197 127 48

HSL 31.81, 0.61%, 0.48%

LAB 59.22, 20.51, 51.85

 

CMYK 76 / 0 / 50 / 23

HEX #30C562

RGB 48 197 98

HSL 140.13, 0.61%, 0.48%

LAB 70.48, -59.45, 38.7

 

CMYK 76 / 41 / 0 / 23

HEX #3075C5

RGB 48 117 197

HSL 212.21, 0.61%, 0.48%

LAB 48.74, 6.26, -47.9

 

CMYK 0 / 76 / 27 / 23

HEX #C42F90

RGB 196 47 144

HSL 320.94, 0.61%, 0.48%

LAB 46.69, 65.69, -18.97

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 76 / 0 / 50 / 23

HEX #30C562

RGB 48 197 98

HSL 140.13, 0.61%, 0.48%

LAB 70.48, -59.45, 38.7

 

CMYK 76 / 63 / 0 / 23

HEX #3049C5

RGB 48 73 197

HSL 229.93, 0.61%, 0.48%

LAB 36.79, 34.49, -67.22

 

Description

Color code: HEX #C42F90 | qconv.com Color code: HEX #C42F90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 47 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 47 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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