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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AC30 it is the complementary color #3A53CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AC30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AC30 shade: #CAAC2B, #DBBE3E, #ECD051, #FDE264 and #FFF477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AC30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AC30 shade: #C5AC30, #B49A1D, #A3880A, #927600 and #816400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AC30 shade: #C5AC30, #C58430, #C55B30, #C53330 and #C53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AC30 shade: #C5AC30, #B6C530, #8EC530, #65C530 and #3DC530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AC30 shade matches the following richer shades: #C5AC30, #D9B91C and #EDC608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AC30 shade: #C5AC30, #B19F44, #9D9257, #8A856B and #76777F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AC30 shade: #C55A30, #C58230, #C5AA30, #B9C530 and #91C530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AC30 shade: #837220, #A48F28, #C5AC30, #D3BC4B and #DBC96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AC30 shade: #C5AC30, #30C532 and #6E30C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AC30 shade: #C5AC30, #30C5AA and #AA30C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AC30 shade: #C5AC30, #30C532, #304BC5 and #C530C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AC30 shade: #C5AC30, #30C55F, #304BC5 and #C53096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

Complementary color

CMYK 72 / 60 / 0 / 19

HEX #3A53CF

RGB 58 83 207

HSL 229.93, 0.61%, 0.52%

LAB 40.56, 32.87, -66.84

 

CMYK 0 / 15 / 79 / 21

HEX #CAAC2B

RGB 202 172 43

HSL 48.68, 0.65%, 0.48%

LAB 71.03, -1.87, 65.07

 

CMYK 0 / 13 / 72 / 14

HEX #DBBE3E

RGB 219 190 62

HSL 48.92, 0.69%, 0.55%

LAB 77.42, -3.14, 64.96

 

CMYK 0 / 12 / 66 / 7

HEX #ECD051

RGB 236 208 81

HSL 49.16, 0.8%, 0.62%

LAB 83.73, -4.21, 64.33

 

CMYK 0 / 11 / 60 / 1

HEX #FDE264

RGB 253 226 100

HSL 49.41, 0.97%, 0.69%

LAB 89.95, -5.14, 63.43

 

CMYK 0 / 4 / 53 / 0

HEX #FFF477

RGB 255 244 119

HSL 55.15, 1%, 0.73%

LAB 94.86, -11.91, 60.64

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 0 / 14 / 84 / 29

HEX #B49A1D

RGB 180 154 29

HSL 49.67, 0.72%, 0.41%

LAB 64.08, -2.5, 62.39

 

CMYK 0 / 17 / 94 / 36

HEX #A3880A

RGB 163 136 10

HSL 49.41, 0.88%, 0.34%

LAB 57.48, -0.85, 60.59

 

CMYK 0 / 19 / 100 / 43

HEX #927600

RGB 146 118 0

HSL 48.49, 1%, 0.29%

LAB 50.77, 1.1, 56.69

 

CMYK 0 / 22 / 100 / 49

HEX #816400

RGB 129 100 0

HSL 46.51, 1%, 0.25%

LAB 43.92, 3.32, 51.05

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 0 / 33 / 76 / 23

HEX #C58430

RGB 197 132 48

HSL 33.83, 0.61%, 0.48%

LAB 60.41, 17.77, 53.04

 

CMYK 0 / 54 / 76 / 23

HEX #C55B30

RGB 197 91 48

HSL 17.32, 0.61%, 0.48%

LAB 51.34, 39.63, 43.85

 

CMYK 0 / 74 / 76 / 23

HEX #C53330

RGB 197 51 48

HSL 1.21, 0.61%, 0.48%

LAB 44.87, 56.87, 36.94

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 8 / 0 / 76 / 23

HEX #B6C530

RGB 182 197 48

HSL 66.04, 0.61%, 0.48%

LAB 76.13, -23.05, 67.51

 

CMYK 28 / 0 / 76 / 23

HEX #8EC530

RGB 142 197 48

HSL 82.15, 0.61%, 0.48%

LAB 73.48, -39.1, 64.08

 

CMYK 49 / 0 / 76 / 23

HEX #65C530

RGB 101 197 48

HSL 98.66, 0.61%, 0.48%

LAB 71.5, -53.12, 61.48

 

CMYK 69 / 0 / 76 / 23

HEX #3DC530

RGB 61 197 48

HSL 114.77, 0.61%, 0.48%

LAB 70.27, -62.91, 59.87

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 0 / 15 / 87 / 15

HEX #D9B91C

RGB 217 185 28

HSL 49.84, 0.77%, 0.48%

LAB 75.78, -2.55, 73.7

 

CMYK 0 / 16 / 97 / 7

HEX #EDC608

RGB 237 198 8

HSL 49.78, 0.93%, 0.48%

LAB 80.97, -0.89, 81.38

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 0 / 10 / 62 / 31

HEX #B19F44

RGB 177 159 68

HSL 50.09, 0.44%, 0.48%

LAB 65.41, -4.6, 48.71

 

CMYK 0 / 7 / 45 / 38

HEX #9D9257

RGB 157 146 87

HSL 50.57, 0.29%, 0.48%

LAB 60.26, -4.54, 32.66

 

CMYK 0 / 4 / 22 / 46

HEX #8A856B

RGB 138 133 107

HSL 50.32, 0.13%, 0.48%

LAB 55.32, -2.65, 14.72

 

CMYK 7 / 6 / 0 / 50

HEX #76777F

RGB 118 119 127

HSL 233.33, 0.04%, 0.48%

LAB 50.19, 1.29, -4.51

 

CMYK 0 / 54 / 76 / 23

HEX #C55A30

RGB 197 90 48

HSL 16.91, 0.61%, 0.48%

LAB 51.15, 40.13, 43.65

 

CMYK 0 / 34 / 76 / 23

HEX #C58230

RGB 197 130 48

HSL 33.02, 0.61%, 0.48%

LAB 59.93, 18.87, 52.56

 

CMYK 0 / 14 / 76 / 23

HEX #C5AA30

RGB 197 170 48

HSL 49.13, 0.61%, 0.48%

LAB 70.06, -2.81, 62.31

 

CMYK 6 / 0 / 76 / 23

HEX #B9C530

RGB 185 197 48

HSL 64.83, 0.61%, 0.48%

LAB 76.35, -21.79, 67.8

 

CMYK 26 / 0 / 76 / 23

HEX #91C530

RGB 145 197 48

HSL 80.94, 0.61%, 0.48%

LAB 73.65, -37.96, 64.3

 

CMYK 0 / 13 / 76 / 49

HEX #837220

RGB 131 114 32

HSL 49.7, 0.61%, 0.32%

LAB 48.21, -2.81, 45.26

 

CMYK 0 / 13 / 76 / 36

HEX #A48F28

RGB 164 143 40

HSL 49.84, 0.61%, 0.4%

LAB 59.61, -3.35, 54.22

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 0 / 11 / 64 / 17

HEX #D3BC4B

RGB 211 188 75

HSL 49.85, 0.61%, 0.56%

LAB 76.27, -4.81, 58.28

 

CMYK 0 / 8 / 51 / 14

HEX #DBC96C

RGB 219 201 108

HSL 50.27, 0.61%, 0.64%

LAB 80.69, -5.73, 48.32

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 76 / 0 / 75 / 23

HEX #30C532

RGB 48 197 50

HSL 120.81, 0.61%, 0.48%

LAB 70.03, -64.94, 58.87

 

CMYK 44 / 76 / 0 / 23

HEX #6E30C5

RGB 110 48 197

HSL 264.97, 0.61%, 0.48%

LAB 36.86, 56.98, -66.91

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 76 / 0 / 14 / 23

HEX #30C5AA

RGB 48 197 170

HSL 169.13, 0.61%, 0.48%

LAB 71.87, -44.31, 2.61

 

CMYK 14 / 76 / 0 / 23

HEX #AA30C5

RGB 170 48 197

HSL 289.13, 0.61%, 0.48%

LAB 45.21, 67.72, -52.97

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 76 / 0 / 75 / 23

HEX #30C532

RGB 48 197 50

HSL 120.81, 0.61%, 0.48%

LAB 70.03, -64.94, 58.87

 

CMYK 76 / 62 / 0 / 23

HEX #304BC5

RGB 48 75 197

HSL 229.13, 0.61%, 0.48%

LAB 37.28, 33.21, -66.41

 

CMYK 0 / 76 / 1 / 23

HEX #C530C3

RGB 197 48 195

HSL 300.81, 0.61%, 0.48%

LAB 49.4, 72.79, -44.86

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC30

RGB 197 172 48

HSL 49.93, 0.61%, 0.48%

LAB 70.59, -3.87, 62.8

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 76 / 62 / 0 / 23

HEX #304BC5

RGB 48 75 197

HSL 229.13, 0.61%, 0.48%

LAB 37.28, 33.21, -66.41

 

CMYK 0 / 76 / 24 / 23

HEX #C53096

RGB 197 48 150

HSL 318.93, 0.61%, 0.48%

LAB 47.22, 66.38, -21.75

 

Description

Color code: HEX #C5AC30 | qconv.com Color code: HEX #C5AC30 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 172 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 172 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 76 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 76% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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