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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA419E it is the complementary color #25BE61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA419E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA419E shade: #DF4199, #F053AC, #FF65BF, #FF77D2 and #FF89E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA419E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA419E shade: #DA419E, #C92F8B, #B81D78, #A70B65 and #960052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA419E shade: #D93F9C, #D93F73, #D93F49 and #D93F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA419E shade: #D93F9C, #D93FC6, #C23FD9, #993FD9 and #6F3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA419E shade matches the following richer shades: #D93F9C, #EB2CA0 and #FE1AA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA419E shade: #D93F9C, #C65198, #B36494, #A17790 and #8E898C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA419E shade: #C23FD9, #D93FC7, #D93F9E, #D93F75 and #D93F4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA419E shade: #A52071, #C72788, #D93F9C, #DF61AE and #E684C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA419E shade: #DA419E, #D9993F and #3FD9D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA419E shade: #DA419E, #9ED93F and #3F9ED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA419E shade: #DA419E, #D9993F, #3FD97A and #3F7FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA419E shade: #DA419E, #D9C73F, #3FD97A and #3F51D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

Complementary color

CMYK 81 / 0 / 49 / 25

HEX #25BE61

RGB 37 190 97

HSL 143.53, 0.67%, 0.45%

LAB 68.08, -58.56, 36.16

 

CMYK 0 / 71 / 31 / 13

HEX #DF4199

RGB 223 65 153

HSL 326.58, 0.71%, 0.56%

LAB 53.78, 67.8, -13.12

 

CMYK 0 / 65 / 28 / 6

HEX #F053AC

RGB 240 83 172

HSL 325.99, 0.84%, 0.63%

LAB 59.61, 68.01, -15.14

 

CMYK 0 / 60 / 25 / 0

HEX #FF65BF

RGB 255 101 191

HSL 324.94, 1%, 0.7%

LAB 65.22, 67.31, -17.29

 

CMYK 0 / 53 / 18 / 0

HEX #FF77D2

RGB 255 119 210

HSL 319.85, 1%, 0.73%

LAB 68.83, 62.01, -22.48

 

CMYK 0 / 46 / 10 / 0

HEX #FF89E5

RGB 255 137 229

HSL 313.22, 1%, 0.77%

LAB 72.77, 56.38, -26.96

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 0 / 77 / 31 / 21

HEX #C92F8B

RGB 201 47 139

HSL 324.16, 0.62%, 0.49%

LAB 47.38, 66.33, -14.81

 

CMYK 0 / 84 / 35 / 28

HEX #B81D78

RGB 184 29 120

HSL 324.77, 0.73%, 0.42%

LAB 41.88, 64.75, -11.81

 

CMYK 0 / 93 / 40 / 35

HEX #A70B65

RGB 167 11 101

HSL 325.38, 0.88%, 0.35%

LAB 36.73, 61.97, -7.95

 

CMYK 0 / 100 / 45 / 41

HEX #960052

RGB 150 0 82

HSL 327.2, 1%, 0.29%

LAB 32.02, 57.71, -3.05

 

CMYK 0 / 71 / 28 / 15

HEX #D93F9C

RGB 217 63 156

HSL 323.77, 0.67%, 0.55%

LAB 52.63, 67.27, -16.74

 

CMYK 0 / 71 / 47 / 15

HEX #D93F73

RGB 217 63 115

HSL 339.74, 0.67%, 0.55%

LAB 51.32, 62.98, 5.84

 

CMYK 0 / 71 / 66 / 15

HEX #D93F49

RGB 217 63 73

HSL 356.1, 0.67%, 0.55%

LAB 50.44, 59.99, 29.87

 

CMYK 0 / 71 / 71 / 15

HEX #D93F3F

RGB 217 63 63

HSL 0, 0.67%, 0.55%

LAB 50.29, 59.5, 35.51

 

CMYK 0 / 71 / 28 / 15

HEX #D93F9C

RGB 217 63 156

HSL 323.77, 0.67%, 0.55%

LAB 52.63, 67.27, -16.74

 

CMYK 0 / 71 / 9 / 15

HEX #D93FC6

RGB 217 63 198

HSL 307.4, 0.67%, 0.55%

LAB 54.43, 72.93, -38.43

 

CMYK 11 / 71 / 0 / 15

HEX #C23FD9

RGB 194 63 217

HSL 291.04, 0.67%, 0.55%

LAB 51.88, 71.03, -53.58

 

CMYK 29 / 71 / 0 / 15

HEX #993FD9

RGB 153 63 217

HSL 275.06, 0.67%, 0.55%

LAB 46.09, 62.81, -63.19

 

CMYK 49 / 71 / 0 / 15

HEX #6F3FD9

RGB 111 63 217

HSL 258.7, 0.67%, 0.55%

LAB 41.13, 55.35, -71.49

 

CMYK 0 / 71 / 28 / 15

HEX #D93F9C

RGB 217 63 156

HSL 323.77, 0.67%, 0.55%

LAB 52.63, 67.27, -16.74

 

CMYK 0 / 81 / 32 / 8

HEX #EB2CA0

RGB 235 44 160

HSL 323.56, 0.83%, 0.55%

LAB 54.03, 77.49, -16.68

 

CMYK 0 / 90 / 35 / 0

HEX #FE1AA4

RGB 254 26 164

HSL 323.68, 0.99%, 0.55%

LAB 56.58, 85.19, -14.84

 

CMYK 0 / 71 / 28 / 15

HEX #D93F9C

RGB 217 63 156

HSL 323.77, 0.67%, 0.55%

LAB 52.63, 67.27, -16.74

 

CMYK 0 / 59 / 23 / 22

HEX #C65198

RGB 198 81 152

HSL 323.59, 0.51%, 0.55%

LAB 52.01, 54.3, -15.59

 

CMYK 0 / 44 / 17 / 30

HEX #B36494

RGB 179 100 148

HSL 323.54, 0.34%, 0.55%

LAB 52.77, 38.21, -12.35

 

CMYK 0 / 26 / 11 / 37

HEX #A17790

RGB 161 119 144

HSL 324.29, 0.18%, 0.55%

LAB 54.85, 20.55, -7.11

 

CMYK 0 / 4 / 1 / 44

HEX #8E898C

RGB 142 137 140

HSL 324, 0.02%, 0.55%

LAB 57.59, 2.44, -0.95

 

CMYK 11 / 71 / 0 / 15

HEX #C23FD9

RGB 194 63 217

HSL 291.04, 0.67%, 0.55%

LAB 51.88, 71.03, -53.58

 

CMYK 0 / 71 / 8 / 15

HEX #D93FC7

RGB 217 63 199

HSL 307.01, 0.67%, 0.55%

LAB 54.48, 73.08, -38.93

 

CMYK 0 / 71 / 27 / 15

HEX #D93F9E

RGB 217 63 158

HSL 322.99, 0.67%, 0.55%

LAB 52.7, 67.51, -17.8

 

CMYK 0 / 71 / 46 / 15

HEX #D93F75

RGB 217 63 117

HSL 338.96, 0.67%, 0.55%

LAB 51.37, 63.16, 4.71

 

CMYK 0 / 71 / 65 / 15

HEX #D93F4C

RGB 217 63 76

HSL 354.94, 0.67%, 0.55%

LAB 50.49, 60.16, 28.16

 

CMYK 0 / 81 / 32 / 35

HEX #A52071

RGB 165 32 113

HSL 323.46, 0.68%, 0.39%

LAB 38.24, 58.62, -13.31

 

CMYK 0 / 80 / 32 / 22

HEX #C72788

RGB 199 39 136

HSL 323.63, 0.67%, 0.47%

LAB 46.14, 67.69, -14.92

 

CMYK 0 / 71 / 28 / 15

HEX #D93F9C

RGB 217 63 156

HSL 323.77, 0.67%, 0.55%

LAB 52.63, 67.27, -16.74

 

CMYK 0 / 57 / 22 / 13

HEX #DF61AE

RGB 223 97 174

HSL 323.33, 0.66%, 0.63%

LAB 59.24, 57.55, -17.09

 

CMYK 0 / 43 / 17 / 10

HEX #E684C0

RGB 230 132 192

HSL 323.27, 0.66%, 0.71%

LAB 67.38, 45.32, -14.93

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 0 / 29 / 71 / 15

HEX #D9993F

RGB 217 153 63

HSL 35.06, 0.67%, 0.55%

LAB 67.94, 15.68, 54.91

 

CMYK 71 / 0 / 1 / 15

HEX #3FD9D6

RGB 63 217 214

HSL 178.83, 0.67%, 0.55%

LAB 79.35, -39.44, -10.07

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 27 / 0 / 71 / 15

HEX #9ED93F

RGB 158 217 63

HSL 82.99, 0.67%, 0.55%

LAB 80.32, -41.08, 65.96

 

CMYK 71 / 27 / 0 / 15

HEX #3F9ED9

RGB 63 158 217

HSL 202.99, 0.67%, 0.55%

LAB 62.1, -8.77, -38.06

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 0 / 29 / 71 / 15

HEX #D9993F

RGB 217 153 63

HSL 35.06, 0.67%, 0.55%

LAB 67.94, 15.68, 54.91

 

CMYK 71 / 0 / 44 / 15

HEX #3FD97A

RGB 63 217 122

HSL 142.99, 0.67%, 0.55%

LAB 77.33, -60.45, 35.48

 

CMYK 71 / 41 / 0 / 15

HEX #3F7FD9

RGB 63 127 217

HSL 215.06, 0.67%, 0.55%

LAB 53.22, 9.41, -52.1

 

CMYK 0 / 70 / 28 / 15

HEX #DA419E

RGB 218 65 158

HSL 323.53, 0.67%, 0.55%

LAB 53.12, 67.08, -17.16

 

CMYK 0 / 8 / 71 / 15

HEX #D9C73F

RGB 217 199 63

HSL 52.99, 0.67%, 0.55%

LAB 79.59, -8.57, 66.65

 

CMYK 71 / 0 / 44 / 15

HEX #3FD97A

RGB 63 217 122

HSL 142.99, 0.67%, 0.55%

LAB 77.33, -60.45, 35.48

 

CMYK 71 / 63 / 0 / 15

HEX #3F51D9

RGB 63 81 217

HSL 232.99, 0.67%, 0.55%

LAB 41.14, 38.25, -71.62

 

Description

Color code: HEX #DA419E | qconv.com Color code: HEX #DA419E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 65 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 65 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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