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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C32EF1 it is the complementary color #3CD10E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C32EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C32EF1 shade: #C82EEC, #D940FF, #EA52FF, #FB64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C32EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C32EF1 shade: #C32EF1, #B21CDE, #A10ACB, #9000B8 and #7F00A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C32EF1 shade: #C22DF0, #F02DEA, #F02DB5, #F02D81 and #F02D4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C32EF1 shade: #C22DF0, #8E2DF0, #592DF0 and #2D2DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C32EF1 shade matches the following richer shades: #C22DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C32EF1 shade: #C22DF0, #B93FDE, #AF51CC, #A664BA and #9C76A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C32EF1 shade: #572DF0, #8C2DF0, #C02DF0, #F02DED and #F02DB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C32EF1 shade: #940DBE, #B210E4, #C22DF0, #CE54F3 and #D97AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C32EF1 shade: #C32EF1, #F02D37 and #2DF072

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C32EF1 shade: #C32EF1, #F0C02D and #2DF0C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C32EF1 shade: #C32EF1, #F02D37, #5EF02D and #2DF0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C32EF1 shade: #C32EF1, #F05E2D, #5EF02D and #2DC0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

Complementary color

CMYK 71 / 0 / 93 / 18

HEX #3CD10E

RGB 60 209 14

HSL 105.85, 0.87%, 0.44%

LAB 73.93, -68.37, 70.92

 

CMYK 15 / 81 / 0 / 7

HEX #C82EEC

RGB 200 46 236

HSL 288.63, 0.83%, 0.55%

LAB 52.16, 80.69, -63.82

 

CMYK 15 / 75 / 0 / 0

HEX #D940FF

RGB 217 64 255

HSL 288.06, 1%, 0.63%

LAB 57.69, 81.91, -65.39

 

CMYK 8 / 68 / 0 / 0

HEX #EA52FF

RGB 234 82 255

HSL 292.72, 1%, 0.66%

LAB 62.29, 79.18, -57.88

 

CMYK 2 / 61 / 0 / 0

HEX #FB64FF

RGB 251 100 255

HSL 298.45, 1%, 0.7%

LAB 67.16, 76.09, -50.01

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

CMYK 20 / 87 / 0 / 13

HEX #B21CDE

RGB 178 28 222

HSL 286.39, 0.78%, 0.49%

LAB 46.4, 78.71, -65.37

 

CMYK 21 / 95 / 0 / 20

HEX #A10ACB

RGB 161 10 203

HSL 286.94, 0.91%, 0.42%

LAB 41.38, 75.5, -62.71

 

CMYK 22 / 100 / 0 / 28

HEX #9000B8

RGB 144 0 184

HSL 286.96, 1%, 0.36%

LAB 36.72, 70.89, -59.27

 

CMYK 23 / 100 / 0 / 35

HEX #7F00A5

RGB 127 0 165

HSL 286.18, 1%, 0.32%

LAB 32.32, 65.14, -55.2

 

CMYK 19 / 81 / 0 / 6

HEX #C22DF0

RGB 194 45 240

HSL 285.85, 0.87%, 0.56%

LAB 51.42, 80.65, -67.31

 

CMYK 0 / 81 / 3 / 6

HEX #F02DEA

RGB 240 45 234

HSL 301.85, 0.87%, 0.56%

LAB 58.36, 87.7, -52.41

 

CMYK 0 / 81 / 25 / 6

HEX #F02DB5

RGB 240 45 181

HSL 318.15, 0.87%, 0.56%

LAB 55.82, 80.73, -26.14

 

CMYK 0 / 81 / 46 / 6

HEX #F02D81

RGB 240 45 129

HSL 334.15, 0.87%, 0.56%

LAB 54.01, 75.51, 1.84

 

CMYK 0 / 81 / 68 / 6

HEX #F02D4C

RGB 240 45 76

HSL 350.46, 0.87%, 0.56%

LAB 52.87, 72.08, 32.05

 

CMYK 19 / 81 / 0 / 6

HEX #C22DF0

RGB 194 45 240

HSL 285.85, 0.87%, 0.56%

LAB 51.42, 80.65, -67.31

 

CMYK 41 / 81 / 0 / 6

HEX #8E2DF0

RGB 142 45 240

HSL 269.85, 0.87%, 0.56%

LAB 44.12, 72.86, -79.53

 

CMYK 63 / 81 / 0 / 6

HEX #592DF0

RGB 89 45 240

HSL 253.54, 0.87%, 0.56%

LAB 38.36, 66.93, -89.21

 

CMYK 81 / 81 / 0 / 6

HEX #2D2DF0

RGB 45 45 240

HSL 240, 0.87%, 0.56%

LAB 35.45, 64.02, -94.13

 

CMYK 19 / 81 / 0 / 6

HEX #C22DF0

RGB 194 45 240

HSL 285.85, 0.87%, 0.56%

LAB 51.42, 80.65, -67.31

 

CMYK 19 / 81 / 0 / 6

HEX #C22DF0

RGB 194 45 240

HSL 285.85, 0.87%, 0.56%

LAB 51.42, 80.65, -67.31

 

CMYK 17 / 72 / 0 / 13

HEX #B93FDE

RGB 185 63 222

HSL 286.04, 0.71%, 0.56%

LAB 50.85, 70.11, -58.13

 

CMYK 14 / 60 / 0 / 20

HEX #AF51CC

RGB 175 81 204

HSL 285.85, 0.55%, 0.56%

LAB 51.1, 56.85, -47.54

 

CMYK 11 / 46 / 0 / 27

HEX #A664BA

RGB 166 100 186

HSL 286.05, 0.38%, 0.56%

LAB 52.69, 41.08, -34.75

 

CMYK 7 / 30 / 0 / 34

HEX #9C76A8

RGB 156 118 168

HSL 285.6, 0.22%, 0.56%

LAB 54.92, 24.03, -20.99

 

CMYK 64 / 81 / 0 / 6

HEX #572DF0

RGB 87 45 240

HSL 252.92, 0.87%, 0.56%

LAB 38.19, 66.75, -89.5

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 20 / 81 / 0 / 6

HEX #C02DF0

RGB 192 45 240

HSL 285.23, 0.87%, 0.56%

LAB 51.12, 80.32, -67.81

 

CMYK 0 / 81 / 1 / 6

HEX #F02DED

RGB 240 45 237

HSL 300.92, 0.87%, 0.56%

LAB 58.52, 88.13, -53.83

 

CMYK 0 / 81 / 23 / 6

HEX #F02DB9

RGB 240 45 185

HSL 316.92, 0.87%, 0.56%

LAB 55.99, 81.2, -28.2

 

CMYK 22 / 93 / 0 / 25

HEX #940DBE

RGB 148 13 190

HSL 285.76, 0.87%, 0.4%

LAB 38.38, 70.97, -60.09

 

CMYK 22 / 93 / 0 / 11

HEX #B210E4

RGB 178 16 228

HSL 285.85, 0.87%, 0.48%

LAB 46.23, 81.59, -69.08

 

CMYK 19 / 81 / 0 / 6

HEX #C22DF0

RGB 194 45 240

HSL 285.85, 0.87%, 0.56%

LAB 51.42, 80.65, -67.31

 

CMYK 15 / 65 / 0 / 5

HEX #CE54F3

RGB 206 84 243

HSL 286.04, 0.87%, 0.64%

LAB 57.97, 70.27, -58.36

 

CMYK 12 / 50 / 0 / 4

HEX #D97AF6

RGB 217 122 246

HSL 285.97, 0.87%, 0.72%

LAB 66, 56.04, -47.19

 

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

CMYK 0 / 81 / 77 / 6

HEX #F02D37

RGB 240 45 55

HSL 356.92, 0.87%, 0.56%

LAB 52.6, 71.26, 43.78

 

CMYK 81 / 0 / 53 / 6

HEX #2DF072

RGB 45 240 114

HSL 141.23, 0.87%, 0.56%

LAB 84.01, -71.76, 47.68

 

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

CMYK 0 / 20 / 81 / 6

HEX #F0C02D

RGB 240 192 45

HSL 45.23, 0.87%, 0.56%

LAB 79.85, 4.17, 73.66

 

CMYK 81 / 0 / 20 / 6

HEX #2DF0C0

RGB 45 240 192

HSL 165.23, 0.87%, 0.56%

LAB 85.34, -56.73, 10.27

 

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

CMYK 0 / 81 / 77 / 6

HEX #F02D37

RGB 240 45 55

HSL 356.92, 0.87%, 0.56%

LAB 52.6, 71.26, 43.78

 

CMYK 61 / 0 / 81 / 6

HEX #5EF02D

RGB 94 240 45

HSL 104.92, 0.87%, 0.56%

LAB 84.43, -70.28, 74.42

 

CMYK 81 / 0 / 4 / 6

HEX #2DF0E7

RGB 45 240 231

HSL 177.23, 0.87%, 0.56%

LAB 86.33, -46.63, -8.72

 

CMYK 19 / 81 / 0 / 5

HEX #C32EF1

RGB 195 46 241

HSL 285.85, 0.87%, 0.56%

LAB 51.73, 80.74, -67.37

 

CMYK 0 / 61 / 81 / 6

HEX #F05E2D

RGB 240 94 45

HSL 15.08, 0.87%, 0.56%

LAB 58.71, 53.93, 54.84

 

CMYK 61 / 0 / 81 / 6

HEX #5EF02D

RGB 94 240 45

HSL 104.92, 0.87%, 0.56%

LAB 84.43, -70.28, 74.42

 

CMYK 81 / 20 / 0 / 6

HEX #2DC0F0

RGB 45 192 240

HSL 194.77, 0.87%, 0.56%

LAB 72.59, -21.25, -34.36

 

Description

Color code: HEX #C32EF1 | qconv.com Color code: HEX #C32EF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 46 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 46 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 81 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 81% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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