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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 81 / 0 / 6 it is the complementary color CMYK 21 / 0 / 93 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 81 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 81 / 0 / 6: CMYK 60 / 80 / 0 / 8, CMYK 56 / 75 / 0 / 0, CMYK 50 / 68 / 0 / 0, CMYK 43 / 61 / 0 / 0 and CMYK 36 / 54 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 81 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 81 / 0 / 6: CMYK 63 / 81 / 0 / 6, CMYK 67 / 87 / 0 / 13, CMYK 73 / 95 / 0 / 21, CMYK 79 / 100 / 0 / 28 and CMYK 87 / 100 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

Complementary color

CMYK 21 / 0 / 93 / 18

HEX #A6D10F

RGB 166 209 15

HSL 73.3, 0.87%, 0.44%

LAB 78.31, -36.2, 76.17

 

CMYK 60 / 80 / 0 / 8

HEX #5E2EEB

RGB 94 46 235

HSL 255.24, 0.83%, 0.55%

LAB 38.43, 65.67, -86.25

 

CMYK 56 / 75 / 0 / 0

HEX #6F40FE

RGB 111 64 254

HSL 254.84, 0.99%, 0.62%

LAB 44.52, 64.86, -86.85

 

CMYK 50 / 68 / 0 / 0

HEX #8052FF

RGB 128 82 255

HSL 255.95, 1%, 0.66%

LAB 49.31, 58.82, -79.5

 

CMYK 43 / 61 / 0 / 0

HEX #9164FF

RGB 145 100 255

HSL 257.42, 1%, 0.7%

LAB 54.4, 52.47, -71.14

 

CMYK 36 / 54 / 0 / 0

HEX #A276FF

RGB 162 118 255

HSL 259.27, 1%, 0.73%

LAB 59.76, 46.35, -62.42

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 67 / 87 / 0 / 13

HEX #481CDD

RGB 72 28 221

HSL 253.68, 0.78%, 0.49%

LAB 32.76, 66.69, -87.7

 

CMYK 73 / 95 / 0 / 21

HEX #370ACA

RGB 55 10 202

HSL 254.06, 0.91%, 0.42%

LAB 27.56, 65.47, -85.38

 

CMYK 79 / 100 / 0 / 28

HEX #2600B7

RGB 38 0 183

HSL 252.46, 1%, 0.36%

LAB 23.1, 62.23, -81.6

 

CMYK 87 / 100 / 0 / 36

HEX #1500A4

RGB 21 0 164

HSL 247.68, 1%, 0.32%

LAB 19.39, 57.14, -76.38

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 50 / 81 / 0 / 6

HEX #782DF0

RGB 120 45 240

HSL 263.08, 0.87%, 0.56%

LAB 41.47, 70.11, -83.98

 

CMYK 37 / 81 / 0 / 6

HEX #982DF0

RGB 152 45 240

HSL 272.92, 0.87%, 0.56%

LAB 45.42, 74.23, -77.35

 

CMYK 23 / 81 / 0 / 6

HEX #B92DF0

RGB 185 45 240

HSL 283.08, 0.87%, 0.56%

LAB 50.08, 79.2, -69.56

 

CMYK 10 / 81 / 0 / 6

HEX #D92DF0

RGB 217 45 240

HSL 292.92, 0.87%, 0.56%

LAB 54.99, 84.52, -61.38

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 64 / 81 / 0 / 86

HEX #0D0724

RGB 13 7 36

HSL 252.41, 0.67%, 0.08%

LAB 3.3, 8.75, -16.82

 

CMYK 63 / 80 / 0 / 66

HEX #201157

RGB 32 17 87

HSL 252.86, 0.67%, 0.2%

LAB 11.93, 28.63, -39.46

 

CMYK 63 / 81 / 0 / 46

HEX #331A8A

RGB 51 26 138

HSL 253.39, 0.68%, 0.32%

LAB 21.12, 42.57, -57.38

 

CMYK 63 / 81 / 0 / 26

HEX #4624BD

RGB 70 36 189

HSL 253.33, 0.68%, 0.44%

LAB 30.01, 54.9, -73.63

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 0 / 81 / 34 / 6

HEX #F02D9F

RGB 240 45 159

HSL 324.92, 0.87%, 0.56%

LAB 54.97, 78.3, -14.57

 

CMYK 67 / 0 / 81 / 6

HEX #50F02D

RGB 80 240 45

HSL 109.23, 0.87%, 0.56%

LAB 84.08, -73.18, 73.98

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 0 / 64 / 81 / 6

HEX #F0572D

RGB 240 87 45

HSL 12.92, 0.87%, 0.56%

LAB 57.59, 56.93, 53.8

 

CMYK 81 / 0 / 64 / 6

HEX #2DF057

RGB 45 240 87

HSL 132.92, 0.87%, 0.56%

LAB 83.74, -75.11, 59.24

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 0 / 81 / 34 / 6

HEX #F02D9F

RGB 240 45 159

HSL 324.92, 0.87%, 0.56%

LAB 54.97, 78.3, -14.57

 

CMYK 18 / 0 / 81 / 6

HEX #C6F02D

RGB 198 240 45

HSL 72.92, 0.87%, 0.56%

LAB 89.17, -36.84, 80.44

 

CMYK 81 / 0 / 48 / 6

HEX #2DF07E

RGB 45 240 126

HSL 144.92, 0.87%, 0.56%

LAB 84.17, -69.96, 42.17

 

CMYK 63 / 81 / 0 / 6

HEX #592EF0

RGB 89 46 240

HSL 253.3, 0.87%, 0.56%

LAB 38.5, 66.53, -88.99

 

CMYK 0 / 81 / 58 / 6

HEX #F02D64

RGB 240 45 100

HSL 343.08, 0.87%, 0.56%

LAB 53.3, 73.39, 18.28

 

CMYK 18 / 0 / 81 / 6

HEX #C6F02D

RGB 198 240 45

HSL 72.92, 0.87%, 0.56%

LAB 89.17, -36.84, 80.44

 

CMYK 81 / 0 / 23 / 6

HEX #2DF0B9

RGB 45 240 185

HSL 163.08, 0.87%, 0.56%

LAB 85.19, -58.38, 13.7

 

Description

Color code: CMYK 63 / 81 / 0 / 6 | qconv.com Color code: CMYK 63 / 81 / 0 / 6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 46 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 46 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 81 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 81% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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