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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2DF0 it is the complementary color #73D20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2DF0 shade: #912DEB, #A23FFE, #B351FF, #C463FF and #D575FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2DF0 shade: #8C2DF0, #7B1BDD, #6A09CA, #5900B7 and #4800A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2DF0 shade: #8C2DF0, #C12DF0, #F02DEB, #F02DB7 and #F02D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2DF0 shade: #8C2DF0, #582DF0 and #2D2DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2DF0 shade matches the following richer shades: #8C2DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2DF0 shade: #8C2DF0, #8D3FDE, #8D51CC, #8E64BA and #8E76A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2DF0 shade: #2D37F0, #572DF0, #8C2DF0, #C02DF0 and #F02DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2DF0 shade: #630DBE, #7710E4, #8C2DF0, #A154F3 and #B67AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2DF0 shade: #8C2DF0, #F02D6B and #2DF03D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2DF0 shade: #8C2DF0, #F08C2D and #2DF08C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2DF0 shade: #8C2DF0, #F02D6B, #92F02D and #2DF0B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2DF0 shade: #8C2DF0, #F02D30, #92F02D and #2DF0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

Complementary color

CMYK 45 / 0 / 93 / 18

HEX #73D20F

RGB 115 210 15

HSL 89.23, 0.87%, 0.44%

LAB 75.93, -55.05, 73.13

 

CMYK 38 / 81 / 0 / 8

HEX #912DEB

RGB 145 45 235

HSL 271.58, 0.83%, 0.55%

LAB 44.08, 72.17, -76.75

 

CMYK 36 / 75 / 0 / 0

HEX #A23FFE

RGB 162 63 254

HSL 271.1, 0.99%, 0.62%

LAB 49.97, 72.55, -77.7

 

CMYK 30 / 68 / 0 / 0

HEX #B351FF

RGB 179 81 255

HSL 273.79, 1%, 0.66%

LAB 54.75, 68.43, -70.39

 

CMYK 23 / 61 / 0 / 0

HEX #C463FF

RGB 196 99 255

HSL 277.31, 1%, 0.69%

LAB 59.78, 63.86, -62.19

 

CMYK 16 / 54 / 0 / 0

HEX #D575FF

RGB 213 117 255

HSL 281.74, 1%, 0.73%

LAB 65.03, 59.27, -53.69

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 44 / 88 / 0 / 13

HEX #7B1BDD

RGB 123 27 221

HSL 269.69, 0.78%, 0.49%

LAB 38.23, 71.44, -78.49

 

CMYK 48 / 96 / 0 / 21

HEX #6A09CA

RGB 106 9 202

HSL 270.16, 0.91%, 0.41%

LAB 32.97, 68.98, -76.24

 

CMYK 51 / 100 / 0 / 28

HEX #5900B7

RGB 89 0 183

HSL 269.18, 1%, 0.36%

LAB 28.23, 64.76, -72.94

 

CMYK 56 / 100 / 0 / 36

HEX #4800A4

RGB 72 0 164

HSL 266.34, 1%, 0.32%

LAB 23.86, 59.18, -68.81

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 20 / 81 / 0 / 6

HEX #C12DF0

RGB 193 45 240

HSL 285.54, 0.87%, 0.56%

LAB 51.27, 80.49, -67.56

 

CMYK 0 / 81 / 2 / 6

HEX #F02DEB

RGB 240 45 235

HSL 301.54, 0.87%, 0.56%

LAB 58.41, 87.84, -52.89

 

CMYK 0 / 81 / 24 / 6

HEX #F02DB7

RGB 240 45 183

HSL 317.54, 0.87%, 0.56%

LAB 55.91, 80.96, -27.17

 

CMYK 0 / 81 / 46 / 6

HEX #F02D82

RGB 240 45 130

HSL 333.85, 0.87%, 0.56%

LAB 54.04, 75.59, 1.28

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 63 / 81 / 0 / 6

HEX #582DF0

RGB 88 45 240

HSL 253.23, 0.87%, 0.56%

LAB 38.27, 66.84, -89.36

 

CMYK 81 / 81 / 0 / 6

HEX #2D2DF0

RGB 45 45 240

HSL 240, 0.87%, 0.56%

LAB 35.45, 64.02, -94.13

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 36 / 72 / 0 / 13

HEX #8D3FDE

RGB 141 63 222

HSL 269.43, 0.71%, 0.56%

LAB 44.93, 61.72, -68

 

CMYK 31 / 60 / 0 / 20

HEX #8D51CC

RGB 141 81 204

HSL 269.27, 0.55%, 0.56%

LAB 46.85, 48.7, -54.58

 

CMYK 24 / 46 / 0 / 27

HEX #8E64BA

RGB 142 100 186

HSL 269.3, 0.38%, 0.56%

LAB 49.99, 34.1, -39.19

 

CMYK 15 / 30 / 0 / 34

HEX #8E76A8

RGB 142 118 168

HSL 268.8, 0.22%, 0.56%

LAB 53.53, 19.38, -23.24

 

CMYK 81 / 77 / 0 / 6

HEX #2D37F0

RGB 45 55 240

HSL 236.92, 0.87%, 0.56%

LAB 37.08, 59.27, -91.42

 

CMYK 64 / 81 / 0 / 6

HEX #572DF0

RGB 87 45 240

HSL 252.92, 0.87%, 0.56%

LAB 38.19, 66.75, -89.5

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 20 / 81 / 0 / 6

HEX #C02DF0

RGB 192 45 240

HSL 285.23, 0.87%, 0.56%

LAB 51.12, 80.32, -67.81

 

CMYK 0 / 81 / 1 / 6

HEX #F02DED

RGB 240 45 237

HSL 300.92, 0.87%, 0.56%

LAB 58.52, 88.13, -53.83

 

CMYK 48 / 93 / 0 / 25

HEX #630DBE

RGB 99 13 190

HSL 269.15, 0.87%, 0.4%

LAB 31.02, 65.02, -72.44

 

CMYK 48 / 93 / 0 / 11

HEX #7710E4

RGB 119 16 228

HSL 269.15, 0.87%, 0.48%

LAB 37.65, 74.79, -83.47

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 34 / 65 / 0 / 5

HEX #A154F3

RGB 161 84 243

HSL 269.06, 0.87%, 0.64%

LAB 52.27, 60.81, -67.83

 

CMYK 26 / 50 / 0 / 4

HEX #B67AF6

RGB 182 122 246

HSL 269.03, 0.87%, 0.72%

LAB 62.1, 46.86, -53.61

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 0 / 81 / 55 / 6

HEX #F02D6B

RGB 240 45 107

HSL 340.92, 0.87%, 0.56%

LAB 53.45, 73.85, 14.27

 

CMYK 81 / 0 / 75 / 6

HEX #2DF03D

RGB 45 240 61

HSL 124.92, 0.87%, 0.56%

LAB 83.56, -77.4, 68.65

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 0 / 42 / 81 / 6

HEX #F08C2D

RGB 240 140 45

HSL 29.23, 0.87%, 0.56%

LAB 67.63, 31.49, 62.93

 

CMYK 81 / 0 / 42 / 6

HEX #2DF08C

RGB 45 240 140

HSL 149.23, 0.87%, 0.56%

LAB 84.37, -67.61, 35.57

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 0 / 81 / 55 / 6

HEX #F02D6B

RGB 240 45 107

HSL 340.92, 0.87%, 0.56%

LAB 53.45, 73.85, 14.27

 

CMYK 39 / 0 / 81 / 6

HEX #92F02D

RGB 146 240 45

HSL 88.92, 0.87%, 0.56%

LAB 86.32, -55.73, 76.84

 

CMYK 81 / 0 / 25 / 6

HEX #2DF0B3

RGB 45 240 179

HSL 161.23, 0.87%, 0.56%

LAB 85.06, -59.75, 16.64

 

CMYK 42 / 81 / 0 / 6

HEX #8C2DF0

RGB 140 45 240

HSL 269.23, 0.87%, 0.56%

LAB 43.86, 72.6, -79.96

 

CMYK 0 / 81 / 80 / 6

HEX #F02D30

RGB 240 45 48

HSL 359.08, 0.87%, 0.56%

LAB 52.53, 71.05, 47.48

 

CMYK 39 / 0 / 81 / 6

HEX #92F02D

RGB 146 240 45

HSL 88.92, 0.87%, 0.56%

LAB 86.32, -55.73, 76.84

 

CMYK 81 / 0 / 1 / 6

HEX #2DF0ED

RGB 45 240 237

HSL 179.08, 0.87%, 0.56%

LAB 86.5, -44.95, -11.62

 

Description

Color code: HEX #8C2DF0 | qconv.com Color code: HEX #8C2DF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 45 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 45 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 81 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 81% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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