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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 81 / 24 / 6 it is the complementary color CMYK 93 / 0 / 65 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 81 / 24 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 81 / 24 / 6: CMYK 0 / 81 / 28 / 4, CMYK 0 / 75 / 23 / 0, CMYK 0 / 68 / 16 / 0, CMYK 0 / 61 / 8 / 0 and CMYK 0 / 54 / 1 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 81 / 24 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 81 / 24 / 6: CMYK 0 / 81 / 24 / 6, CMYK 0 / 87 / 27 / 13, CMYK 0 / 95 / 30 / 19, CMYK 0 / 100 / 34 / 26 and CMYK 0 / 100 / 38 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

Complementary color

CMYK 93 / 0 / 65 / 18

HEX #0FD149

RGB 15 209 73

HSL 137.94, 0.87%, 0.44%

LAB 73.66, -69.58, 53.79

 

CMYK 0 / 81 / 28 / 4

HEX #F52EB1

RGB 245 46 177

HSL 320.5, 0.91%, 0.57%

LAB 56.63, 81.14, -22.51

 

CMYK 0 / 75 / 23 / 0

HEX #FF40C4

RGB 255 64 196

HSL 318.53, 1%, 0.63%

LAB 60.7, 81.02, -27.04

 

CMYK 0 / 68 / 16 / 0

HEX #FF52D7

RGB 255 82 215

HSL 313.87, 1%, 0.66%

LAB 63.51, 77.76, -33.47

 

CMYK 0 / 61 / 8 / 0

HEX #FF64EA

RGB 255 100 234

HSL 308.13, 1%, 0.7%

LAB 66.76, 73.73, -39.02

 

CMYK 0 / 54 / 1 / 0

HEX #FF76FD

RGB 255 118 253

HSL 300.88, 1%, 0.73%

LAB 70.39, 69.15, -43.79

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 87 / 27 / 13

HEX #DF1CA3

RGB 223 28 163

HSL 318.46, 0.78%, 0.49%

LAB 50.88, 78.32, -23.47

 

CMYK 0 / 95 / 30 / 19

HEX #CE0A90

RGB 206 10 144

HSL 318.98, 0.91%, 0.42%

LAB 46.11, 74.94, -19.69

 

CMYK 0 / 100 / 34 / 26

HEX #BD007D

RGB 189 0 125

HSL 320.32, 1%, 0.37%

LAB 41.69, 70.36, -15.12

 

CMYK 0 / 100 / 38 / 33

HEX #AC006A

RGB 172 0 106

HSL 323.02, 1%, 0.34%

LAB 37.5, 64.86, -9.88

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 81 / 37 / 6

HEX #F02D98

RGB 240 45 152

HSL 327.08, 0.87%, 0.56%

LAB 54.73, 77.6, -10.8

 

CMYK 0 / 81 / 50 / 6

HEX #F02D78

RGB 240 45 120

HSL 336.92, 0.87%, 0.56%

LAB 53.77, 74.79, 6.89

 

CMYK 0 / 81 / 64 / 6

HEX #F02D57

RGB 240 45 87

HSL 347.08, 0.87%, 0.56%

LAB 53.05, 72.63, 25.75

 

CMYK 0 / 81 / 78 / 6

HEX #F02D36

RGB 240 45 54

HSL 357.23, 0.87%, 0.56%

LAB 52.58, 71.22, 44.31

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 81 / 25 / 86

HEX #24071B

RGB 36 7 27

HSL 318.62, 0.67%, 0.08%

LAB 5.48, 17.04, -6.22

 

CMYK 0 / 80 / 24 / 66

HEX #571142

RGB 87 17 66

HSL 318, 0.67%, 0.2%

LAB 19.31, 36.57, -12.73

 

CMYK 0 / 81 / 24 / 46

HEX #8A1A69

RGB 138 26 105

HSL 317.68, 0.68%, 0.32%

LAB 32.17, 52.59, -17.99

 

CMYK 0 / 81 / 24 / 26

HEX #BD248F

RGB 189 36 143

HSL 318.04, 0.68%, 0.44%

LAB 44.32, 66.93, -22.11

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 42 / 81 / 6

HEX #F08B2D

RGB 240 139 45

HSL 28.92, 0.87%, 0.56%

LAB 67.41, 32.01, 62.74

 

CMYK 81 / 0 / 10 / 6

HEX #2DF0D9

RGB 45 240 217

HSL 172.92, 0.87%, 0.56%

LAB 85.95, -50.42, -1.94

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 23 / 0 / 81 / 6

HEX #B9F02D

RGB 185 240 45

HSL 76.92, 0.87%, 0.56%

LAB 88.36, -41.85, 79.43

 

CMYK 81 / 23 / 0 / 6

HEX #2DB9F0

RGB 45 185 240

HSL 196.92, 0.87%, 0.56%

LAB 70.56, -17.6, -37.52

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 42 / 81 / 6

HEX #F08B2D

RGB 240 139 45

HSL 28.92, 0.87%, 0.56%

LAB 67.41, 32.01, 62.74

 

CMYK 81 / 0 / 58 / 6

HEX #2DF064

RGB 45 240 100

HSL 136.92, 0.87%, 0.56%

LAB 83.86, -73.62, 53.84

 

CMYK 81 / 39 / 0 / 6

HEX #2D92F0

RGB 45 146 240

HSL 208.92, 0.87%, 0.56%

LAB 59.35, 4.27, -55.18

 

CMYK 0 / 81 / 24 / 6

HEX #F02EB6

RGB 240 46 182

HSL 317.94, 0.87%, 0.56%

LAB 55.94, 80.62, -26.54

 

CMYK 0 / 18 / 81 / 6

HEX #F0C62D

RGB 240 198 45

HSL 47.08, 0.87%, 0.56%

LAB 81.35, 1.06, 74.96

 

CMYK 81 / 0 / 58 / 6

HEX #2DF064

RGB 45 240 100

HSL 136.92, 0.87%, 0.56%

LAB 83.86, -73.62, 53.84

 

CMYK 81 / 64 / 0 / 6

HEX #2D57F0

RGB 45 87 240

HSL 227.08, 0.87%, 0.56%

LAB 43.75, 40.93, -80.42

 

Description

Color code: CMYK 0 / 81 / 24 / 6 | qconv.com Color code: CMYK 0 / 81 / 24 / 6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 46 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 46 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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