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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24576 it is the complementary color #3DBA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C24576: #C74571, #D85784, #E96997, #FA7BAA and #FF8DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C24576: #C24576, #B13363, #A02150, #8F0F3D and #7E002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

Complementary color

CMYK 67 / 0 / 26 / 27

HEX #3DBA89

RGB 61 186 137

HSL 156.48, 0.51%, 0.48%

LAB 67.96, -45.87, 15.02

 

CMYK 0 / 65 / 43 / 22

HEX #C74571

RGB 199 69 113

HSL 339.69, 0.54%, 0.53%

LAB 49, 55.14, 3.31

 

CMYK 0 / 60 / 39 / 15

HEX #D85784

RGB 216 87 132

HSL 339.07, 0.62%, 0.59%

LAB 55.16, 54.69, 1.21

 

CMYK 0 / 55 / 35 / 9

HEX #E96997

RGB 233 105 151

HSL 338.44, 0.74%, 0.66%

LAB 61.36, 54.05, -0.52

 

CMYK 0 / 51 / 32 / 2

HEX #FA7BAA

RGB 250 123 170

HSL 337.8, 0.93%, 0.73%

LAB 67.57, 53.29, -1.98

 

CMYK 0 / 45 / 26 / 0

HEX #FF8DBD

RGB 255 141 189

HSL 334.74, 1%, 0.78%

LAB 72.22, 48.55, -5.69

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 0 / 71 / 44 / 31

HEX #B13363

RGB 177 51 99

HSL 337.14, 0.55%, 0.45%

LAB 42.18, 54.2, 1.57

 

CMYK 0 / 79 / 50 / 37

HEX #A02150

RGB 160 33 80

HSL 337.8, 0.66%, 0.38%

LAB 36.25, 53.63, 4.67

 

CMYK 0 / 90 / 57 / 44

HEX #8F0F3D

RGB 143 15 61

HSL 338.44, 0.81%, 0.31%

LAB 30.68, 51.96, 8.76

 

CMYK 0 / 100 / 67 / 51

HEX #7E002A

RGB 126 0 42

HSL 340, 1%, 0.25%

LAB 25.57, 48.89, 14.06

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 0 / 64 / 49 / 24

HEX #C34663

RGB 195 70 99

HSL 346.08, 0.51%, 0.52%

LAB 48.11, 52.13, 10.46

 

CMYK 0 / 64 / 60 / 24

HEX #C3464E

RGB 195 70 78

HSL 356.16, 0.51%, 0.52%

LAB 47.67, 50.45, 22.57

 

CMYK 0 / 58 / 64 / 24

HEX #C35246

RGB 195 82 70

HSL 5.76, 0.51%, 0.52%

LAB 49.59, 44.45, 29.74

 

CMYK 0 / 47 / 64 / 24

HEX #C36746

RGB 195 103 70

HSL 15.84, 0.51%, 0.52%

LAB 53.76, 33.84, 34.82

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 0 / 64 / 39 / 4

HEX #F55795

RGB 245 87 149

HSL 336.46, 0.89%, 0.65%

LAB 60.25, 65.3, -0.77

 

CMYK 0 / 63 / 39 / 84

HEX #290F19

RGB 41 15 25

HSL 336.92, 0.46%, 0.11%

LAB 7.98, 15, -0.87

 

CMYK 0 / 64 / 39 / 64

HEX #5C2138

RGB 92 33 56

HSL 336.61, 0.47%, 0.25%

LAB 22.47, 29.55, -0.95

 

CMYK 0 / 64 / 39 / 44

HEX #8F3357

RGB 143 51 87

HSL 336.52, 0.47%, 0.38%

LAB 35.78, 42.31, -0.91

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 0 / 13 / 64 / 24

HEX #C3AA46

RGB 195 170 70

HSL 48, 0.51%, 0.52%

LAB 70.03, -2.53, 53.34

 

CMYK 64 / 13 / 0 / 24

HEX #46AAC3

RGB 70 170 195

HSL 192, 0.51%, 0.52%

LAB 64.96, -21.28, -21.4

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 38 / 0 / 64 / 24

HEX #78C346

RGB 120 195 70

HSL 96, 0.51%, 0.52%

LAB 71.87, -44.61, 53.81

 

CMYK 64 / 38 / 0 / 24

HEX #4678C3

RGB 70 120 195

HSL 216, 0.51%, 0.52%

LAB 50.3, 7.03, -44.21

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 0 / 13 / 64 / 24

HEX #C3AA46

RGB 195 170 70

HSL 48, 0.51%, 0.52%

LAB 70.03, -2.53, 53.34

 

CMYK 64 / 0 / 26 / 24

HEX #46C391

RGB 70 195 145

HSL 156, 0.51%, 0.52%

LAB 71.13, -46.26, 15.16

 

CMYK 64 / 51 / 0 / 24

HEX #465FC3

RGB 70 95 195

HSL 228, 0.51%, 0.52%

LAB 43.4, 22.71, -55.26

 

CMYK 0 / 64 / 39 / 24

HEX #C24576

RGB 194 69 118

HSL 336.48, 0.51%, 0.52%

LAB 48.3, 54.12, -0.84

 

CMYK 7 / 0 / 64 / 24

HEX #B6C346

RGB 182 195 70

HSL 66.24, 0.51%, 0.52%

LAB 75.71, -20.88, 59.06

 

CMYK 64 / 0 / 26 / 24

HEX #46C391

RGB 70 195 145

HSL 156, 0.51%, 0.52%

LAB 71.13, -46.26, 15.16

 

CMYK 58 / 64 / 0 / 24

HEX #5246C3

RGB 82 70 195

HSL 245.76, 0.51%, 0.52%

LAB 38.05, 40.33, -63.91

 

Description

Color code: HEX #C24576 | qconv.com Color code: HEX #C24576 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 69 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 69 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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