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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 64 / 39 / 24 it is the complementary color CMYK 67 / 0 / 26 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 64 / 39 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 64 / 39 / 24: CMYK 0 / 65 / 43 / 22, CMYK 0 / 59 / 39 / 15, CMYK 0 / 55 / 35 / 9, CMYK 0 / 50 / 32 / 2 and CMYK 0 / 44 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 64 / 39 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 64 / 39 / 24: CMYK 0 / 64 / 39 / 24, CMYK 0 / 71 / 44 / 31, CMYK 0 / 79 / 50 / 37, CMYK 0 / 89 / 57 / 44 and CMYK 0 / 100 / 67 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

Complementary color

CMYK 67 / 0 / 26 / 27

HEX #3DB989

RGB 61 185 137

HSL 156.77, 0.5%, 0.48%

LAB 67.65, -45.45, 14.59

 

CMYK 0 / 65 / 43 / 22

HEX #C74671

RGB 199 70 113

HSL 340, 0.54%, 0.53%

LAB 49.15, 54.72, 3.53

 

CMYK 0 / 59 / 39 / 15

HEX #D85884

RGB 216 88 132

HSL 339.38, 0.62%, 0.6%

LAB 55.32, 54.25, 1.46

 

CMYK 0 / 55 / 35 / 9

HEX #E96A97

RGB 233 106 151

HSL 338.74, 0.74%, 0.66%

LAB 61.54, 53.58, -0.26

 

CMYK 0 / 50 / 32 / 2

HEX #FA7CAA

RGB 250 124 170

HSL 338.1, 0.93%, 0.73%

LAB 67.76, 52.81, -1.71

 

CMYK 0 / 44 / 26 / 0

HEX #FF8EBD

RGB 255 142 189

HSL 335.04, 1%, 0.78%

LAB 72.42, 48.05, -5.4

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 0 / 71 / 44 / 31

HEX #B13463

RGB 177 52 99

HSL 337.44, 0.55%, 0.45%

LAB 42.31, 53.83, 1.76

 

CMYK 0 / 79 / 50 / 37

HEX #A02250

RGB 160 34 80

HSL 338.1, 0.65%, 0.38%

LAB 36.36, 53.33, 4.82

 

CMYK 0 / 89 / 57 / 44

HEX #8F103D

RGB 143 16 61

HSL 338.74, 0.8%, 0.31%

LAB 30.75, 51.76, 8.86

 

CMYK 0 / 100 / 67 / 51

HEX #7E002A

RGB 126 0 42

HSL 340, 1%, 0.25%

LAB 25.57, 48.89, 14.06

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 0 / 63 / 49 / 24

HEX #C14763

RGB 193 71 99

HSL 346.23, 0.5%, 0.52%

LAB 47.94, 51.04, 10.16

 

CMYK 0 / 63 / 59 / 24

HEX #C1474F

RGB 193 71 79

HSL 356.07, 0.5%, 0.52%

LAB 47.51, 49.41, 21.69

 

CMYK 0 / 57 / 63 / 24

HEX #C15347

RGB 193 83 71

HSL 5.9, 0.5%, 0.52%

LAB 49.47, 43.3, 28.94

 

CMYK 0 / 46 / 63 / 24

HEX #C16847

RGB 193 104 71

HSL 16.23, 0.5%, 0.52%

LAB 53.7, 32.58, 34.13

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 0 / 64 / 39 / 4

HEX #F55895

RGB 245 88 149

HSL 336.69, 0.89%, 0.65%

LAB 60.39, 64.9, -0.55

 

CMYK 0 / 63 / 39 / 84

HEX #290F19

RGB 41 15 25

HSL 336.92, 0.46%, 0.11%

LAB 7.98, 15, -0.87

 

CMYK 0 / 64 / 39 / 64

HEX #5C2138

RGB 92 33 56

HSL 336.61, 0.47%, 0.25%

LAB 22.47, 29.55, -0.95

 

CMYK 0 / 64 / 39 / 44

HEX #8F3457

RGB 143 52 87

HSL 336.92, 0.47%, 0.38%

LAB 35.95, 41.85, -0.66

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 0 / 12 / 63 / 24

HEX #C1A947

RGB 193 169 71

HSL 48.2, 0.5%, 0.52%

LAB 69.59, -2.79, 52.36

 

CMYK 63 / 12 / 0 / 24

HEX #47A9C1

RGB 71 169 193

HSL 191.8, 0.5%, 0.52%

LAB 64.62, -21.2, -20.81

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 38 / 0 / 63 / 24

HEX #78C147

RGB 120 193 71

HSL 95.9, 0.5%, 0.52%

LAB 71.27, -43.68, 52.73

 

CMYK 63 / 38 / 0 / 24

HEX #4778C1

RGB 71 120 193

HSL 215.9, 0.5%, 0.52%

LAB 50.24, 6.52, -43.16

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 0 / 12 / 63 / 24

HEX #C1A947

RGB 193 169 71

HSL 48.2, 0.5%, 0.52%

LAB 69.59, -2.79, 52.36

 

CMYK 63 / 0 / 25 / 24

HEX #47C190

RGB 71 193 144

HSL 155.9, 0.5%, 0.52%

LAB 70.52, -45.46, 14.85

 

CMYK 63 / 51 / 0 / 24

HEX #475FC1

RGB 71 95 193

HSL 228.2, 0.5%, 0.52%

LAB 43.32, 22.19, -54.23

 

CMYK 0 / 64 / 39 / 24

HEX #C24676

RGB 194 70 118

HSL 336.77, 0.5%, 0.52%

LAB 48.46, 53.7, -0.61

 

CMYK 6 / 0 / 63 / 24

HEX #B5C147

RGB 181 193 71

HSL 65.9, 0.5%, 0.52%

LAB 75.09, -20.24, 57.97

 

CMYK 63 / 0 / 25 / 24

HEX #47C190

RGB 71 193 144

HSL 155.9, 0.5%, 0.52%

LAB 70.52, -45.46, 14.85

 

CMYK 57 / 63 / 0 / 24

HEX #5347C1

RGB 83 71 193

HSL 245.9, 0.5%, 0.52%

LAB 38.19, 39.27, -62.5

 

Description

Color code: CMYK 0 / 64 / 39 / 24 | qconv.com Color code: CMYK 0 / 64 / 39 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 70 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 70 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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