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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C219A5 it is the complementary color #3DE65A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C219A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C219A5: #C719A0, #D82BB3, #E93DC6, #FA4FD9 and #FF61EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C219A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C219A5: #C219A5, #B10792, #A0007F, #8F006C and #7E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

Complementary color

CMYK 73 / 0 / 61 / 10

HEX #3DE65A

RGB 61 230 90

HSL 130.3, 0.77%, 0.57%

LAB 80.92, -69.68, 54.87

 

CMYK 0 / 87 / 20 / 22

HEX #C719A0

RGB 199 25 160

HSL 313.45, 0.78%, 0.44%

LAB 46.14, 73.5, -29.38

 

CMYK 0 / 80 / 17 / 15

HEX #D82BB3

RGB 216 43 179

HSL 312.83, 0.69%, 0.51%

LAB 51.36, 75.78, -32.24

 

CMYK 0 / 74 / 15 / 9

HEX #E93DC6

RGB 233 61 198

HSL 312.21, 0.8%, 0.58%

LAB 56.82, 77.16, -34.5

 

CMYK 0 / 68 / 13 / 2

HEX #FA4FD9

RGB 250 79 217

HSL 311.58, 0.94%, 0.65%

LAB 62.44, 77.89, -36.31

 

CMYK 0 / 62 / 7 / 0

HEX #FF61EC

RGB 255 97 236

HSL 307.22, 1%, 0.69%

LAB 66.42, 75.23, -40.66

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 96 / 18 / 31

HEX #B10792

RGB 177 7 146

HSL 310.94, 0.92%, 0.36%

LAB 40.53, 69.68, -30.01

 

CMYK 0 / 100 / 21 / 37

HEX #A0007F

RGB 160 0 127

HSL 312.38, 1%, 0.31%

LAB 36, 64.75, -25.63

 

CMYK 0 / 100 / 24 / 44

HEX #8F006C

RGB 143 0 108

HSL 314.69, 1%, 0.28%

LAB 31.63, 58.98, -20.68

 

CMYK 0 / 100 / 29 / 51

HEX #7E0059

RGB 126 0 89

HSL 317.62, 1%, 0.25%

LAB 27.18, 53.1, -15.48

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 87 / 29 / 24

HEX #C21989

RGB 194 25 137

HSL 320.24, 0.77%, 0.43%

LAB 44.19, 69.69, -18.58

 

CMYK 0 / 87 / 44 / 24

HEX #C2196D

RGB 194 25 109

HSL 330.18, 0.77%, 0.43%

LAB 43.17, 66.85, -2.85

 

CMYK 0 / 87 / 58 / 24

HEX #C21951

RGB 194 25 81

HSL 340.12, 0.77%, 0.43%

LAB 42.4, 64.67, 13.63

 

CMYK 0 / 87 / 73 / 24

HEX #C21935

RGB 194 25 53

HSL 350.06, 0.77%, 0.43%

LAB 41.88, 63.17, 30.43

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 87 / 15 / 4

HEX #F520D0

RGB 245 32 208

HSL 310.42, 0.91%, 0.54%

LAB 57.07, 87.46, -39.68

 

CMYK 0 / 88 / 15 / 84

HEX #290523

RGB 41 5 35

HSL 310, 0.78%, 0.09%

LAB 6.33, 22.44, -11.07

 

CMYK 0 / 87 / 15 / 64

HEX #5C0C4E

RGB 92 12 78

HSL 310.5, 0.77%, 0.2%

LAB 20.39, 41.33, -19.21

 

CMYK 0 / 87 / 15 / 44

HEX #8F127A

RGB 143 18 122

HSL 310.08, 0.78%, 0.32%

LAB 33.3, 58.03, -26.96

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 55 / 87 / 24

HEX #C25719

RGB 194 87 25

HSL 22.01, 0.77%, 0.43%

LAB 49.92, 39.71, 52.59

 

CMYK 87 / 0 / 21 / 24

HEX #19C29A

RGB 25 194 154

HSL 165.8, 0.77%, 0.43%

LAB 70.26, -49.23, 8.96

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 15 / 0 / 87 / 24

HEX #A5C219

RGB 165 194 25

HSL 70.3, 0.77%, 0.43%

LAB 73.97, -29.46, 71.07

 

CMYK 87 / 15 / 0 / 24

HEX #19A5C2

RGB 25 165 194

HSL 190.3, 0.77%, 0.43%

LAB 62.52, -24.2, -24.66

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 55 / 87 / 24

HEX #C25719

RGB 194 87 25

HSL 22.01, 0.77%, 0.43%

LAB 49.92, 39.71, 52.59

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 32 / 0 / 24

HEX #1984C2

RGB 25 132 194

HSL 202.01, 0.77%, 0.43%

LAB 52.51, -6.13, -40.23

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 29 / 87 / 24

HEX #C28919

RGB 194 137 25

HSL 39.76, 0.77%, 0.43%

LAB 61.16, 12.95, 61.67

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 58 / 0 / 24

HEX #1951C2

RGB 25 81 194

HSL 220.12, 0.77%, 0.43%

LAB 37.82, 26.17, -63.82

 

Description

Color code: HEX #C219A5 | qconv.com Color code: HEX #C219A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 25 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 25 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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