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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19C235 it is the complementary color #E63DCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19C235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19C235 shade: #1EC230, #2FD443, #40E656, #51F869 and #62FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19C235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19C235 shade: #19C235, #08B022, #009E0F, #008C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19C235 shade: #19C235, #2BC219, #58C219, #86C219 and #B3C219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19C235 shade: #19C235, #19C263, #19C290, #19C2BE and #1999C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19C235 shade matches the following richer shades: #19C235 and #07D429

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19C235 shade: #19C235, #2BB041, #3D9F4D, #4E8D59 and #607B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19C235 shade: #5AC219, #2DC219, #19C233, #19C260 and #19C28D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19C235 shade: #107921, #149E2B, #19C235, #22E242 and #47E761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19C235 shade: #19C235, #1987C2 and #C21943

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19C235 shade: #19C235, #3319C2 and #C23319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19C235 shade: #19C235, #1987C2, #C219A9 and #C25419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19C235 shade: #19C235, #1954C2, #C219A9 and #C28719

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

Complementary color

CMYK 0 / 73 / 12 / 10

HEX #E63DCA

RGB 230 61 202

HSL 309.94, 0.77%, 0.57%

LAB 56.51, 77.04, -37.31

 

CMYK 85 / 0 / 75 / 24

HEX #1EC230

RGB 30 194 48

HSL 126.59, 0.73%, 0.44%

LAB 68.8, -66.36, 58.25

 

CMYK 78 / 0 / 68 / 17

HEX #2FD443

RGB 47 212 67

HSL 127.27, 0.66%, 0.51%

LAB 74.89, -68.31, 57.62

 

CMYK 72 / 0 / 63 / 10

HEX #40E656

RGB 64 230 86

HSL 127.95, 0.77%, 0.58%

LAB 80.94, -69.66, 56.61

 

CMYK 67 / 0 / 58 / 3

HEX #51F869

RGB 81 248 105

HSL 128.62, 0.92%, 0.65%

LAB 86.95, -70.59, 55.4

 

CMYK 62 / 0 / 51 / 0

HEX #62FF7C

RGB 98 255 124

HSL 129.94, 1%, 0.69%

LAB 89.66, -67.37, 50.16

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 95 / 0 / 81 / 31

HEX #08B022

RGB 8 176 34

HSL 129.29, 0.91%, 0.36%

LAB 62.69, -63.6, 56.71

 

CMYK 100 / 0 / 91 / 38

HEX #009E0F

RGB 0 158 15

HSL 125.7, 1%, 0.31%

LAB 56.57, -59.82, 55.83

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 78 / 0 / 87 / 24

HEX #2BC219

RGB 43 194 25

HSL 113.61, 0.77%, 0.43%

LAB 68.87, -66.15, 64.71

 

CMYK 55 / 0 / 87 / 24

HEX #58C219

RGB 88 194 25

HSL 97.63, 0.77%, 0.43%

LAB 69.99, -56.84, 66.11

 

CMYK 31 / 0 / 87 / 24

HEX #86C219

RGB 134 194 25

HSL 81.3, 0.77%, 0.43%

LAB 72.04, -41.73, 68.68

 

CMYK 8 / 0 / 87 / 24

HEX #B3C219

RGB 179 194 25

HSL 65.33, 0.77%, 0.43%

LAB 74.97, -23.6, 72.31

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 0 / 49 / 24

HEX #19C263

RGB 25 194 99

HSL 146.27, 0.77%, 0.43%

LAB 69.25, -60.71, 36.59

 

CMYK 87 / 0 / 26 / 24

HEX #19C290

RGB 25 194 144

HSL 162.25, 0.77%, 0.43%

LAB 70.04, -51.67, 14.06

 

CMYK 87 / 0 / 2 / 24

HEX #19C2BE

RGB 25 194 190

HSL 178.58, 0.77%, 0.43%

LAB 71.22, -39.39, -9.28

 

CMYK 87 / 21 / 0 / 24

HEX #1999C2

RGB 25 153 194

HSL 194.56, 0.77%, 0.43%

LAB 58.87, -17.91, -30.29

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 97 / 0 / 81 / 17

HEX #07D429

RGB 7 212 41

HSL 129.95, 0.94%, 0.43%

LAB 74.38, -73.39, 65.71

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 76 / 0 / 63 / 31

HEX #2BB041

RGB 43 176 65

HSL 129.92, 0.61%, 0.43%

LAB 63.3, -57.49, 45.75

 

CMYK 62 / 0 / 52 / 38

HEX #3D9F4D

RGB 61 159 77

HSL 129.8, 0.45%, 0.43%

LAB 58.34, -46.33, 34.26

 

CMYK 45 / 0 / 37 / 45

HEX #4E8D59

RGB 78 141 89

HSL 130.48, 0.29%, 0.43%

LAB 53.37, -32.05, 21.59

 

CMYK 22 / 0 / 18 / 52

HEX #607B65

RGB 96 123 101

HSL 131.11, 0.12%, 0.43%

LAB 49, -14.51, 8.87

 

CMYK 54 / 0 / 87 / 24

HEX #5AC219

RGB 90 194 25

HSL 96.92, 0.77%, 0.43%

LAB 70.05, -56.29, 66.2

 

CMYK 77 / 0 / 87 / 24

HEX #2DC219

RGB 45 194 25

HSL 112.9, 0.77%, 0.43%

LAB 68.9, -65.87, 64.75

 

CMYK 87 / 0 / 74 / 24

HEX #19C233

RGB 25 194 51

HSL 129.23, 0.77%, 0.43%

LAB 68.77, -66.57, 57.16

 

CMYK 87 / 0 / 51 / 24

HEX #19C260

RGB 25 194 96

HSL 145.21, 0.77%, 0.43%

LAB 69.21, -61.2, 38.03

 

CMYK 87 / 0 / 27 / 24

HEX #19C28D

RGB 25 194 141

HSL 161.18, 0.77%, 0.43%

LAB 69.97, -52.37, 15.58

 

CMYK 87 / 0 / 73 / 53

HEX #107921

RGB 16 121 33

HSL 129.71, 0.77%, 0.27%

LAB 44.08, -46.19, 38.61

 

CMYK 87 / 0 / 73 / 38

HEX #149E2B

RGB 20 158 43

HSL 130, 0.78%, 0.35%

LAB 56.86, -56.75, 47.91

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 85 / 0 / 71 / 11

HEX #22E242

RGB 34 226 66

HSL 130, 0.77%, 0.51%

LAB 79.11, -73.99, 62.39

 

CMYK 69 / 0 / 58 / 9

HEX #47E761

RGB 71 231 97

HSL 129.75, 0.77%, 0.59%

LAB 81.49, -67.6, 52.51

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 30 / 0 / 24

HEX #1987C2

RGB 25 135 194

HSL 200.95, 0.77%, 0.43%

LAB 53.42, -7.87, -38.81

 

CMYK 0 / 87 / 65 / 24

HEX #C21943

RGB 194 25 67

HSL 345.09, 0.77%, 0.43%

LAB 42.11, 63.84, 22.05

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 74 / 87 / 0 / 24

HEX #3319C2

RGB 51 25 194

HSL 249.23, 0.77%, 0.43%

LAB 27.56, 59.2, -80.69

 

CMYK 0 / 74 / 87 / 24

HEX #C23319

RGB 194 51 25

HSL 9.23, 0.77%, 0.43%

LAB 44.1, 55.25, 47.86

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 30 / 0 / 24

HEX #1987C2

RGB 25 135 194

HSL 200.95, 0.77%, 0.43%

LAB 53.42, -7.87, -38.81

 

CMYK 0 / 87 / 13 / 24

HEX #C219A9

RGB 194 25 169

HSL 308.88, 0.77%, 0.43%

LAB 45.67, 73.67, -35.54

 

CMYK 0 / 57 / 87 / 24

HEX #C25419

RGB 194 84 25

HSL 20.95, 0.77%, 0.43%

LAB 49.35, 41.19, 52.12

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 57 / 0 / 24

HEX #1954C2

RGB 25 84 194

HSL 219.05, 0.77%, 0.43%

LAB 38.62, 24.19, -62.5

 

CMYK 0 / 87 / 13 / 24

HEX #C219A9

RGB 194 25 169

HSL 308.88, 0.77%, 0.43%

LAB 45.67, 73.67, -35.54

 

CMYK 0 / 30 / 87 / 24

HEX #C28719

RGB 194 135 25

HSL 39.05, 0.77%, 0.43%

LAB 60.66, 14.05, 61.27

 

Description

Color code: HEX #19C235 | qconv.com Color code: HEX #19C235 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 194 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 194 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 73 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 73% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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