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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0F473 it is the complementary color #3F0B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0F473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C0F473: #C5F46E, #D6FF81, #E7FF94, #F8FFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0F473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C0F473: #C0F473, #AFE260, #9ED04D, #8DBE3A and #7CAC27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

Complementary color

CMYK 55 / 92 / 0 / 45

HEX #3F0B8C

RGB 63 11 140

HSL 264.19, 0.85%, 0.3%

LAB 20.79, 50.05, -59.14

 

CMYK 19 / 0 / 55 / 4

HEX #C5F46E

RGB 197 244 110

HSL 81.04, 0.86%, 0.69%

LAB 90.64, -35.1, 58.71

 

CMYK 16 / 0 / 49 / 0

HEX #D6FF81

RGB 214 255 129

HSL 79.52, 1%, 0.75%

LAB 94.91, -32.06, 55.42

 

CMYK 9 / 0 / 42 / 0

HEX #E7FF94

RGB 231 255 148

HSL 73.46, 1%, 0.79%

LAB 96.26, -23.8, 48.42

 

CMYK 3 / 0 / 35 / 0

HEX #F8FFA7

RGB 248 255 167

HSL 64.77, 1%, 0.83%

LAB 97.74, -15.34, 41.33

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 23 / 0 / 58 / 11

HEX #AFE260

RGB 175 226 96

HSL 83.54, 0.69%, 0.63%

LAB 84.15, -36.32, 57.1

 

CMYK 24 / 0 / 63 / 18

HEX #9ED04D

RGB 158 208 77

HSL 82.9, 0.58%, 0.56%

LAB 77.83, -36.09, 57.94

 

CMYK 26 / 0 / 69 / 25

HEX #8DBE3A

RGB 141 190 58

HSL 82.27, 0.53%, 0.49%

LAB 71.42, -35.75, 58.5

 

CMYK 28 / 0 / 77 / 33

HEX #7CAC27

RGB 124 172 39

HSL 81.65, 0.63%, 0.41%

LAB 64.91, -35.25, 58.5

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 30 / 0 / 53 / 5

HEX #A9F371

RGB 169 243 113

HSL 94.15, 0.84%, 0.7%

LAB 88.79, -44.36, 54.8

 

CMYK 39 / 0 / 53 / 5

HEX #94F371

RGB 148 243 113

HSL 103.85, 0.84%, 0.7%

LAB 87.77, -51.22, 53.34

 

CMYK 48 / 0 / 53 / 5

HEX #7EF371

RGB 126 243 113

HSL 114, 0.84%, 0.7%

LAB 86.86, -57.66, 52.04

 

CMYK 53 / 0 / 50 / 5

HEX #71F37A

RGB 113 243 122

HSL 124.15, 0.84%, 0.7%

LAB 86.51, -59.9, 47.33

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 23 / 0 / 53 / 84

HEX #1F2813

RGB 31 40 19

HSL 85.71, 0.36%, 0.12%

LAB 14.71, -8.62, 12.52

 

CMYK 21 / 0 / 53 / 64

HEX #485B2B

RGB 72 91 43

HSL 83.75, 0.36%, 0.26%

LAB 36.05, -16.28, 25.15

 

CMYK 21 / 0 / 53 / 44

HEX #708E43

RGB 112 142 67

HSL 84, 0.36%, 0.41%

LAB 55.27, -23.48, 36.18

 

CMYK 21 / 0 / 53 / 24

HEX #98C15B

RGB 152 193 91

HSL 84.12, 0.45%, 0.56%

LAB 73.27, -30.15, 46.41

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 53 / 0 / 21 / 5

HEX #71F3BF

RGB 113 243 191

HSL 156, 0.84%, 0.7%

LAB 87.67, -47.93, 14.29

 

CMYK 0 / 53 / 0 / 5

HEX #F371F3

RGB 243 113 243

HSL 300, 0.84%, 0.7%

LAB 67.53, 66.59, -42.91

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 53 / 21 / 0 / 5

HEX #71BFF3

RGB 113 191 243

HSL 204, 0.84%, 0.7%

LAB 74.35, -9.74, -33.12

 

CMYK 0 / 53 / 21 / 5

HEX #F371BF

RGB 243 113 191

HSL 324, 0.84%, 0.7%

LAB 65.46, 58.54, -17.1

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 53 / 0 / 21 / 5

HEX #71F3BF

RGB 113 243 191

HSL 156, 0.84%, 0.7%

LAB 87.67, -47.93, 14.29

 

CMYK 32 / 53 / 0 / 5

HEX #A571F3

RGB 165 113 243

HSL 264, 0.84%, 0.7%

LAB 58.3, 46.78, -58.11

 

CMYK 0 / 53 / 32 / 5

HEX #F371A5

RGB 243 113 165

HSL 336, 0.84%, 0.7%

LAB 64.63, 55.17, -3.58

 

CMYK 21 / 0 / 53 / 4

HEX #C0F473

RGB 192 244 115

HSL 84.19, 0.85%, 0.7%

LAB 90.39, -36.47, 56.1

 

CMYK 53 / 0 / 5 / 5

HEX #71F3E6

RGB 113 243 230

HSL 174, 0.84%, 0.7%

LAB 88.6, -38.96, -4.68

 

CMYK 32 / 53 / 0 / 5

HEX #A571F3

RGB 165 113 243

HSL 264, 0.84%, 0.7%

LAB 58.3, 46.78, -58.11

 

CMYK 0 / 53 / 48 / 5

HEX #F3717E

RGB 243 113 126

HSL 354, 0.84%, 0.7%

LAB 63.65, 51.04, 17.31

 

Description

Color code: HEX #C0F473 | qconv.com Color code: HEX #C0F473 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 244 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 244 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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