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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 0 / 63 / 18 it is the complementary color CMYK 46 / 74 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 0 / 63 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 0 / 63 / 18: CMYK 22 / 0 / 66 / 18, CMYK 20 / 0 / 60 / 11, CMYK 19 / 0 / 55 / 4, CMYK 16 / 0 / 49 / 0 and CMYK 9 / 0 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 0 / 63 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 0 / 63 / 18: CMYK 24 / 0 / 63 / 18, CMYK 26 / 0 / 70 / 25, CMYK 28 / 0 / 77 / 32, CMYK 30 / 0 / 87 / 39 and CMYK 34 / 0 / 99 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

Complementary color

CMYK 46 / 74 / 0 / 30

HEX #602EB2

RGB 96 46 178

HSL 262.73, 0.59%, 0.44%

LAB 33.25, 50.73, -61.66

 

CMYK 22 / 0 / 66 / 18

HEX #A4D148

RGB 164 209 72

HSL 79.71, 0.6%, 0.55%

LAB 78.44, -34.63, 60.75

 

CMYK 20 / 0 / 60 / 11

HEX #B5E35B

RGB 181 227 91

HSL 80.29, 0.71%, 0.62%

LAB 84.75, -34.95, 60.03

 

CMYK 19 / 0 / 55 / 4

HEX #C6F56E

RGB 198 245 110

HSL 80.89, 0.87%, 0.7%

LAB 90.98, -35.18, 59.11

 

CMYK 16 / 0 / 49 / 0

HEX #D7FF81

RGB 215 255 129

HSL 79.05, 1%, 0.75%

LAB 94.97, -31.69, 55.52

 

CMYK 9 / 0 / 42 / 0

HEX #E8FF94

RGB 232 255 148

HSL 72.9, 1%, 0.79%

LAB 96.33, -23.43, 48.52

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 26 / 0 / 70 / 25

HEX #8EBF3A

RGB 142 191 58

HSL 82.11, 0.53%, 0.49%

LAB 71.77, -35.82, 58.88

 

CMYK 28 / 0 / 77 / 32

HEX #7DAD27

RGB 125 173 39

HSL 81.49, 0.63%, 0.42%

LAB 65.27, -35.31, 58.86

 

CMYK 30 / 0 / 87 / 39

HEX #6C9B14

RGB 108 155 20

HSL 80.89, 0.77%, 0.34%

LAB 58.68, -34.59, 57.8

 

CMYK 34 / 0 / 99 / 46

HEX #5B8901

RGB 91 137 1

HSL 80.29, 0.99%, 0.27%

LAB 51.97, -33.62, 55.39

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 34 / 0 / 63 / 18

HEX #8AD04C

RGB 138 208 76

HSL 91.82, 0.58%, 0.56%

LAB 76.7, -43.45, 56.82

 

CMYK 44 / 0 / 63 / 18

HEX #74D04C

RGB 116 208 76

HSL 101.82, 0.58%, 0.56%

LAB 75.67, -50.71, 55.39

 

CMYK 55 / 0 / 63 / 18

HEX #5ED04C

RGB 94 208 76

HSL 111.82, 0.58%, 0.56%

LAB 74.83, -56.95, 54.23

 

CMYK 63 / 0 / 61 / 18

HEX #4CD051

RGB 76 208 81

HSL 122.27, 0.58%, 0.56%

LAB 74.34, -60.64, 51.38

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 20 / 0 / 60 / 98

HEX #040502

RGB 4 5 2

HSL 80, 0.43%, 0.01%

LAB 1.25, -0.68, 1.04

 

CMYK 23 / 0 / 63 / 78

HEX #2B3815

RGB 43 56 21

HSL 82.29, 0.45%, 0.15%

LAB 21.57, -12.32, 19.88

 

CMYK 24 / 0 / 64 / 58

HEX #516B27

RGB 81 107 39

HSL 82.94, 0.47%, 0.29%

LAB 41.86, -21.36, 34.18

 

CMYK 24 / 0 / 63 / 38

HEX #789E3A

RGB 120 158 58

HSL 82.8, 0.46%, 0.42%

LAB 60.56, -29.01, 46.66

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 63 / 0 / 27 / 18

HEX #4CD097

RGB 76 208 151

HSL 154.09, 0.58%, 0.56%

LAB 75.38, -49.25, 17.89

 

CMYK 2 / 63 / 0 / 18

HEX #CC4CD0

RGB 204 76 208

HSL 298.18, 0.58%, 0.56%

LAB 54.62, 66.76, -44

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 63 / 23 / 0 / 18

HEX #4CA0D0

RGB 76 160 208

HSL 201.82, 0.58%, 0.56%

LAB 62.7, -10.81, -32.09

 

CMYK 0 / 63 / 23 / 18

HEX #D04CA0

RGB 208 76 160

HSL 321.82, 0.58%, 0.56%

LAB 53.08, 60.44, -18.54

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 63 / 0 / 27 / 18

HEX #4CD097

RGB 76 208 151

HSL 154.09, 0.58%, 0.56%

LAB 75.38, -49.25, 17.89

 

CMYK 40 / 63 / 0 / 18

HEX #7D4CD0

RGB 125 76 208

HSL 262.27, 0.58%, 0.56%

LAB 44.35, 48.83, -61.01

 

CMYK 0 / 63 / 36 / 18

HEX #D04C85

RGB 208 76 133

HSL 334.09, 0.58%, 0.56%

LAB 52.14, 57.1, -3.95

 

CMYK 24 / 0 / 63 / 18

HEX #9FD14D

RGB 159 209 77

HSL 82.73, 0.59%, 0.56%

LAB 78.17, -36.17, 58.34

 

CMYK 63 / 0 / 8 / 18

HEX #4CD0BF

RGB 76 208 191

HSL 172.27, 0.58%, 0.56%

LAB 76.32, -39.75, -2.18

 

CMYK 40 / 63 / 0 / 18

HEX #7D4CD0

RGB 125 76 208

HSL 262.27, 0.58%, 0.56%

LAB 44.35, 48.83, -61.01

 

CMYK 0 / 63 / 55 / 18

HEX #D04C5E

RGB 208 76 94

HSL 351.82, 0.58%, 0.56%

LAB 51.14, 53.37, 17.99

 

Description

Color code: CMYK 24 / 0 / 63 / 18 | qconv.com Color code: CMYK 24 / 0 / 63 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 209 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 209 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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