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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA653 it is the complementary color #4259AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA653. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BDA653: #C2A64E, #D3B861, #E4CA74, #F5DC87 and #FFEE9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA653. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BDA653: #BDA653, #AC9440, #9B822D, #8A701A and #795E07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

Complementary color

CMYK 62 / 48 / 0 / 33

HEX #4259AC

RGB 66 89 172

HSL 226.98, 0.45%, 0.47%

LAB 40.05, 17.76, -47.2

 

CMYK 0 / 14 / 60 / 24

HEX #C2A64E

RGB 194 166 78

HSL 45.52, 0.49%, 0.53%

LAB 68.96, -0.28, 48.44

 

CMYK 0 / 13 / 54 / 17

HEX #D3B861

RGB 211 184 97

HSL 45.79, 0.56%, 0.6%

LAB 75.45, -1.14, 47.23

 

CMYK 0 / 11 / 49 / 11

HEX #E4CA74

RGB 228 202 116

HSL 46.07, 0.67%, 0.67%

LAB 81.84, -1.87, 45.99

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 0 / 7 / 40 / 0

HEX #FFEE9A

RGB 255 238 154

HSL 49.9, 1%, 0.8%

LAB 93.77, -5.74, 42.71

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 0 / 14 / 63 / 33

HEX #AC9440

RGB 172 148 64

HSL 46.67, 0.46%, 0.46%

LAB 61.93, -1.13, 46.6

 

CMYK 0 / 16 / 71 / 39

HEX #9B822D

RGB 155 130 45

HSL 46.36, 0.55%, 0.39%

LAB 55.2, -0.02, 47.56

 

CMYK 0 / 19 / 81 / 46

HEX #8A701A

RGB 138 112 26

HSL 46.07, 0.68%, 0.32%

LAB 48.34, 1.37, 47.93

 

CMYK 0 / 22 / 94 / 53

HEX #795E07

RGB 121 94 7

HSL 45.79, 0.89%, 0.25%

LAB 41.35, 3.11, 46.96

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 0 / 4 / 57 / 26

HEX #BDB551

RGB 189 181 81

HSL 55.56, 0.45%, 0.53%

LAB 72.54, -10.09, 50.96

 

CMYK 6 / 0 / 57 / 26

HEX #B2BD51

RGB 178 189 81

HSL 66.11, 0.45%, 0.53%

LAB 73.84, -18.76, 52.19

 

CMYK 15 / 0 / 57 / 26

HEX #A0BD51

RGB 160 189 81

HSL 76.11, 0.45%, 0.53%

LAB 72.54, -26.06, 50.36

 

CMYK 25 / 0 / 57 / 26

HEX #8EBD51

RGB 142 189 81

HSL 86.11, 0.45%, 0.53%

LAB 71.38, -33.06, 48.73

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 0 / 12 / 56 / 6

HEX #F0D369

RGB 240 211 105

HSL 47.11, 0.82%, 0.68%

LAB 85.06, -2.51, 55.36

 

CMYK 0 / 11 / 56 / 86

HEX #242010

RGB 36 32 16

HSL 48, 0.38%, 0.1%

LAB 12.26, -1.08, 11.14

 

CMYK 0 / 13 / 56 / 66

HEX #574C26

RGB 87 76 38

HSL 46.53, 0.39%, 0.25%

LAB 32.56, -1.08, 24.08

 

CMYK 0 / 12 / 56 / 46

HEX #8A793D

RGB 138 121 61

HSL 46.75, 0.39%, 0.39%

LAB 51.17, -1.54, 34.91

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 56 / 0 / 57 / 26

HEX #54BD51

RGB 84 189 81

HSL 118.33, 0.45%, 0.53%

LAB 68.66, -51.81, 44.88

 

CMYK 37 / 57 / 0 / 26

HEX #7851BD

RGB 120 81 189

HSL 261.67, 0.45%, 0.53%

LAB 43.58, 39.94, -51.27

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 57 / 0 / 14 / 26

HEX #51BDA3

RGB 81 189 163

HSL 165.56, 0.45%, 0.53%

LAB 70.03, -37.32, 3.86

 

CMYK 14 / 57 / 0 / 26

HEX #A351BD

RGB 163 81 189

HSL 285.56, 0.45%, 0.53%

LAB 48.69, 50.78, -42.82

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 56 / 0 / 57 / 26

HEX #54BD51

RGB 84 189 81

HSL 118.33, 0.45%, 0.53%

LAB 68.66, -51.81, 44.88

 

CMYK 57 / 44 / 0 / 26

HEX #516ABD

RGB 81 106 189

HSL 226.11, 0.45%, 0.53%

LAB 46.62, 15.79, -46.59

 

CMYK 2 / 57 / 0 / 26

HEX #B951BD

RGB 185 81 189

HSL 297.78, 0.45%, 0.53%

LAB 51.69, 56.54, -37.88

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 57 / 0 / 42 / 26

HEX #51BD6D

RGB 81 189 109

HSL 135.56, 0.45%, 0.53%

LAB 68.93, -48.52, 31.32

 

CMYK 57 / 44 / 0 / 26

HEX #516ABD

RGB 81 106 189

HSL 226.11, 0.45%, 0.53%

LAB 46.62, 15.79, -46.59

 

CMYK 0 / 57 / 15 / 26

HEX #BD51A0

RGB 189 81 160

HSL 316.11, 0.45%, 0.53%

LAB 50.97, 52.81, -22.03

 

Description

Color code: HEX #BDA653 | qconv.com Color code: HEX #BDA653 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 56 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 56% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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