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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 45 / 4 it is the complementary color CMYK 92 / 71 / 0 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 45 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 45 / 4: CMYK 0 / 12 / 48 / 2, CMYK 0 / 7 / 42 / 0, CMYK 0 / 0 / 34 / 0, CMYK 0 / 0 / 27 / 0 and CMYK 0 / 0 / 19 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 45 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 45 / 4: CMYK 0 / 10 / 45 / 4, CMYK 0 / 11 / 49 / 11, CMYK 0 / 13 / 54 / 17, CMYK 0 / 14 / 60 / 24 and CMYK 0 / 16 / 67 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

Complementary color

CMYK 92 / 71 / 0 / 53

HEX #0A2378

RGB 10 35 120

HSL 226.36, 0.85%, 0.25%

LAB 18.46, 27.03, -50.46

 

CMYK 0 / 12 / 48 / 2

HEX #FADC82

RGB 250 220 130

HSL 45, 0.92%, 0.75%

LAB 88.51, -0.98, 47.78

 

CMYK 0 / 7 / 42 / 0

HEX #FFEE95

RGB 255 238 149

HSL 50.38, 1%, 0.79%

LAB 93.7, -6.26, 45.08

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 0 / 11 / 49 / 11

HEX #E4CA74

RGB 228 202 116

HSL 46.07, 0.67%, 0.67%

LAB 81.84, -1.87, 45.99

 

CMYK 0 / 13 / 54 / 17

HEX #D3B861

RGB 211 184 97

HSL 45.79, 0.56%, 0.6%

LAB 75.45, -1.14, 47.23

 

CMYK 0 / 14 / 60 / 24

HEX #C2A64E

RGB 194 166 78

HSL 45.52, 0.49%, 0.53%

LAB 68.96, -0.28, 48.44

 

CMYK 0 / 16 / 67 / 31

HEX #B1943B

RGB 177 148 59

HSL 45.25, 0.5%, 0.46%

LAB 62.37, 0.75, 49.53

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 0 / 3 / 44 / 4

HEX #F5EE89

RGB 245 238 137

HSL 56.11, 0.84%, 0.75%

LAB 92.74, -11.33, 49.53

 

CMYK 4 / 0 / 44 / 4

HEX #EAF589

RGB 234 245 137

HSL 66.11, 0.84%, 0.75%

LAB 93.71, -19.01, 50.54

 

CMYK 12 / 0 / 44 / 4

HEX #D8F589

RGB 216 245 137

HSL 76.11, 0.84%, 0.75%

LAB 92.45, -25.83, 48.7

 

CMYK 19 / 0 / 44 / 4

HEX #C6F589

RGB 198 245 137

HSL 86.11, 0.84%, 0.75%

LAB 91.29, -32.44, 47

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 0 / 10 / 44 / 84

HEX #292517

RGB 41 37 23

HSL 46.67, 0.28%, 0.13%

LAB 14.71, -0.85, 10.02

 

CMYK 0 / 10 / 45 / 64

HEX #5C5333

RGB 92 83 51

HSL 46.83, 0.29%, 0.28%

LAB 35.4, -1.49, 20.07

 

CMYK 0 / 10 / 45 / 44

HEX #8F804F

RGB 143 128 79

HSL 45.94, 0.29%, 0.44%

LAB 53.86, -1.47, 28.63

 

CMYK 0 / 10 / 45 / 24

HEX #C2AE6B

RGB 194 174 107

HSL 46.21, 0.42%, 0.59%

LAB 71.42, -2, 36.92

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 43 / 0 / 44 / 4

HEX #8CF589

RGB 140 245 137

HSL 118.33, 0.84%, 0.75%

LAB 88.3, -51.43, 42.6

 

CMYK 28 / 44 / 0 / 4

HEX #B089F5

RGB 176 137 245

HSL 261.67, 0.84%, 0.75%

LAB 64.73, 36.83, -48.92

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 44 / 0 / 10 / 4

HEX #89F5DC

RGB 137 245 220

HSL 166.11, 0.84%, 0.75%

LAB 89.76, -36.99, 2.33

 

CMYK 10 / 44 / 0 / 4

HEX #DC89F5

RGB 220 137 245

HSL 286.11, 0.84%, 0.75%

LAB 69.25, 49.03, -41.5

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 43 / 0 / 44 / 4

HEX #8CF589

RGB 140 245 137

HSL 118.33, 0.84%, 0.75%

LAB 88.3, -51.43, 42.6

 

CMYK 44 / 34 / 0 / 4

HEX #89A2F5

RGB 137 162 245

HSL 226.11, 0.84%, 0.75%

LAB 67.84, 12.45, -44.24

 

CMYK 2 / 44 / 0 / 4

HEX #F189F5

RGB 241 137 245

HSL 297.78, 0.84%, 0.75%

LAB 71.68, 55.01, -37.54

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 44 / 0 / 33 / 4

HEX #89F5A5

RGB 137 245 165

HSL 135.56, 0.84%, 0.75%

LAB 88.61, -47.92, 29.07

 

CMYK 44 / 34 / 0 / 4

HEX #89A2F5

RGB 137 162 245

HSL 226.11, 0.84%, 0.75%

LAB 67.84, 12.45, -44.24

 

CMYK 0 / 44 / 12 / 4

HEX #F589D8

RGB 245 137 216

HSL 316.11, 0.84%, 0.75%

LAB 71.05, 51.29, -22.54

 

Description

Color code: CMYK 0 / 10 / 45 / 4 | qconv.com Color code: CMYK 0 / 10 / 45 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 220 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 220 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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