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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77151 it is the complementary color #488EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B77151: #BC714C, #CD835F, #DE9572, #EFA785 and #FFB998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B77151: #B77151, #A65F3E, #954D2B, #843B18 and #732905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

Complementary color

CMYK 59 / 18 / 0 / 32

HEX #488EAE

RGB 72 142 174

HSL 198.82, 0.41%, 0.48%

LAB 55.87, -12.45, -23.48

 

CMYK 0 / 40 / 60 / 26

HEX #BC714C

RGB 188 113 76

HSL 19.82, 0.46%, 0.52%

LAB 55.1, 26.04, 32.92

 

CMYK 0 / 36 / 54 / 20

HEX #CD835F

RGB 205 131 95

HSL 19.64, 0.52%, 0.59%

LAB 61.69, 24.74, 31.2

 

CMYK 0 / 33 / 49 / 13

HEX #DE9572

RGB 222 149 114

HSL 19.44, 0.62%, 0.66%

LAB 68.2, 23.61, 29.64

 

CMYK 0 / 30 / 44 / 6

HEX #EFA785

RGB 239 167 133

HSL 19.25, 0.77%, 0.73%

LAB 74.62, 22.6, 28.21

 

CMYK 0 / 27 / 40 / 0

HEX #FFB998

RGB 255 185 152

HSL 19.22, 1%, 0.8%

LAB 80.86, 21.31, 26.74

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 0 / 48 / 71 / 42

HEX #954D2B

RGB 149 77 43

HSL 19.25, 0.55%, 0.38%

LAB 41.01, 27.34, 33.16

 

CMYK 0 / 55 / 82 / 48

HEX #843B18

RGB 132 59 24

HSL 19.44, 0.69%, 0.31%

LAB 34.19, 29.12, 35.26

 

CMYK 0 / 64 / 96 / 55

HEX #732905

RGB 115 41 5

HSL 19.64, 0.92%, 0.24%

LAB 27.41, 31, 36.69

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 0 / 29 / 55 / 29

HEX #B68152

RGB 182 129 82

HSL 28.2, 0.41%, 0.52%

LAB 58.28, 15.14, 33.42

 

CMYK 0 / 20 / 55 / 29

HEX #B69152

RGB 182 145 82

HSL 37.8, 0.41%, 0.52%

LAB 62.34, 6.27, 38.4

 

CMYK 0 / 11 / 55 / 29

HEX #B6A252

RGB 182 162 82

HSL 48, 0.41%, 0.52%

LAB 66.82, -2.97, 43.74

 

CMYK 0 / 2 / 55 / 29

HEX #B6B352

RGB 182 179 82

HSL 58.2, 0.41%, 0.52%

LAB 71.42, -11.92, 49.06

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 0 / 38 / 56 / 8

HEX #EA9068

RGB 234 144 104

HSL 18.46, 0.76%, 0.66%

LAB 68.34, 30.16, 35.51

 

CMYK 0 / 37 / 57 / 88

HEX #1E130D

RGB 30 19 13

HSL 21.18, 0.4%, 0.08%

LAB 6.96, 4.44, 5.06

 

CMYK 0 / 38 / 56 / 68

HEX #513224

RGB 81 50 36

HSL 18.67, 0.38%, 0.23%

LAB 24.19, 12.27, 14.68

 

CMYK 0 / 38 / 56 / 48

HEX #84523A

RGB 132 82 58

HSL 19.46, 0.39%, 0.37%

LAB 39.99, 18.22, 22.73

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 27 / 0 / 55 / 29

HEX #84B652

RGB 132 182 82

HSL 90, 0.41%, 0.52%

LAB 68.73, -33.45, 45.04

 

CMYK 55 / 49 / 0 / 29

HEX #525CB6

RGB 82 92 182

HSL 234, 0.41%, 0.52%

LAB 42.5, 22.48, -49.1

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 55 / 0 / 38 / 29

HEX #52B670

RGB 82 182 112

HSL 138, 0.41%, 0.52%

LAB 66.84, -44.89, 27.02

 

CMYK 38 / 55 / 0 / 29

HEX #7052B6

RGB 112 82 182

HSL 258, 0.41%, 0.52%

LAB 42.55, 35.53, -48.89

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 27 / 0 / 55 / 29

HEX #84B652

RGB 132 182 82

HSL 90, 0.41%, 0.52%

LAB 68.73, -33.45, 45.04

 

CMYK 55 / 16 / 0 / 29

HEX #5298B6

RGB 82 152 182

HSL 198, 0.41%, 0.52%

LAB 59.55, -13.39, -22.34

 

CMYK 27 / 55 / 0 / 29

HEX #8452B6

RGB 132 82 182

HSL 270, 0.41%, 0.52%

LAB 44.68, 40.59, -45.35

 

CMYK 0 / 38 / 56 / 28

HEX #B77151

RGB 183 113 81

HSL 18.82, 0.41%, 0.52%

LAB 54.52, 24.37, 29.29

 

CMYK 44 / 0 / 55 / 29

HEX #66B652

RGB 102 182 82

HSL 108, 0.41%, 0.52%

LAB 67.19, -43.75, 42.85

 

CMYK 55 / 16 / 0 / 29

HEX #5298B6

RGB 82 152 182

HSL 198, 0.41%, 0.52%

LAB 59.55, -13.39, -22.34

 

CMYK 11 / 55 / 0 / 29

HEX #A252B6

RGB 162 82 182

HSL 288, 0.41%, 0.52%

LAB 48.38, 48.58, -39.26

 

Description

Color code: HEX #B77151 | qconv.com Color code: HEX #B77151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 113 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 113 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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