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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 95 62 it is the complementary color RGB 89 160 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 95 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 95 62: RGB 171 95 57, RGB 188 113 76, RGB 205 131 95, RGB 222 149 114 and RGB 239 167 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 95 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 95 62: RGB 166 95 62, RGB 149 77 43, RGB 132 59 24, RGB 115 41 5 and RGB 98 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

Complementary color

CMYK 54 / 17 / 0 / 24

HEX #59A0C1

RGB 89 160 193

HSL 199.04, 0.46%, 0.55%

LAB 62.61, -12.93, -23.82

 

CMYK 0 / 44 / 67 / 33

HEX #AB5F39

RGB 171 95 57

HSL 20, 0.5%, 0.45%

LAB 48.43, 27.51, 34.82

 

CMYK 0 / 40 / 60 / 26

HEX #BC714C

RGB 188 113 76

HSL 19.82, 0.46%, 0.52%

LAB 55.1, 26.04, 32.92

 

CMYK 0 / 36 / 54 / 20

HEX #CD835F

RGB 205 131 95

HSL 19.64, 0.52%, 0.59%

LAB 61.69, 24.74, 31.2

 

CMYK 0 / 33 / 49 / 13

HEX #DE9572

RGB 222 149 114

HSL 19.44, 0.62%, 0.66%

LAB 68.2, 23.61, 29.64

 

CMYK 0 / 30 / 44 / 6

HEX #EFA785

RGB 239 167 133

HSL 19.25, 0.77%, 0.73%

LAB 74.62, 22.6, 28.21

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 0 / 48 / 71 / 42

HEX #954D2B

RGB 149 77 43

HSL 19.25, 0.55%, 0.38%

LAB 41.01, 27.34, 33.16

 

CMYK 0 / 55 / 82 / 48

HEX #843B18

RGB 132 59 24

HSL 19.44, 0.69%, 0.31%

LAB 34.19, 29.12, 35.26

 

CMYK 0 / 64 / 96 / 55

HEX #732905

RGB 115 41 5

HSL 19.64, 0.92%, 0.24%

LAB 27.41, 31, 36.69

 

CMYK 0 / 77 / 100 / 62

HEX #621700

RGB 98 23 0

HSL 14.08, 1%, 0.19%

LAB 20.86, 32.65, 31.14

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 0 / 33 / 63 / 35

HEX #A7703D

RGB 167 112 61

HSL 28.87, 0.46%, 0.45%

LAB 52, 16.55, 36.69

 

CMYK 0 / 22 / 63 / 35

HEX #A7823D

RGB 167 130 61

HSL 39.06, 0.46%, 0.45%

LAB 56.6, 6.39, 41.96

 

CMYK 0 / 11 / 63 / 35

HEX #A7943D

RGB 167 148 61

HSL 49.25, 0.46%, 0.45%

LAB 61.42, -3.54, 47.31

 

CMYK 0 / 1 / 63 / 35

HEX #A7A53D

RGB 167 165 61

HSL 58.87, 0.46%, 0.45%

LAB 66.11, -12.6, 52.34

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 0 / 43 / 63 / 15

HEX #D97C51

RGB 217 124 81

HSL 18.97, 0.64%, 0.58%

LAB 61.45, 32.27, 38.82

 

CMYK 0 / 46 / 62 / 95

HEX #0D0705

RGB 13 7 5

HSL 15, 0.44%, 0.04%

LAB 2.24, 1.36, 1.33

 

CMYK 0 / 42 / 63 / 75

HEX #402518

RGB 64 37 24

HSL 19.5, 0.45%, 0.17%

LAB 17.82, 11.18, 13.96

 

CMYK 0 / 43 / 63 / 55

HEX #73422B

RGB 115 66 43

HSL 19.17, 0.46%, 0.31%

LAB 33.38, 18.81, 22.94

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 33 / 0 / 63 / 35

HEX #70A73D

RGB 112 167 61

HSL 91.13, 0.46%, 0.45%

LAB 62.86, -36, 47.71

 

CMYK 63 / 58 / 0 / 35

HEX #3D46A7

RGB 61 70 167

HSL 234.91, 0.46%, 0.45%

LAB 34.32, 27.43, -53.5

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 63 / 0 / 43 / 35

HEX #3DA75F

RGB 61 167 95

HSL 139.25, 0.46%, 0.45%

LAB 61.18, -46.57, 28.48

 

CMYK 43 / 63 / 0 / 35

HEX #5F3DA7

RGB 95 61 167

HSL 259.25, 0.46%, 0.45%

LAB 35.12, 39.63, -52.06

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 33 / 0 / 63 / 35

HEX #70A73D

RGB 112 167 61

HSL 91.13, 0.46%, 0.45%

LAB 62.86, -36, 47.71

 

CMYK 63 / 20 / 0 / 35

HEX #3D86A7

RGB 61 134 167

HSL 198.68, 0.46%, 0.45%

LAB 52.77, -12.36, -24.27

 

CMYK 31 / 63 / 0 / 35

HEX #743DA7

RGB 116 61 167

HSL 271.13, 0.46%, 0.45%

LAB 37.55, 44.35, -48.01

 

CMYK 0 / 43 / 63 / 35

HEX #A65F3E

RGB 166 95 62

HSL 19.04, 0.46%, 0.45%

LAB 47.8, 25.76, 31.13

 

CMYK 51 / 0 / 63 / 35

HEX #51A73D

RGB 81 167 61

HSL 108.68, 0.46%, 0.45%

LAB 61.42, -46.27, 45.71

 

CMYK 63 / 20 / 0 / 35

HEX #3D86A7

RGB 61 134 167

HSL 198.68, 0.46%, 0.45%

LAB 52.77, -12.36, -24.27

 

CMYK 11 / 63 / 0 / 35

HEX #943DA7

RGB 148 61 167

HSL 289.25, 0.46%, 0.45%

LAB 41.88, 52.09, -40.84

 

Description

Color code: RGB 166 95 62 | qconv.com Color code: RGB 166 95 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 95 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 95 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 63 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 63% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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