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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B420AE it is the complementary color #4BDF51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B420AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B420AE shade: #B920A9, #CA32BC, #DB44CF, #EC56E2 and #FD68F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B420AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B420AE shade: #B420AE, #A30E9B, #920088, #810075 and #700062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B420AE shade: #B620B0, #B62088, #B6205F, #B62037 and #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B420AE shade: #B620B0, #9420B6, #6B20B6, #4320B6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B420AE shade matches the following richer shades: #B620B0 and #C70FC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B420AE shade: #B620B0, #A531A0, #934390, #825480 and #716570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B420AE shade: #6B20B6, #9320B6, #B620B1, #B62089 and #B62061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B420AE shade: #70146C, #931A8E, #B620B0, #D927D2 and #DF4AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B420AE shade: #B420AE, #B64320 and #20B67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B420AE shade: #B420AE, #B1B620 and #20B1B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B420AE shade: #B420AE, #B64320, #20B625 and #2093B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B420AE shade: #B420AE, #B67020, #20B625 and #2066B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

Complementary color

CMYK 66 / 0 / 64 / 13

HEX #4BDF51

RGB 75 223 81

HSL 122.43, 0.7%, 0.58%

LAB 78.96, -65.99, 56.56

 

CMYK 0 / 83 / 9 / 27

HEX #B920A9

RGB 185 32 169

HSL 306.27, 0.71%, 0.43%

LAB 44.54, 70.51, -37.45

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 0 / 69 / 5 / 14

HEX #DB44CF

RGB 219 68 207

HSL 304.77, 0.68%, 0.56%

LAB 55.79, 73.05, -41.43

 

CMYK 0 / 64 / 4 / 7

HEX #EC56E2

RGB 236 86 226

HSL 304, 0.8%, 0.63%

LAB 61.64, 73.37, -42.79

 

CMYK 0 / 59 / 3 / 1

HEX #FD68F5

RGB 253 104 245

HSL 303.22, 0.97%, 0.7%

LAB 67.56, 73.33, -43.86

 

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

CMYK 0 / 91 / 5 / 36

HEX #A30E9B

RGB 163 14 155

HSL 303.22, 0.84%, 0.35%

LAB 38.67, 67.48, -38.6

 

CMYK 0 / 100 / 7 / 43

HEX #920088

RGB 146 0 136

HSL 304.11, 1%, 0.29%

LAB 33.75, 63.34, -34.96

 

CMYK 0 / 100 / 9 / 49

HEX #810075

RGB 129 0 117

HSL 305.58, 1%, 0.25%

LAB 29.29, 57.45, -30.31

 

CMYK 0 / 100 / 13 / 56

HEX #700062

RGB 112 0 98

HSL 307.5, 1%, 0.22%

LAB 24.72, 51.41, -25.47

 

CMYK 0 / 82 / 3 / 29

HEX #B620B0

RGB 182 32 176

HSL 302.4, 0.7%, 0.42%

LAB 44.39, 70.96, -41.85

 

CMYK 0 / 82 / 25 / 29

HEX #B62088

RGB 182 32 136

HSL 318.4, 0.7%, 0.42%

LAB 42.39, 65.44, -20.93

 

CMYK 0 / 82 / 48 / 29

HEX #B6205F

RGB 182 32 95

HSL 334.8, 0.7%, 0.42%

LAB 40.9, 61.13, 2.35

 

CMYK 0 / 82 / 70 / 29

HEX #B62037

RGB 182 32 55

HSL 350.8, 0.7%, 0.42%

LAB 40, 58.44, 26.37

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 82 / 3 / 29

HEX #B620B0

RGB 182 32 176

HSL 302.4, 0.7%, 0.42%

LAB 44.39, 70.96, -41.85

 

CMYK 19 / 82 / 0 / 29

HEX #9420B6

RGB 148 32 182

HSL 286.4, 0.7%, 0.42%

LAB 39.08, 65.68, -54.23

 

CMYK 41 / 82 / 0 / 29

HEX #6B20B6

RGB 107 32 182

HSL 270, 0.7%, 0.42%

LAB 33, 59.14, -64.41

 

CMYK 63 / 82 / 0 / 29

HEX #4320B6

RGB 67 32 182

HSL 254, 0.7%, 0.42%

LAB 28.39, 54.34, -72.16

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 0 / 82 / 3 / 29

HEX #B620B0

RGB 182 32 176

HSL 302.4, 0.7%, 0.42%

LAB 44.39, 70.96, -41.85

 

CMYK 0 / 92 / 4 / 22

HEX #C70FC0

RGB 199 15 192

HSL 302.28, 0.86%, 0.42%

LAB 47.35, 79.2, -46.36

 

CMYK 0 / 82 / 3 / 29

HEX #B620B0

RGB 182 32 176

HSL 302.4, 0.7%, 0.42%

LAB 44.39, 70.96, -41.85

 

CMYK 0 / 70 / 3 / 35

HEX #A531A0

RGB 165 49 160

HSL 302.59, 0.54%, 0.42%

LAB 42.36, 59.85, -35.74

 

CMYK 0 / 54 / 2 / 42

HEX #934390

RGB 147 67 144

HSL 302.25, 0.37%, 0.42%

LAB 41.58, 44.54, -27.51

 

CMYK 0 / 35 / 2 / 49

HEX #825480

RGB 130 84 128

HSL 302.61, 0.21%, 0.42%

LAB 42.22, 26.67, -16.98

 

CMYK 0 / 11 / 1 / 56

HEX #716570

RGB 113 101 112

HSL 305, 0.06%, 0.42%

LAB 44.22, 6.93, -4.44

 

CMYK 41 / 82 / 0 / 29

HEX #6B20B6

RGB 107 32 182

HSL 270, 0.7%, 0.42%

LAB 33, 59.14, -64.41

 

CMYK 19 / 82 / 0 / 29

HEX #9320B6

RGB 147 32 182

HSL 286, 0.7%, 0.42%

LAB 38.92, 65.5, -54.5

 

CMYK 0 / 82 / 3 / 29

HEX #B620B1

RGB 182 32 177

HSL 302, 0.7%, 0.42%

LAB 44.45, 71.11, -42.35

 

CMYK 0 / 82 / 25 / 29

HEX #B62089

RGB 182 32 137

HSL 318, 0.7%, 0.42%

LAB 42.44, 65.56, -21.47

 

CMYK 0 / 82 / 47 / 29

HEX #B62061

RGB 182 32 97

HSL 334, 0.7%, 0.42%

LAB 40.96, 61.31, 1.17

 

CMYK 0 / 82 / 4 / 56

HEX #70146C

RGB 112 20 108

HSL 302.61, 0.7%, 0.26%

LAB 26.81, 48.63, -28.67

 

CMYK 0 / 82 / 3 / 42

HEX #931A8E

RGB 147 26 142

HSL 302.48, 0.7%, 0.34%

LAB 35.78, 60.08, -35.43

 

CMYK 0 / 82 / 3 / 29

HEX #B620B0

RGB 182 32 176

HSL 302.4, 0.7%, 0.42%

LAB 44.39, 70.96, -41.85

 

CMYK 0 / 82 / 3 / 15

HEX #D927D2

RGB 217 39 210

HSL 302.36, 0.7%, 0.5%

LAB 52.79, 81.2, -47.91

 

CMYK 0 / 67 / 3 / 13

HEX #DF4AD9

RGB 223 74 217

HSL 302.42, 0.7%, 0.58%

LAB 57.65, 73.4, -44.13

 

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

CMYK 0 / 63 / 82 / 29

HEX #B64320

RGB 182 67 32

HSL 14, 0.7%, 0.42%

LAB 44.32, 44.91, 43.97

 

CMYK 82 / 0 / 30 / 29

HEX #20B67F

RGB 32 182 127

HSL 158, 0.7%, 0.42%

LAB 65.98, -50.34, 17.62

 

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

CMYK 3 / 0 / 82 / 29

HEX #B1B620

RGB 177 182 32

HSL 62, 0.7%, 0.42%

LAB 71.49, -18.33, 67.79

 

CMYK 82 / 3 / 0 / 29

HEX #20B1B6

RGB 32 177 182

HSL 182, 0.7%, 0.42%

LAB 65.85, -33.46, -12.9

 

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

CMYK 0 / 63 / 82 / 29

HEX #B64320

RGB 182 67 32

HSL 14, 0.7%, 0.42%

LAB 44.32, 44.91, 43.97

 

CMYK 82 / 0 / 80 / 29

HEX #20B625

RGB 32 182 37

HSL 122, 0.7%, 0.42%

LAB 64.88, -63.32, 57.97

 

CMYK 82 / 19 / 0 / 29

HEX #2093B6

RGB 32 147 182

HSL 194, 0.7%, 0.42%

LAB 56.64, -18.33, -26.95

 

CMYK 0 / 82 / 3 / 29

HEX #B420AE

RGB 180 32 174

HSL 302.43, 0.7%, 0.42%

LAB 43.93, 70.26, -41.42

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 82 / 0 / 80 / 29

HEX #20B625

RGB 32 182 37

HSL 122, 0.7%, 0.42%

LAB 64.88, -63.32, 57.97

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

Description

Color code: HEX #B420AE | qconv.com Color code: HEX #B420AE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 32 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 32 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 3 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 3% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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