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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B62020 it is the complementary color #49DFDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B62020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B62020 shade: #BB201B, #CC322E, #DD4441, #EE5654 and #FF6867

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B62020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B62020 shade: #B62020, #A50E0D, #940000, #830000 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B62020 shade: #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B62020 shade: #B62020, #B64920, #B67120, #B69920 and #AAB620

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B62020 shade matches the following richer shades: #B62020 and #C70F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B62020 shade: #B62020, #A53131, #934343, #825454 and #716565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B62020 shade: #B62070, #B62048, #B62020, #B64820 and #B67020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B62020 shade: #701414, #931A1A, #B62020, #D92727 and #DF4A4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B62020 shade: #B62020, #98B620 and #205CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B62020 shade: #B62020, #20B620 and #2020B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B62020 shade: #B62020, #98B620, #20B6B6 and #3E20B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B62020 shade: #B62020, #6BB620, #20B6B6 and #6B20B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

Complementary color

CMYK 67 / 0 / 0 / 13

HEX #49DFDF

RGB 73 223 223

HSL 180, 0.7%, 0.58%

LAB 81.58, -38.38, -11.53

 

CMYK 0 / 83 / 86 / 27

HEX #BB201B

RGB 187 32 27

HSL 1.88, 0.75%, 0.42%

LAB 40.7, 58.88, 43.51

 

CMYK 0 / 75 / 77 / 20

HEX #CC322E

RGB 204 50 46

HSL 1.52, 0.63%, 0.49%

LAB 46.06, 59.27, 39.74

 

CMYK 0 / 69 / 71 / 13

HEX #DD4441

RGB 221 68 65

HSL 1.15, 0.7%, 0.56%

LAB 51.71, 59, 36.21

 

CMYK 0 / 64 / 65 / 7

HEX #EE5654

RGB 238 86 84

HSL 0.78, 0.82%, 0.63%

LAB 57.53, 58.33, 33.11

 

CMYK 0 / 59 / 60 / 0

HEX #FF6867

RGB 255 104 103

HSL 0.39, 1%, 0.7%

LAB 63.46, 57.44, 30.43

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 92 / 92 / 35

HEX #A50E0D

RGB 165 14 13

HSL 0.39, 0.85%, 0.35%

LAB 34.69, 56.14, 43.37

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

HEX #830000

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

HEX #720000

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 60 / 82 / 29

HEX #B64920

RGB 182 73 32

HSL 16.4, 0.7%, 0.42%

LAB 45.38, 42.13, 44.95

 

CMYK 0 / 38 / 82 / 29

HEX #B67120

RGB 182 113 32

HSL 32.4, 0.7%, 0.42%

LAB 53.88, 21.1, 52.67

 

CMYK 0 / 16 / 82 / 29

HEX #B69920

RGB 182 153 32

HSL 48.4, 0.7%, 0.42%

LAB 64.02, -0.97, 61.56

 

CMYK 7 / 0 / 82 / 29

HEX #AAB620

RGB 170 182 32

HSL 64.8, 0.7%, 0.42%

LAB 70.94, -21.34, 67.11

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 92 / 92 / 22

HEX #C70F0F

RGB 199 15 15

HSL 0, 0.86%, 0.42%

LAB 42.03, 65.07, 50.93

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 70 / 70 / 35

HEX #A53131

RGB 165 49 49

HSL 0, 0.54%, 0.42%

LAB 38.58, 47.38, 27.56

 

CMYK 0 / 54 / 54 / 42

HEX #934343

RGB 147 67 67

HSL 0, 0.37%, 0.42%

LAB 38.94, 33.72, 16.29

 

CMYK 0 / 35 / 35 / 49

HEX #825454

RGB 130 84 84

HSL 0, 0.21%, 0.42%

LAB 40.78, 19.18, 7.92

 

CMYK 0 / 11 / 11 / 56

HEX #716565

RGB 113 101 101

HSL 0, 0.06%, 0.42%

LAB 43.88, 4.76, 1.73

 

CMYK 0 / 82 / 38 / 29

HEX #B62070

RGB 182 32 112

HSL 328, 0.7%, 0.42%

LAB 41.45, 62.73, -7.52

 

CMYK 0 / 82 / 60 / 29

HEX #B62048

RGB 182 32 72

HSL 344, 0.7%, 0.42%

LAB 40.32, 59.4, 16.1

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 0 / 82 / 82 / 56

HEX #701414

RGB 112 20 20

HSL 0, 0.7%, 0.26%

LAB 23.66, 39.23, 25.66

 

CMYK 0 / 82 / 82 / 42

HEX #931A1A

RGB 147 26 26

HSL 0, 0.7%, 0.34%

LAB 31.84, 48.64, 32.82

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 82 / 82 / 15

HEX #D92727

RGB 217 39 39

HSL 0, 0.7%, 0.5%

LAB 47.43, 65.92, 45.71

 

CMYK 0 / 67 / 67 / 13

HEX #DF4A4A

RGB 223 74 74

HSL 0, 0.7%, 0.58%

LAB 53.04, 57.77, 32.72

 

Description

Color code: HEX #B62020 | qconv.com Color code: HEX #B62020 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 32 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 32 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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