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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA32BC it is the complementary color #35CD43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA32BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA32BC shade: #CF32B7, #E044CA, #F156DD, #FF68F0 and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA32BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA32BC shade: #CA32BC, #B920A9, #A80E96, #970083 and #860070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA32BC shade: #C832BA, #C83292, #C83269, #C83241 and #C83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA32BC shade: #C832BA, #AD32C8, #8532C8, #5C32C8 and #3432C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA32BC shade matches the following richer shades: #C832BA, #DC1ECB and #F00ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA32BC shade: #C832BA, #B446AA, #9F5A99, #8B6F89 and #778378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA32BC shade: #8432C8, #AC32C8, #C832BB, #C83293 and #C8326B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA32BC shade: #86217D, #A72A9B, #C832BA, #D350C7 and #DB71D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA32BC shade: #CA32BC, #C85C32 and #32C898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA32BC shade: #CA32BC, #BBC832 and #32BBC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA32BC shade: #CA32BC, #C85C32, #32C83E and #329DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA32BC shade: #CA32BC, #C88932, #32C83E and #3270C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

Complementary color

CMYK 74 / 0 / 67 / 20

HEX #35CD43

RGB 53 205 67

HSL 125.53, 0.6%, 0.51%

LAB 72.78, -65.26, 55.39

 

CMYK 0 / 76 / 12 / 19

HEX #CF32B7

RGB 207 50 183

HSL 309.17, 0.62%, 0.5%

LAB 50.65, 72.54, -35.81

 

CMYK 0 / 70 / 10 / 12

HEX #E044CA

RGB 224 68 202

HSL 308.46, 0.72%, 0.57%

LAB 56.33, 73.44, -37.66

 

CMYK 0 / 64 / 8 / 5

HEX #F156DD

RGB 241 86 221

HSL 307.74, 0.85%, 0.64%

LAB 62.15, 73.8, -39.13

 

CMYK 0 / 59 / 6 / 0

HEX #FF68F0

RGB 255 104 240

HSL 305.96, 1%, 0.7%

LAB 67.61, 73.03, -41

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 0 / 83 / 9 / 27

HEX #B920A9

RGB 185 32 169

HSL 306.27, 0.71%, 0.43%

LAB 44.54, 70.51, -37.45

 

CMYK 0 / 92 / 11 / 34

HEX #A80E96

RGB 168 14 150

HSL 307.01, 0.85%, 0.36%

LAB 39.31, 67.7, -34.48

 

CMYK 0 / 100 / 13 / 41

HEX #970083

RGB 151 0 131

HSL 307.95, 1%, 0.3%

LAB 34.43, 63.55, -30.71

 

CMYK 0 / 100 / 16 / 47

HEX #860070

RGB 134 0 112

HSL 309.85, 1%, 0.26%

LAB 30.01, 57.69, -25.91

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 0 / 75 / 27 / 22

HEX #C83292

RGB 200 50 146

HSL 321.6, 0.6%, 0.49%

LAB 47.8, 66, -18.41

 

CMYK 0 / 75 / 48 / 22

HEX #C83269

RGB 200 50 105

HSL 338, 0.6%, 0.49%

LAB 46.42, 61.69, 4.51

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 75 / 75 / 22

HEX #C83232

RGB 200 50 50

HSL 0, 0.6%, 0.49%

LAB 45.35, 58.21, 36.49

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 14 / 75 / 0 / 22

HEX #AD32C8

RGB 173 50 200

HSL 289.2, 0.6%, 0.49%

LAB 46.09, 68.2, -53.27

 

CMYK 34 / 75 / 0 / 22

HEX #8532C8

RGB 133 50 200

HSL 273.2, 0.6%, 0.49%

LAB 40.31, 60.7, -62.9

 

CMYK 54 / 75 / 0 / 22

HEX #5C32C8

RGB 92 50 200

HSL 256.8, 0.6%, 0.49%

LAB 35.45, 54.18, -71.04

 

CMYK 74 / 75 / 0 / 22

HEX #3432C8

RGB 52 50 200

HSL 240.8, 0.6%, 0.49%

LAB 32.22, 49.67, -76.48

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 0 / 86 / 8 / 14

HEX #DC1ECB

RGB 220 30 203

HSL 305.37, 0.76%, 0.49%

LAB 52.35, 82.44, -44.56

 

CMYK 0 / 96 / 9 / 6

HEX #F00ADB

RGB 240 10 219

HSL 305.48, 0.92%, 0.49%

LAB 55.94, 90.35, -47.79

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 0 / 61 / 6 / 29

HEX #B446AA

RGB 180 70 170

HSL 305.45, 0.44%, 0.49%

LAB 48.24, 56.85, -32.26

 

CMYK 0 / 43 / 4 / 38

HEX #9F5A99

RGB 159 90 153

HSL 305.22, 0.28%, 0.49%

LAB 48.24, 37.83, -22.44

 

CMYK 0 / 20 / 1 / 45

HEX #8B6F89

RGB 139 111 137

HSL 304.29, 0.11%, 0.49%

LAB 50.29, 15.8, -10.05

 

CMYK 9 / 0 / 8 / 49

HEX #778378

RGB 119 131 120

HSL 125, 0.05%, 0.49%

LAB 53.5, -6.65, 4.44

 

CMYK 34 / 75 / 0 / 22

HEX #8432C8

RGB 132 50 200

HSL 272.8, 0.6%, 0.49%

LAB 40.18, 60.53, -63.12

 

CMYK 14 / 75 / 0 / 22

HEX #AC32C8

RGB 172 50 200

HSL 288.8, 0.6%, 0.49%

LAB 45.94, 68, -53.53

 

CMYK 0 / 75 / 7 / 22

HEX #C832BB

RGB 200 50 187

HSL 305.2, 0.6%, 0.49%

LAB 49.68, 71.61, -39.75

 

CMYK 0 / 75 / 27 / 22

HEX #C83293

RGB 200 50 147

HSL 321.2, 0.6%, 0.49%

LAB 47.84, 66.12, -18.95

 

CMYK 0 / 75 / 47 / 22

HEX #C8326B

RGB 200 50 107

HSL 337.2, 0.6%, 0.49%

LAB 46.47, 61.87, 3.35

 

CMYK 0 / 75 / 7 / 47

HEX #86217D

RGB 134 33 125

HSL 305.35, 0.6%, 0.33%

LAB 33.21, 52.41, -29.09

 

CMYK 0 / 75 / 7 / 35

HEX #A72A9B

RGB 167 42 155

HSL 305.76, 0.6%, 0.41%

LAB 41.59, 61.89, -33.92

 

CMYK 0 / 75 / 7 / 22

HEX #C832BA

RGB 200 50 186

HSL 305.6, 0.6%, 0.49%

LAB 49.62, 71.46, -39.25

 

CMYK 0 / 62 / 6 / 17

HEX #D350C7

RGB 211 80 199

HSL 305.5, 0.6%, 0.57%

LAB 55.8, 65.36, -36.93

 

CMYK 0 / 48 / 4 / 14

HEX #DB71D2

RGB 219 113 210

HSL 305.09, 0.6%, 0.65%

LAB 62.95, 54.4, -31.93

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 0 / 54 / 75 / 22

HEX #C85C32

RGB 200 92 50

HSL 16.8, 0.6%, 0.49%

LAB 52.02, 40.37, 43.7

 

CMYK 75 / 0 / 24 / 22

HEX #32C898

RGB 50 200 152

HSL 160.8, 0.6%, 0.49%

LAB 72.4, -49.78, 13.11

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 7 / 0 / 75 / 22

HEX #BBC832

RGB 187 200 50

HSL 65.2, 0.6%, 0.49%

LAB 77.34, -22.34, 68.14

 

CMYK 75 / 7 / 0 / 22

HEX #32BBC8

RGB 50 187 200

HSL 185.2, 0.6%, 0.49%

LAB 69.75, -31.02, -16.93

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 0 / 54 / 75 / 22

HEX #C85C32

RGB 200 92 50

HSL 16.8, 0.6%, 0.49%

LAB 52.02, 40.37, 43.7

 

CMYK 75 / 0 / 69 / 22

HEX #32C83E

RGB 50 200 62

HSL 124.8, 0.6%, 0.49%

LAB 71.1, -64.59, 55.57

 

CMYK 75 / 22 / 0 / 22

HEX #329DC8

RGB 50 157 200

HSL 197.2, 0.6%, 0.49%

LAB 60.75, -15.67, -30.71

 

CMYK 0 / 75 / 7 / 21

HEX #CA32BC

RGB 202 50 188

HSL 305.53, 0.6%, 0.49%

LAB 50.06, 72.19, -39.7

 

CMYK 0 / 32 / 75 / 22

HEX #C88932

RGB 200 137 50

HSL 34.8, 0.6%, 0.49%

LAB 62, 16.43, 53.87

 

CMYK 75 / 0 / 69 / 22

HEX #32C83E

RGB 50 200 62

HSL 124.8, 0.6%, 0.49%

LAB 71.1, -64.59, 55.57

 

CMYK 75 / 44 / 0 / 22

HEX #3270C8

RGB 50 112 200

HSL 215.2, 0.6%, 0.49%

LAB 47.54, 10.75, -51.53

 

Description

Color code: HEX #CA32BC | qconv.com Color code: HEX #CA32BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 50 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 50 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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