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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B03686 it is the complementary color #4FC979. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B03686. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B03686: #B53681, #C64894, #D75AA7, #E86CBA and #F97ECD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B03686. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B03686: #B03686, #9F2473, #8E1260, #7D004D and #6C003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

Complementary color

CMYK 61 / 0 / 40 / 21

HEX #4FC979

RGB 79 201 121

HSL 140.66, 0.53%, 0.55%

LAB 72.77, -51.68, 30.12

 

CMYK 0 / 70 / 29 / 29

HEX #B53681

RGB 181 54 129

HSL 324.57, 0.54%, 0.46%

LAB 44.3, 57.59, -13.74

 

CMYK 0 / 64 / 25 / 22

HEX #C64894

RGB 198 72 148

HSL 323.81, 0.53%, 0.53%

LAB 50.43, 57.67, -15.63

 

CMYK 0 / 58 / 22 / 16

HEX #D75AA7

RGB 215 90 167

HSL 323.04, 0.61%, 0.6%

LAB 56.63, 57.37, -17.12

 

CMYK 0 / 53 / 20 / 9

HEX #E86CBA

RGB 232 108 186

HSL 322.26, 0.73%, 0.67%

LAB 62.87, 56.86, -18.34

 

CMYK 0 / 49 / 18 / 2

HEX #F97ECD

RGB 249 126 205

HSL 321.46, 0.91%, 0.74%

LAB 69.09, 56.23, -19.37

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 77 / 28 / 38

HEX #9F2473

RGB 159 36 115

HSL 321.46, 0.63%, 0.38%

LAB 37.61, 56.18, -15.63

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 100 / 38 / 51

HEX #7D004D

RGB 125 0 77

HSL 323.04, 1%, 0.25%

LAB 26.44, 51.52, -8.64

 

CMYK 0 / 100 / 46 / 58

HEX #6C003A

RGB 108 0 58

HSL 327.78, 1%, 0.21%

LAB 21.92, 45.61, -2.79

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 70 / 35 / 31

HEX #AF3572

RGB 175 53 114

HSL 330, 0.54%, 0.45%

LAB 42.57, 54.47, -7.22

 

CMYK 0 / 70 / 46 / 31

HEX #AF355E

RGB 175 53 94

HSL 339.84, 0.54%, 0.45%

LAB 41.95, 52.35, 4.32

 

CMYK 0 / 70 / 58 / 31

HEX #AF354A

RGB 175 53 74

HSL 349.67, 0.54%, 0.45%

LAB 41.46, 50.65, 16.15

 

CMYK 0 / 70 / 70 / 31

HEX #AF3535

RGB 175 53 53

HSL 0, 0.54%, 0.45%

LAB 41.08, 49.32, 28.58

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 69 / 24 / 11

HEX #E346AD

RGB 227 70 173

HSL 320.64, 0.74%, 0.58%

LAB 55.81, 69.5, -21.69

 

CMYK 0 / 70 / 22 / 91

HEX #170712

RGB 23 7 18

HSL 318.75, 0.53%, 0.06%

LAB 3.41, 7.35, -2.94

 

CMYK 0 / 69 / 24 / 71

HEX #4A1738

RGB 74 23 56

HSL 321.18, 0.53%, 0.19%

LAB 17.25, 28.33, -9.13

 

CMYK 0 / 70 / 24 / 51

HEX #7D265F

RGB 125 38 95

HSL 320.69, 0.53%, 0.32%

LAB 30.81, 43.47, -13.84

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 33 / 70 / 31

HEX #AF7635

RGB 175 118 53

HSL 31.97, 0.54%, 0.45%

LAB 54.37, 16.17, 43.69

 

CMYK 70 / 0 / 5 / 31

HEX #35AFA7

RGB 53 175 167

HSL 176.07, 0.54%, 0.45%

LAB 65.13, -34.65, -5.61

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 23 / 0 / 70 / 31

HEX #87AF35

RGB 135 175 53

HSL 79.67, 0.54%, 0.45%

LAB 66.57, -31.49, 55.37

 

CMYK 70 / 23 / 0 / 31

HEX #3587AF

RGB 53 135 175

HSL 199.67, 0.54%, 0.45%

LAB 53.15, -11.6, -28.31

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 33 / 70 / 31

HEX #AF7635

RGB 175 118 53

HSL 31.97, 0.54%, 0.45%

LAB 54.37, 16.17, 43.69

 

CMYK 70 / 0 / 46 / 31

HEX #35AF5E

RGB 53 175 94

HSL 140.16, 0.54%, 0.45%

LAB 63.53, -51.37, 31.98

 

CMYK 70 / 37 / 0 / 31

HEX #356EAF

RGB 53 110 175

HSL 211.97, 0.54%, 0.45%

LAB 45.64, 3.2, -40.09

 

CMYK 0 / 69 / 24 / 31

HEX #B03686

RGB 176 54 134

HSL 320.66, 0.53%, 0.45%

LAB 43.64, 56.88, -17.88

 

CMYK 0 / 11 / 70 / 31

HEX #AF9B35

RGB 175 155 53

HSL 50.16, 0.54%, 0.45%

LAB 64.01, -4.27, 53.77

 

CMYK 70 / 0 / 46 / 31

HEX #35AF5E

RGB 53 175 94

HSL 140.16, 0.54%, 0.45%

LAB 63.53, -51.37, 31.98

 

CMYK 70 / 58 / 0 / 31

HEX #354AAF

RGB 53 74 175

HSL 229.67, 0.54%, 0.45%

LAB 35.5, 26.43, -56.37

 

Description

Color code: HEX #B03686 | qconv.com Color code: HEX #B03686 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 54 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 54 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 24 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 24% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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