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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 18 96 it is the complementary color RGB 113 237 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 18 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 18 96: RGB 147 18 91, RGB 164 36 110, RGB 181 54 129, RGB 198 72 148 and RGB 215 90 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 18 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 18 96: RGB 142 18 96, RGB 125 0 77, RGB 108 0 58, RGB 91 0 39 and RGB 74 0 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

Complementary color

CMYK 52 / 0 / 33 / 7

HEX #71ED9F

RGB 113 237 159

HSL 142.26, 0.78%, 0.69%

LAB 85.29, -51.72, 27.49

 

CMYK 0 / 88 / 38 / 42

HEX #93125B

RGB 147 18 91

HSL 326.05, 0.78%, 0.32%

LAB 32.68, 55.09, -8.01

 

CMYK 0 / 78 / 33 / 36

HEX #A4246E

RGB 164 36 110

HSL 325.31, 0.64%, 0.39%

LAB 38.34, 56.87, -11.29

 

CMYK 0 / 70 / 29 / 29

HEX #B53681

RGB 181 54 129

HSL 324.57, 0.54%, 0.46%

LAB 44.3, 57.59, -13.74

 

CMYK 0 / 64 / 25 / 22

HEX #C64894

RGB 198 72 148

HSL 323.81, 0.53%, 0.53%

LAB 50.43, 57.67, -15.63

 

CMYK 0 / 58 / 22 / 16

HEX #D75AA7

RGB 215 90 167

HSL 323.04, 0.61%, 0.6%

LAB 56.63, 57.37, -17.12

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 100 / 38 / 51

HEX #7D004D

RGB 125 0 77

HSL 323.04, 1%, 0.25%

LAB 26.44, 51.52, -8.64

 

CMYK 0 / 100 / 46 / 58

HEX #6C003A

RGB 108 0 58

HSL 327.78, 1%, 0.21%

LAB 21.92, 45.61, -2.79

 

CMYK 0 / 100 / 57 / 64

HEX #5B0027

RGB 91 0 39

HSL 334.29, 1%, 0.18%

LAB 17.32, 39.64, 3.56

 

CMYK 0 / 100 / 73 / 71

HEX #4A0014

RGB 74 0 20

HSL 343.78, 1%, 0.15%

LAB 12.65, 33.65, 10.41

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 88 / 47 / 45

HEX #8C114A

RGB 140 17 74

HSL 332.2, 0.78%, 0.31%

LAB 30.57, 51.84, -0.14

 

CMYK 0 / 88 / 61 / 45

HEX #8C1136

RGB 140 17 54

HSL 341.95, 0.78%, 0.31%

LAB 30.02, 50.25, 12.42

 

CMYK 0 / 88 / 76 / 45

HEX #8C1121

RGB 140 17 33

HSL 352.2, 0.78%, 0.31%

LAB 29.63, 49.11, 25.74

 

CMYK 0 / 85 / 88 / 45

HEX #8C1511

RGB 140 21 17

HSL 1.95, 0.78%, 0.31%

LAB 29.79, 47.63, 35.35

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 88 / 33 / 24

HEX #C11882

RGB 193 24 130

HSL 322.37, 0.78%, 0.43%

LAB 43.66, 68.87, -15.13

 

CMYK 0 / 87 / 32 / 4

HEX #F41FA5

RGB 244 31 165

HSL 322.25, 0.91%, 0.54%

LAB 55, 82.48, -17.99

 

CMYK 0 / 88 / 33 / 84

HEX #28051B

RGB 40 5 27

HSL 322.29, 0.78%, 0.09%

LAB 5.77, 20.18, -5.71

 

CMYK 0 / 87 / 32 / 64

HEX #5B0C3E

RGB 91 12 62

HSL 322.03, 0.77%, 0.2%

LAB 19.37, 38.75, -9.79

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 38 / 88 / 45

HEX #8C5711

RGB 140 87 17

HSL 34.15, 0.78%, 0.31%

LAB 41.9, 16.54, 45.55

 

CMYK 88 / 0 / 3 / 45

HEX #118C88

RGB 17 140 136

HSL 178.05, 0.78%, 0.31%

LAB 52.57, -31.16, -6.71

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 32 / 0 / 88 / 45

HEX #5F8C11

RGB 95 140 17

HSL 81.95, 0.78%, 0.31%

LAB 53.2, -32.97, 53.5

 

CMYK 88 / 32 / 0 / 45

HEX #115F8C

RGB 17 95 140

HSL 201.95, 0.78%, 0.31%

LAB 38.19, -5.22, -31.12

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 38 / 88 / 45

HEX #8C5711

RGB 140 87 17

HSL 34.15, 0.78%, 0.31%

LAB 41.9, 16.54, 45.55

 

CMYK 88 / 0 / 56 / 45

HEX #118C3E

RGB 17 140 62

HSL 141.95, 0.78%, 0.31%

LAB 50.95, -48.81, 32.66

 

CMYK 88 / 50 / 0 / 45

HEX #11468C

RGB 17 70 140

HSL 214.15, 0.78%, 0.31%

LAB 30.38, 11.19, -43.58

 

CMYK 0 / 87 / 32 / 44

HEX #8E1260

RGB 142 18 96

HSL 322.26, 0.78%, 0.31%

LAB 31.87, 54.43, -12.58

 

CMYK 0 / 11 / 88 / 45

HEX #8C7C11

RGB 140 124 17

HSL 52.2, 0.78%, 0.31%

LAB 51.87, -4.76, 53.79

 

CMYK 88 / 0 / 56 / 45

HEX #118C3E

RGB 17 140 62

HSL 141.95, 0.78%, 0.31%

LAB 50.95, -48.81, 32.66

 

CMYK 88 / 76 / 0 / 45

HEX #11218C

RGB 17 33 140

HSL 232.2, 0.78%, 0.31%

LAB 20.44, 36.42, -59.83

 

Description

Color code: RGB 142 18 96 | qconv.com Color code: RGB 142 18 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 18 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 18 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 32 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 32% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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