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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE7DB it is the complementary color #521824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE7DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE7DB shade: #B2E7D6, #C3F9E9, #D4FFFC, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE7DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE7DB shade: #ADE7DB, #9CD5C8, #8BC3B5, #7AB1A2 and #699F8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE7DB shade: #ACE7DB, #ACE7CB, #ACE7BB, #ADE7AC and #BDE7AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE7DB shade: #ACE7DB, #ACE3E7, #ACD3E7, #ACC3E7 and #ACB4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE7DB shade matches the following richer shades: #ACE7DB, #A3F0E0 and #9BF8E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE7DB shade: #ACE7DB, #B5DED6, #BDD6D1, #C6CDCB and #CFC4C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE7DB shade: #ACE7BB, #ACE7CA, #ACE7DA, #ACE4E7 and #ACD4E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE7DB shade: #6CD4BF, #8CDECD, #ACE7DB, #CCF0E9 and #ECF9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE7DB shade: #ADE7DB, #ACADE7 and #E7C3AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE7DB shade: #ADE7DB, #DAACE7 and #E7DAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE7DB shade: #ADE7DB, #ACADE7, #E7ACB9 and #E7E6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE7DB shade: #ADE7DB, #BDACE7, #E7ACB9 and #D6E7AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

Complementary color

CMYK 0 / 71 / 56 / 68

HEX #521824

RGB 82 24 36

HSL 347.59, 0.55%, 0.21%

LAB 18.25, 28.07, 6.74

 

CMYK 23 / 0 / 7 / 9

HEX #B2E7D6

RGB 178 231 214

HSL 160.75, 0.52%, 0.8%

LAB 87.71, -20.34, 2.74

 

CMYK 22 / 0 / 6 / 2

HEX #C3F9E9

RGB 195 249 233

HSL 162.22, 0.82%, 0.87%

LAB 93.99, -20.21, 2.07

 

CMYK 17 / 0 / 1 / 0

HEX #D4FFFC

RGB 212 255 252

HSL 175.81, 1%, 0.92%

LAB 97.04, -14.22, -3.14

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

CMYK 27 / 0 / 6 / 16

HEX #9CD5C8

RGB 156 213 200

HSL 166.32, 0.4%, 0.72%

LAB 81.2, -20.97, 0.51

 

CMYK 29 / 0 / 7 / 24

HEX #8BC3B5

RGB 139 195 181

HSL 165, 0.32%, 0.65%

LAB 74.73, -21.13, 1.19

 

CMYK 31 / 0 / 8 / 31

HEX #7AB1A2

RGB 122 177 162

HSL 163.64, 0.26%, 0.59%

LAB 68.16, -21.31, 1.91

 

CMYK 34 / 0 / 10 / 38

HEX #699F8F

RGB 105 159 143

HSL 162.22, 0.22%, 0.52%

LAB 61.47, -21.51, 2.68

 

CMYK 26 / 0 / 5 / 9

HEX #ACE7DB

RGB 172 231 219

HSL 167.8, 0.55%, 0.79%

LAB 87.5, -21.12, -0.23

 

CMYK 26 / 0 / 12 / 9

HEX #ACE7CB

RGB 172 231 203

HSL 151.53, 0.55%, 0.79%

LAB 87.11, -24.36, 7.59

 

CMYK 26 / 0 / 19 / 9

HEX #ACE7BB

RGB 172 231 187

HSL 135.25, 0.55%, 0.79%

LAB 86.76, -27.38, 15.46

 

CMYK 25 / 0 / 26 / 9

HEX #ADE7AC

RGB 173 231 172

HSL 118.98, 0.55%, 0.79%

LAB 86.51, -29.65, 22.91

 

CMYK 18 / 0 / 26 / 9

HEX #BDE7AC

RGB 189 231 172

HSL 102.71, 0.55%, 0.79%

LAB 87.46, -24.28, 24.37

 

CMYK 26 / 0 / 5 / 9

HEX #ACE7DB

RGB 172 231 219

HSL 167.8, 0.55%, 0.79%

LAB 87.5, -21.12, -0.23

 

CMYK 26 / 2 / 0 / 9

HEX #ACE3E7

RGB 172 227 231

HSL 184.07, 0.55%, 0.79%

LAB 86.74, -16.55, -7.67

 

CMYK 26 / 9 / 0 / 9

HEX #ACD3E7

RGB 172 211 231

HSL 200.34, 0.55%, 0.79%

LAB 82.45, -8.37, -14.07

 

CMYK 26 / 16 / 0 / 9

HEX #ACC3E7

RGB 172 195 231

HSL 216.61, 0.55%, 0.79%

LAB 78.21, 0.09, -20.45

 

CMYK 26 / 22 / 0 / 9

HEX #ACB4E7

RGB 172 180 231

HSL 231.86, 0.55%, 0.79%

LAB 74.31, 8.25, -26.4

 

CMYK 26 / 0 / 5 / 9

HEX #ACE7DB

RGB 172 231 219

HSL 167.8, 0.55%, 0.79%

LAB 87.5, -21.12, -0.23

 

CMYK 32 / 0 / 7 / 6

HEX #A3F0E0

RGB 163 240 224

HSL 167.53, 0.72%, 0.79%

LAB 89.62, -27.02, 0.18

 

CMYK 38 / 0 / 8 / 3

HEX #9BF8E5

RGB 155 248 229

HSL 167.74, 0.87%, 0.79%

LAB 91.58, -31.87, 0.39

 

CMYK 26 / 0 / 5 / 9

HEX #ACE7DB

RGB 172 231 219

HSL 167.8, 0.55%, 0.79%

LAB 87.5, -21.12, -0.23

 

CMYK 18 / 0 / 4 / 13

HEX #B5DED6

RGB 181 222 214

HSL 168.29, 0.38%, 0.79%

LAB 85.46, -14.92, -0.52

 

CMYK 12 / 0 / 2 / 16

HEX #BDD6D1

RGB 189 214 209

HSL 168, 0.23%, 0.79%

LAB 83.71, -9.28, -0.37

 

CMYK 3 / 0 / 1 / 20

HEX #C6CDCB

RGB 198 205 203

HSL 162.86, 0.07%, 0.79%

LAB 81.83, -2.75, 0.15

 

CMYK 0 / 5 / 4 / 19

HEX #CFC4C6

RGB 207 196 198

HSL 349.09, 0.1%, 0.79%

LAB 80.08, 4.19, 0.37

 

CMYK 26 / 0 / 19 / 9

HEX #ACE7BB

RGB 172 231 187

HSL 135.25, 0.55%, 0.79%

LAB 86.76, -27.38, 15.46

 

CMYK 26 / 0 / 13 / 9

HEX #ACE7CA

RGB 172 231 202

HSL 150.51, 0.55%, 0.79%

LAB 87.09, -24.56, 8.08

 

CMYK 26 / 0 / 6 / 9

HEX #ACE7DA

RGB 172 231 218

HSL 166.78, 0.55%, 0.79%

LAB 87.48, -21.33, 0.25

 

CMYK 26 / 1 / 0 / 9

HEX #ACE4E7

RGB 172 228 231

HSL 183.05, 0.55%, 0.79%

LAB 87.01, -17.05, -7.27

 

CMYK 26 / 8 / 0 / 9

HEX #ACD4E7

RGB 172 212 231

HSL 199.32, 0.55%, 0.79%

LAB 82.71, -8.89, -13.67

 

CMYK 49 / 0 / 10 / 17

HEX #6CD4BF

RGB 108 212 191

HSL 167.88, 0.55%, 0.63%

LAB 78.48, -35.29, 1.1

 

CMYK 37 / 0 / 8 / 13

HEX #8CDECD

RGB 140 222 205

HSL 167.56, 0.55%, 0.71%

LAB 83.03, -28.82, 0.43

 

CMYK 26 / 0 / 5 / 9

HEX #ACE7DB

RGB 172 231 219

HSL 167.8, 0.55%, 0.79%

LAB 87.5, -21.12, -0.23

 

CMYK 15 / 0 / 3 / 6

HEX #CCF0E9

RGB 204 240 233

HSL 168.33, 0.55%, 0.87%

LAB 92.15, -12.98, -0.54

 

CMYK 5 / 0 / 1 / 2

HEX #ECF9F7

RGB 236 249 247

HSL 170.77, 0.52%, 0.95%

LAB 96.94, -4.62, -0.53

 

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 16 / 26 / 9

HEX #E7C3AC

RGB 231 195 172

HSL 23.39, 0.55%, 0.79%

LAB 81.29, 9.36, 16.31

 

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 6 / 26 / 9

HEX #E7DAAC

RGB 231 218 172

HSL 46.78, 0.55%, 0.79%

LAB 87.05, -2.6, 24.29

 

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 26 / 20 / 9

HEX #E7ACB9

RGB 231 172 185

HSL 346.78, 0.55%, 0.79%

LAB 76.07, 23.48, 1.83

 

CMYK 0 / 0 / 26 / 9

HEX #E7E6AC

RGB 231 230 172

HSL 58.98, 0.55%, 0.79%

LAB 90.12, -8.69, 28.47

 

CMYK 25 / 0 / 5 / 9

HEX #ADE7DB

RGB 173 231 219

HSL 167.59, 0.55%, 0.79%

LAB 87.56, -20.83, -0.15

 

CMYK 18 / 26 / 0 / 9

HEX #BDACE7

RGB 189 172 231

HSL 257.29, 0.55%, 0.79%

LAB 73.61, 17.83, -27.36

 

CMYK 0 / 26 / 20 / 9

HEX #E7ACB9

RGB 231 172 185

HSL 346.78, 0.55%, 0.79%

LAB 76.07, 23.48, 1.83

 

CMYK 7 / 0 / 26 / 9

HEX #D6E7AC

RGB 214 231 172

HSL 77.29, 0.55%, 0.79%

LAB 89.12, -15.44, 26.91

 

Description

Color code: HEX #ADE7DB | qconv.com Color code: HEX #ADE7DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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