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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACADE7 it is the complementary color #535218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACADE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ACADE7: #B1ADE2, #C2BFF5, #D3D1FF, #E4E3FF and #F5F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACADE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ACADE7: #ACADE7, #9B9BD4, #8A89C1, #7977AE and #68659B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

Complementary color

CMYK 0 / 1 / 71 / 67

HEX #535218

RGB 83 82 24

HSL 58.98, 0.55%, 0.21%

LAB 33.86, -7.85, 32.83

 

CMYK 22 / 23 / 0 / 11

HEX #B1ADE2

RGB 177 173 226

HSL 244.53, 0.48%, 0.78%

LAB 72.71, 12.46, -26.09

 

CMYK 21 / 22 / 0 / 4

HEX #C2BFF5

RGB 194 191 245

HSL 243.33, 0.73%, 0.85%

LAB 79.23, 12.07, -26.28

 

CMYK 17 / 18 / 0 / 0

HEX #D3D1FF

RGB 211 209 255

HSL 242.61, 1%, 0.91%

LAB 85.34, 9.77, -22.19

 

CMYK 11 / 11 / 0 / 0

HEX #E4E3FF

RGB 228 227 255

HSL 242.14, 1%, 0.95%

LAB 91.08, 5.61, -13.42

 

CMYK 4 / 4 / 0 / 0

HEX #F5F5FF

RGB 245 245 255

HSL 240, 1%, 0.98%

LAB 96.79, 1.8, -4.8

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 27 / 27 / 0 / 17

HEX #9B9BD4

RGB 155 155 212

HSL 240, 0.4%, 0.72%

LAB 65.88, 12.57, -29.05

 

CMYK 28 / 29 / 0 / 24

HEX #8A89C1

RGB 138 137 193

HSL 241.07, 0.31%, 0.65%

LAB 59.11, 13.07, -28.97

 

CMYK 30 / 32 / 0 / 32

HEX #7977AE

RGB 121 119 174

HSL 242.18, 0.25%, 0.57%

LAB 52.19, 13.63, -28.94

 

CMYK 33 / 35 / 0 / 39

HEX #68659B

RGB 104 101 155

HSL 243.33, 0.21%, 0.5%

LAB 45.11, 14.29, -28.95

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 22 / 26 / 0 / 10

HEX #B3ABE6

RGB 179 171 230

HSL 248.14, 0.54%, 0.79%

LAB 72.51, 15.1, -28.57

 

CMYK 18 / 26 / 0 / 10

HEX #BDABE6

RGB 189 171 230

HSL 258.31, 0.54%, 0.79%

LAB 73.32, 18.16, -27.25

 

CMYK 13 / 26 / 0 / 10

HEX #C7ABE6

RGB 199 171 230

HSL 268.47, 0.54%, 0.79%

LAB 74.18, 21.29, -25.87

 

CMYK 9 / 26 / 0 / 10

HEX #D1ABE6

RGB 209 171 230

HSL 278.64, 0.54%, 0.79%

LAB 75.07, 24.45, -24.42

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 26 / 26 / 0 / 89

HEX #14141B

RGB 20 20 27

HSL 240, 0.15%, 0.09%

LAB 6.58, 1.82, -4.81

 

CMYK 26 / 26 / 0 / 69

HEX #3A3A4E

RGB 58 58 78

HSL 240, 0.15%, 0.27%

LAB 25.19, 5.12, -12.15

 

CMYK 26 / 25 / 0 / 49

HEX #606181

RGB 96 97 129

HSL 238.18, 0.15%, 0.44%

LAB 42.19, 7.21, -17.95

 

CMYK 26 / 25 / 0 / 29

HEX #8687B4

RGB 134 135 180

HSL 238.7, 0.23%, 0.62%

LAB 57.74, 9.74, -23.72

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 26 / 4 / 10

HEX #E6ABDD

RGB 230 171 221

HSL 309.15, 0.54%, 0.79%

LAB 76.78, 29.59, -16.75

 

CMYK 14 / 0 / 26 / 10

HEX #C5E6AB

RGB 197 230 171

HSL 93.56, 0.54%, 0.79%

LAB 87.68, -21.17, 25.27

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 26 / 25 / 10

HEX #E6ABAD

RGB 230 171 173

HSL 357.97, 0.54%, 0.79%

LAB 75.43, 21.9, 7.46

 

CMYK 25 / 0 / 26 / 10

HEX #ADE6AB

RGB 173 230 171

HSL 117.97, 0.54%, 0.79%

LAB 86.22, -29.35, 23.02

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 26 / 4 / 10

HEX #E6ABDD

RGB 230 171 221

HSL 309.15, 0.54%, 0.79%

LAB 76.78, 29.59, -16.75

 

CMYK 0 / 1 / 26 / 10

HEX #E6E4AB

RGB 230 228 171

HSL 57.97, 0.54%, 0.79%

LAB 89.51, -8.19, 28.15

 

CMYK 26 / 0 / 21 / 10

HEX #ABE6B5

RGB 171 230 181

HSL 130.17, 0.54%, 0.79%

LAB 86.3, -28.29, 17.93

 

CMYK 26 / 25 / 0 / 9

HEX #ACADE7

RGB 172 173 231

HSL 238.98, 0.55%, 0.79%

LAB 72.51, 12.12, -29.15

 

CMYK 0 / 26 / 12 / 10

HEX #E6ABCB

RGB 230 171 203

HSL 327.46, 0.54%, 0.79%

LAB 76.23, 26.5, -7.77

 

CMYK 0 / 1 / 26 / 10

HEX #E6E4AB

RGB 230 228 171

HSL 57.97, 0.54%, 0.79%

LAB 89.51, -8.19, 28.15

 

CMYK 26 / 0 / 13 / 10

HEX #ABE6C7

RGB 171 230 199

HSL 148.47, 0.54%, 0.79%

LAB 86.69, -24.96, 9.08

 

Description

Color code: HEX #ACADE7 | qconv.com Color code: HEX #ACADE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 173 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 173 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 25 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 25% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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