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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAACE7 it is the complementary color #255318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAACE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAACE7 shade: #DFACE2, #F0BEF5, #FFD0FF, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAACE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAACE7 shade: #DAACE7, #C99AD4, #B888C1, #A776AE and #96649B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAACE7 shade: #DAACE7, #E7ACE4, #E7ACD4, #E7ACC4 and #E7ACB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAACE7 shade: #DAACE7, #CAACE7, #BAACE7 and #ACACE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAACE7 shade matches the following richer shades: #DAACE7, #DFA3F0 and #E49BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAACE7 shade: #DAACE7, #D5B5DE, #D0BDD6, #CBC6CD and #C7CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAACE7 shade: #BAACE7, #C9ACE7, #D9ACE7, #E7ACE5 and #E7ACD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAACE7 shade: #BD6CD4, #CC8CDE, #DAACE7, #E8CCF0 and #F6ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAACE7 shade: #DAACE7, #E7ACAE and #ACE7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAACE7 shade: #DAACE7, #E7D9AC and #ACE7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAACE7 shade: #DAACE7, #E7ACAE, #BAE7AC and #ACE7E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAACE7 shade: #DAACE7, #E7BCAC, #BAE7AC and #ACD7E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

Complementary color

CMYK 55 / 0 / 71 / 67

HEX #255318

RGB 37 83 24

HSL 106.78, 0.55%, 0.21%

LAB 30.99, -28.31, 28.82

 

CMYK 1 / 24 / 0 / 11

HEX #DFACE2

RGB 223 172 226

HSL 296.67, 0.48%, 0.78%

LAB 76.49, 27.66, -19.97

 

CMYK 2 / 22 / 0 / 4

HEX #F0BEF5

RGB 240 190 245

HSL 294.55, 0.73%, 0.85%

LAB 82.88, 27.09, -20.36

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 5 / 27 / 0 / 17

HEX #C99AD4

RGB 201 154 212

HSL 288.62, 0.4%, 0.72%

LAB 69.67, 27.59, -22.88

 

CMYK 5 / 30 / 0 / 24

HEX #B888C1

RGB 184 136 193

HSL 290.53, 0.31%, 0.65%

LAB 63.05, 28.24, -22.55

 

CMYK 4 / 32 / 0 / 32

HEX #A776AE

RGB 167 118 174

HSL 292.5, 0.26%, 0.57%

LAB 56.32, 28.93, -22.21

 

CMYK 3 / 35 / 0 / 39

HEX #96649B

RGB 150 100 155

HSL 294.55, 0.22%, 0.5%

LAB 49.45, 29.68, -21.85

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 26 / 1 / 9

HEX #E7ACE4

RGB 231 172 228

HSL 303.05, 0.55%, 0.79%

LAB 77.34, 30.64, -19.69

 

CMYK 0 / 26 / 8 / 9

HEX #E7ACD4

RGB 231 172 212

HSL 319.32, 0.55%, 0.79%

LAB 76.83, 27.82, -11.77

 

CMYK 0 / 26 / 15 / 9

HEX #E7ACC4

RGB 231 172 196

HSL 335.59, 0.55%, 0.79%

LAB 76.36, 25.18, -3.74

 

CMYK 0 / 26 / 22 / 9

HEX #E7ACB4

RGB 231 172 180

HSL 351.86, 0.55%, 0.79%

LAB 75.94, 22.74, 4.38

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 13 / 26 / 0 / 9

HEX #CAACE7

RGB 202 172 231

HSL 270.51, 0.55%, 0.79%

LAB 74.72, 21.89, -25.56

 

CMYK 19 / 26 / 0 / 9

HEX #BAACE7

RGB 186 172 231

HSL 254.24, 0.55%, 0.79%

LAB 73.36, 16.91, -27.76

 

CMYK 26 / 26 / 0 / 9

HEX #ACACE7

RGB 172 172 231

HSL 240, 0.55%, 0.79%

LAB 72.26, 12.68, -29.55

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 7 / 32 / 0 / 6

HEX #DFA3F0

RGB 223 163 240

HSL 286.75, 0.72%, 0.79%

LAB 74.93, 35.18, -29.94

 

CMYK 8 / 38 / 0 / 3

HEX #E49BF8

RGB 228 155 248

HSL 287.1, 0.87%, 0.79%

LAB 74.01, 42.53, -35.68

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 4 / 18 / 0 / 13

HEX #D5B5DE

RGB 213 181 222

HSL 286.83, 0.38%, 0.79%

LAB 77.56, 18.74, -16.27

 

CMYK 3 / 12 / 0 / 16

HEX #D0BDD6

RGB 208 189 214

HSL 285.6, 0.23%, 0.79%

LAB 78.85, 11.22, -10.07

 

CMYK 1 / 3 / 0 / 20

HEX #CBC6CD

RGB 203 198 205

HSL 282.86, 0.07%, 0.79%

LAB 80.46, 3.01, -2.88

 

CMYK 4 / 0 / 5 / 19

HEX #C7CFC4

RGB 199 207 196

HSL 103.64, 0.1%, 0.79%

LAB 82.25, -4.73, 4.51

 

CMYK 19 / 26 / 0 / 9

HEX #BAACE7

RGB 186 172 231

HSL 254.24, 0.55%, 0.79%

LAB 73.36, 16.91, -27.76

 

CMYK 13 / 26 / 0 / 9

HEX #C9ACE7

RGB 201 172 231

HSL 269.49, 0.55%, 0.79%

LAB 74.63, 21.58, -25.7

 

CMYK 6 / 26 / 0 / 9

HEX #D9ACE7

RGB 217 172 231

HSL 285.76, 0.55%, 0.79%

LAB 76.09, 26.67, -23.35

 

CMYK 0 / 26 / 1 / 9

HEX #E7ACE5

RGB 231 172 229

HSL 302.03, 0.55%, 0.79%

LAB 77.37, 30.82, -20.19

 

CMYK 0 / 26 / 8 / 9

HEX #E7ACD5

RGB 231 172 213

HSL 318.31, 0.55%, 0.79%

LAB 76.86, 27.99, -12.27

 

CMYK 11 / 49 / 0 / 17

HEX #BD6CD4

RGB 189 108 212

HSL 286.73, 0.55%, 0.63%

LAB 58.32, 48.75, -40.57

 

CMYK 8 / 37 / 0 / 13

HEX #CC8CDE

RGB 204 140 222

HSL 286.83, 0.55%, 0.71%

LAB 67.18, 38.16, -32.21

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 3 / 15 / 0 / 6

HEX #E8CCF0

RGB 232 204 240

HSL 286.67, 0.55%, 0.87%

LAB 85.32, 16.1, -14.1

 

CMYK 1 / 5 / 0 / 2

HEX #F6ECF9

RGB 246 236 249

HSL 286.15, 0.52%, 0.95%

LAB 94.49, 5.65, -5.07

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 26 / 25 / 9

HEX #E7ACAE

RGB 231 172 174

HSL 357.97, 0.55%, 0.79%

LAB 75.79, 21.88, 7.44

 

CMYK 26 / 0 / 16 / 9

HEX #ACE7C2

RGB 172 231 194

HSL 142.37, 0.55%, 0.79%

LAB 86.91, -26.09, 12.01

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 6 / 26 / 9

HEX #E7D9AC

RGB 231 217 172

HSL 45.76, 0.55%, 0.79%

LAB 86.8, -2.09, 23.95

 

CMYK 26 / 0 / 6 / 9

HEX #ACE7D9

RGB 172 231 217

HSL 165.76, 0.55%, 0.79%

LAB 87.45, -21.54, 0.74

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 26 / 25 / 9

HEX #E7ACAE

RGB 231 172 174

HSL 357.97, 0.55%, 0.79%

LAB 75.79, 21.88, 7.44

 

CMYK 19 / 0 / 26 / 9

HEX #BAE7AC

RGB 186 231 172

HSL 105.76, 0.55%, 0.79%

LAB 87.28, -25.31, 24.09

 

CMYK 26 / 0 / 1 / 9

HEX #ACE7E5

RGB 172 231 229

HSL 177.97, 0.55%, 0.79%

LAB 87.77, -18.99, -5.1

 

CMYK 6 / 26 / 0 / 9

HEX #DAACE7

RGB 218 172 231

HSL 286.78, 0.55%, 0.79%

LAB 76.18, 26.99, -23.2

 

CMYK 0 / 19 / 26 / 9

HEX #E7BCAC

RGB 231 188 172

HSL 16.27, 0.55%, 0.79%

LAB 79.58, 13.07, 13.91

 

CMYK 19 / 0 / 26 / 9

HEX #BAE7AC

RGB 186 231 172

HSL 105.76, 0.55%, 0.79%

LAB 87.28, -25.31, 24.09

 

CMYK 26 / 7 / 0 / 9

HEX #ACD7E7

RGB 172 215 231

HSL 196.27, 0.55%, 0.79%

LAB 83.52, -10.44, -12.47

 

Description

Color code: HEX #DAACE7 | qconv.com Color code: HEX #DAACE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 172 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 172 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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