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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACC236 it is the complementary color #533DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACC236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACC236 shade: #B1C231, #C2D444, #D3E657, #E4F86A and #F5FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACC236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACC236 shade: #ACC236, #9BB023, #8A9E10, #798C00 and #687A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACC236 shade: #ADC337, #C3B337, #C38D37, #C36837 and #C34237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACC236 shade: #ADC337, #87C337, #61C337, #3CC337 and #37C358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACC236 shade matches the following richer shades: #ADC337, #BBD723 and #C9EB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACC236 shade: #ADC337, #9FAF4B, #919A5F, #838674 and #757288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACC236 shade: #C38D37, #C3B337, #AEC337, #89C337 and #63C337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACC236 shade: #748325, #90A32E, #ADC337, #BCCF54 and #C8D874

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACC236 shade: #ACC236, #37C368 and #A037C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACC236 shade: #ACC236, #37AEC3 and #C337AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACC236 shade: #ACC236, #37C368, #4C37C3 and #C33792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACC236 shade: #ACC236, #37C392, #4C37C3 and #C33768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

Complementary color

CMYK 59 / 70 / 0 / 21

HEX #533DC9

RGB 83 61 201

HSL 249.43, 0.56%, 0.51%

LAB 36.73, 47.51, -69.55

 

CMYK 9 / 0 / 75 / 24

HEX #B1C231

RGB 177 194 49

HSL 67.03, 0.6%, 0.48%

LAB 74.92, -23.63, 65.93

 

CMYK 8 / 0 / 68 / 17

HEX #C2D444

RGB 194 212 68

HSL 67.5, 0.63%, 0.55%

LAB 81.28, -24.37, 65.86

 

CMYK 8 / 0 / 62 / 10

HEX #D3E657

RGB 211 230 87

HSL 67.97, 0.74%, 0.62%

LAB 87.55, -24.98, 65.32

 

CMYK 8 / 0 / 57 / 3

HEX #E4F86A

RGB 228 248 106

HSL 68.45, 0.91%, 0.69%

LAB 93.74, -25.47, 64.52

 

CMYK 4 / 0 / 51 / 0

HEX #F5FF7D

RGB 245 255 125

HSL 64.62, 1%, 0.75%

LAB 96.99, -20.67, 60.23

 

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

CMYK 12 / 0 / 80 / 31

HEX #9BB023

RGB 155 176 35

HSL 68.94, 0.67%, 0.41%

LAB 68.12, -24.66, 63.4

 

CMYK 13 / 0 / 90 / 38

HEX #8A9E10

RGB 138 158 16

HSL 68.45, 0.82%, 0.34%

LAB 61.56, -23.64, 61.83

 

CMYK 14 / 0 / 100 / 45

HEX #798C00

RGB 121 140 0

HSL 68.14, 1%, 0.27%

LAB 54.89, -22.39, 58.66

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 0 / 8 / 72 / 24

HEX #C3B337

RGB 195 179 55

HSL 53.14, 0.56%, 0.49%

LAB 72.31, -8.09, 61.84

 

CMYK 0 / 28 / 72 / 24

HEX #C38D37

RGB 195 141 55

HSL 36.86, 0.56%, 0.49%

LAB 62.45, 12.29, 51.98

 

CMYK 0 / 47 / 72 / 24

HEX #C36837

RGB 195 104 55

HSL 21, 0.56%, 0.49%

LAB 53.79, 32.44, 42.83

 

CMYK 0 / 66 / 72 / 24

HEX #C34237

RGB 195 66 55

HSL 4.71, 0.56%, 0.49%

LAB 46.68, 50.81, 34.88

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 31 / 0 / 72 / 24

HEX #87C337

RGB 135 195 55

HSL 85.71, 0.56%, 0.49%

LAB 72.53, -40.43, 60.63

 

CMYK 50 / 0 / 72 / 24

HEX #61C337

RGB 97 195 55

HSL 102, 0.56%, 0.49%

LAB 70.77, -53.06, 58.27

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 0 / 55 / 24

HEX #37C358

RGB 55 195 88

HSL 134.14, 0.56%, 0.49%

LAB 69.86, -59.17, 42.81

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 13 / 0 / 84 / 16

HEX #BBD723

RGB 187 215 35

HSL 69.33, 0.72%, 0.49%

LAB 81.45, -30.06, 75.85

 

CMYK 14 / 0 / 94 / 8

HEX #C9EB0F

RGB 201 235 15

HSL 69.27, 0.88%, 0.49%

LAB 87.91, -34.05, 84.65

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 9 / 0 / 57 / 31

HEX #9FAF4B

RGB 159 175 75

HSL 69.6, 0.4%, 0.49%

LAB 68.42, -20.07, 48.43

 

CMYK 6 / 0 / 38 / 40

HEX #919A5F

RGB 145 154 95

HSL 69.15, 0.24%, 0.49%

LAB 61.62, -12.93, 29.9

 

CMYK 2 / 0 / 13 / 47

HEX #838674

RGB 131 134 116

HSL 70, 0.07%, 0.49%

LAB 55.21, -4.5, 9.32

 

CMYK 14 / 16 / 0 / 47

HEX #757288

RGB 117 114 136

HSL 248.18, 0.09%, 0.49%

LAB 49, 5.88, -11.61

 

CMYK 0 / 28 / 72 / 24

HEX #C38D37

RGB 195 141 55

HSL 36.86, 0.56%, 0.49%

LAB 62.45, 12.29, 51.98

 

CMYK 0 / 8 / 72 / 24

HEX #C3B337

RGB 195 179 55

HSL 53.14, 0.56%, 0.49%

LAB 72.31, -8.09, 61.84

 

CMYK 11 / 0 / 72 / 24

HEX #AEC337

RGB 174 195 55

HSL 69, 0.56%, 0.49%

LAB 75.02, -25.07, 63.91

 

CMYK 30 / 0 / 72 / 24

HEX #89C337

RGB 137 195 55

HSL 84.86, 0.56%, 0.49%

LAB 72.64, -39.69, 60.77

 

CMYK 49 / 0 / 72 / 24

HEX #63C337

RGB 99 195 55

HSL 101.14, 0.56%, 0.49%

LAB 70.84, -52.47, 58.37

 

CMYK 11 / 0 / 72 / 49

HEX #748325

RGB 116 131 37

HSL 69.57, 0.56%, 0.33%

LAB 51.93, -18.72, 46.46

 

CMYK 12 / 0 / 72 / 36

HEX #90A32E

RGB 144 163 46

HSL 69.74, 0.56%, 0.41%

LAB 63.61, -22.38, 55.27

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 9 / 0 / 59 / 19

HEX #BCCF54

RGB 188 207 84

HSL 69.27, 0.56%, 0.57%

LAB 79.59, -23.33, 57.46

 

CMYK 7 / 0 / 46 / 15

HEX #C8D874

RGB 200 216 116

HSL 69.6, 0.56%, 0.65%

LAB 83.26, -20.14, 47.22

 

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

CMYK 72 / 0 / 47 / 24

HEX #37C368

RGB 55 195 104

HSL 141, 0.56%, 0.49%

LAB 70.07, -56.75, 35.2

 

CMYK 18 / 72 / 0 / 24

HEX #A037C3

RGB 160 55 195

HSL 285, 0.56%, 0.49%

LAB 44.44, 62.85, -53.12

 

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

CMYK 72 / 11 / 0 / 24

HEX #37AEC3

RGB 55 174 195

HSL 189, 0.56%, 0.49%

LAB 65.77, -25.55, -20.2

 

CMYK 0 / 72 / 11 / 24

HEX #C337AE

RGB 195 55 174

HSL 309, 0.56%, 0.49%

LAB 48.75, 66.97, -33.65

 

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

CMYK 72 / 0 / 47 / 24

HEX #37C368

RGB 55 195 104

HSL 141, 0.56%, 0.49%

LAB 70.07, -56.75, 35.2

 

CMYK 61 / 72 / 0 / 24

HEX #4C37C3

RGB 76 55 195

HSL 249, 0.56%, 0.49%

LAB 34.41, 47.99, -69.87

 

CMYK 0 / 72 / 25 / 24

HEX #C33792

RGB 195 55 146

HSL 321, 0.56%, 0.49%

LAB 47.51, 63.1, -18.93

 

CMYK 11 / 0 / 72 / 24

HEX #ACC236

RGB 172 194 54

HSL 69.43, 0.56%, 0.49%

LAB 74.58, -25.47, 63.79

 

CMYK 72 / 0 / 25 / 24

HEX #37C392

RGB 55 195 146

HSL 159, 0.56%, 0.49%

LAB 70.81, -48.47, 14.13

 

CMYK 61 / 72 / 0 / 24

HEX #4C37C3

RGB 76 55 195

HSL 249, 0.56%, 0.49%

LAB 34.41, 47.99, -69.87

 

CMYK 0 / 72 / 47 / 24

HEX #C33768

RGB 195 55 104

HSL 339, 0.56%, 0.49%

LAB 46.09, 58.49, 4.53

 

Description

Color code: HEX #ACC236 | qconv.com Color code: HEX #ACC236 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 194 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 194 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 72% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

68% - Sasoló Ovi Suli
Link: http://www.sasolo.hu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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