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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC337 it is the complementary color #C33CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC337 shade: #41C332, #52D545, #63E758, #74F96B and #85FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC337 shade: #3CC337, #2BB124, #1A9F11, #098D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC337 shade: #3CC337, #62C337, #87C337, #ADC337 and #C3B337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC337 shade: #3CC337, #37C358, #37C37D, #37C3A3 and #37BDC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC337 shade matches the following richer shades: #3CC337, #29D723 and #16EB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC337 shade: #3CC337, #4FAF4B, #629A5F, #748674 and #877288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC337 shade: #89C337, #63C337, #3EC337, #37C355 and #37C37B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC337 shade: #288325, #32A32E, #3CC337, #59CF54 and #78D874

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC337 shade: #3CC337, #37AEC3 and #C33776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC337 shade: #3CC337, #373EC3 and #C3373E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC337 shade: #3CC337, #37AEC3, #BC37C3 and #C34C37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC337 shade: #3CC337, #3784C3, #BC37C3 and #C37637

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

Complementary color

CMYK 3 / 70 / 0 / 22

HEX #C33CC8

RGB 195 60 200

HSL 297.86, 0.56%, 0.51%

LAB 50.69, 69.36, -45.72

 

CMYK 67 / 0 / 74 / 24

HEX #41C332

RGB 65 195 50

HSL 113.79, 0.59%, 0.48%

LAB 69.74, -61.33, 58.7

 

CMYK 62 / 0 / 68 / 16

HEX #52D545

RGB 82 213 69

HSL 114.58, 0.63%, 0.55%

LAB 75.95, -62.29, 58.2

 

CMYK 57 / 0 / 62 / 9

HEX #63E758

RGB 99 231 88

HSL 115.38, 0.75%, 0.63%

LAB 82.11, -62.88, 57.32

 

CMYK 53 / 0 / 57 / 2

HEX #74F96B

RGB 116 249 107

HSL 116.2, 0.92%, 0.7%

LAB 88.22, -63.23, 56.25

 

CMYK 48 / 0 / 51 / 0

HEX #85FF7E

RGB 133 255 126

HSL 116.74, 1%, 0.75%

LAB 90.79, -58.82, 50.86

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 76 / 0 / 80 / 31

HEX #2BB124

RGB 43 177 36

HSL 117.02, 0.66%, 0.42%

LAB 63.41, -60.38, 56.94

 

CMYK 84 / 0 / 89 / 38

HEX #1A9F11

RGB 26 159 17

HSL 116.2, 0.81%, 0.35%

LAB 57.13, -58.1, 56

 

CMYK 94 / 0 / 100 / 45

HEX #098D00

RGB 9 141 0

HSL 116.17, 1%, 0.28%

LAB 50.81, -54.83, 53.6

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 50 / 0 / 72 / 24

HEX #62C337

RGB 98 195 55

HSL 101.57, 0.56%, 0.49%

LAB 70.8, -52.77, 58.32

 

CMYK 31 / 0 / 72 / 24

HEX #87C337

RGB 135 195 55

HSL 85.71, 0.56%, 0.49%

LAB 72.53, -40.43, 60.63

 

CMYK 11 / 0 / 72 / 24

HEX #ADC337

RGB 173 195 55

HSL 69.43, 0.56%, 0.49%

LAB 74.94, -25.48, 63.81

 

CMYK 0 / 8 / 72 / 24

HEX #C3B337

RGB 195 179 55

HSL 53.14, 0.56%, 0.49%

LAB 72.31, -8.09, 61.84

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 0 / 55 / 24

HEX #37C358

RGB 55 195 88

HSL 134.14, 0.56%, 0.49%

LAB 69.86, -59.17, 42.81

 

CMYK 72 / 0 / 36 / 24

HEX #37C37D

RGB 55 195 125

HSL 150, 0.56%, 0.49%

LAB 70.4, -52.95, 24.78

 

CMYK 72 / 0 / 16 / 24

HEX #37C3A3

RGB 55 195 163

HSL 166.29, 0.56%, 0.49%

LAB 71.21, -44.38, 5.47

 

CMYK 72 / 3 / 0 / 24

HEX #37BDC3

RGB 55 189 195

HSL 182.57, 0.56%, 0.49%

LAB 70.28, -32.89, -13.38

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 81 / 0 / 84 / 16

HEX #29D723

RGB 41 215 35

HSL 118, 0.72%, 0.49%

LAB 75.57, -72.15, 68.43

 

CMYK 91 / 0 / 94 / 8

HEX #16EB0F

RGB 22 235 15

HSL 118.09, 0.88%, 0.49%

LAB 81.63, -79.92, 76.99

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 55 / 0 / 57 / 31

HEX #4FAF4B

RGB 79 175 75

HSL 117.6, 0.4%, 0.49%

LAB 64.02, -48.41, 42.22

 

CMYK 36 / 0 / 38 / 40

HEX #629A5F

RGB 98 154 95

HSL 116.95, 0.24%, 0.49%

LAB 58.54, -30.71, 25.31

 

CMYK 13 / 0 / 13 / 47

HEX #748674

RGB 116 134 116

HSL 120, 0.07%, 0.49%

LAB 54.05, -10.21, 7.51

 

CMYK 1 / 16 / 0 / 47

HEX #877288

RGB 135 114 136

HSL 297.27, 0.09%, 0.49%

LAB 50.64, 12.36, -8.98

 

CMYK 30 / 0 / 72 / 24

HEX #89C337

RGB 137 195 55

HSL 84.86, 0.56%, 0.49%

LAB 72.64, -39.69, 60.77

 

CMYK 49 / 0 / 72 / 24

HEX #63C337

RGB 99 195 55

HSL 101.14, 0.56%, 0.49%

LAB 70.84, -52.47, 58.37

 

CMYK 68 / 0 / 72 / 24

HEX #3EC337

RGB 62 195 55

HSL 117, 0.56%, 0.49%

LAB 69.7, -61.53, 56.85

 

CMYK 72 / 0 / 56 / 24

HEX #37C355

RGB 55 195 85

HSL 132.86, 0.56%, 0.49%

LAB 69.82, -59.57, 44.19

 

CMYK 72 / 0 / 37 / 24

HEX #37C37B

RGB 55 195 123

HSL 149.14, 0.56%, 0.49%

LAB 70.37, -53.34, 25.78

 

CMYK 69 / 0 / 72 / 49

HEX #288325

RGB 40 131 37

HSL 118.09, 0.56%, 0.33%

LAB 48.03, -45.38, 41.22

 

CMYK 69 / 0 / 72 / 36

HEX #32A32E

RGB 50 163 46

HSL 117.95, 0.56%, 0.41%

LAB 59.04, -53.81, 49.16

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 57 / 0 / 59 / 19

HEX #59CF54

RGB 89 207 84

HSL 117.56, 0.56%, 0.57%

LAB 74.44, -57, 50.26

 

CMYK 44 / 0 / 46 / 15

HEX #78D874

RGB 120 216 116

HSL 117.6, 0.56%, 0.65%

LAB 78.67, -48.15, 40.52

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 11 / 0 / 24

HEX #37AEC3

RGB 55 174 195

HSL 189, 0.56%, 0.49%

LAB 65.77, -25.55, -20.2

 

CMYK 0 / 72 / 39 / 24

HEX #C33776

RGB 195 55 118

HSL 333, 0.56%, 0.49%

LAB 46.5, 59.85, -3.46

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 68 / 0 / 24

HEX #373EC3

RGB 55 62 195

HSL 237, 0.56%, 0.49%

LAB 34.39, 41.39, -69.97

 

CMYK 0 / 72 / 68 / 24

HEX #C3373E

RGB 195 55 62

HSL 357, 0.56%, 0.49%

LAB 45.2, 55.48, 29.04

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 11 / 0 / 24

HEX #37AEC3

RGB 55 174 195

HSL 189, 0.56%, 0.49%

LAB 65.77, -25.55, -20.2

 

CMYK 4 / 72 / 0 / 24

HEX #BC37C3

RGB 188 55 195

HSL 297, 0.56%, 0.49%

LAB 48.72, 68.73, -46.04

 

CMYK 0 / 61 / 72 / 24

HEX #C34C37

RGB 195 76 55

HSL 9, 0.56%, 0.49%

LAB 48.32, 46.42, 36.76

 

CMYK 69 / 0 / 72 / 24

HEX #3CC337

RGB 60 195 55

HSL 117.86, 0.56%, 0.49%

LAB 69.66, -61.91, 56.79

 

CMYK 72 / 32 / 0 / 24

HEX #3784C3

RGB 55 132 195

HSL 207, 0.56%, 0.49%

LAB 53.23, -2.61, -39.63

 

CMYK 4 / 72 / 0 / 24

HEX #BC37C3

RGB 188 55 195

HSL 297, 0.56%, 0.49%

LAB 48.72, 68.73, -46.04

 

CMYK 0 / 39 / 72 / 24

HEX #C37637

RGB 195 118 55

HSL 27, 0.56%, 0.49%

LAB 56.91, 24.91, 46.19

 

Description

Color code: HEX #3CC337 | qconv.com Color code: HEX #3CC337 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 195 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 195 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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