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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 0 / 100 / 52 it is the complementary color CMYK 41 / 48 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 0 / 100 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 0 / 100 / 52: CMYK 11 / 0 / 100 / 52, CMYK 10 / 0 / 90 / 45, CMYK 9 / 0 / 79 / 38, CMYK 9 / 0 / 70 / 31 and CMYK 9 / 0 / 63 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 0 / 100 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 0 / 100 / 52: CMYK 15 / 0 / 100 / 52, CMYK 16 / 0 / 100 / 59, CMYK 19 / 0 / 100 / 66, CMYK 22 / 0 / 100 / 73 and CMYK 28 / 0 / 100 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

Complementary color

CMYK 41 / 48 / 0 / 0

HEX #9785FF

RGB 151 133 255

HSL 248.85, 1%, 0.76%

LAB 62.15, 35.34, -58.66

 

CMYK 11 / 0 / 100 / 52

HEX #6D7A00

RGB 109 122 0

HSL 66.39, 1%, 0.24%

LAB 48.47, -18.54, 53.46

 

CMYK 10 / 0 / 90 / 45

HEX #7E8C0E

RGB 126 140 14

HSL 66.67, 0.82%, 0.3%

LAB 55.3, -19.88, 56.75

 

CMYK 9 / 0 / 79 / 38

HEX #8F9E21

RGB 143 158 33

HSL 67.2, 0.65%, 0.37%

LAB 62, -20.93, 58.16

 

CMYK 9 / 0 / 70 / 31

HEX #A0B034

RGB 160 176 52

HSL 67.74, 0.54%, 0.45%

LAB 68.59, -21.75, 58.34

 

CMYK 9 / 0 / 63 / 24

HEX #B1C247

RGB 177 194 71

HSL 68.29, 0.5%, 0.52%

LAB 75.07, -22.39, 57.86

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 16 / 0 / 100 / 59

HEX #576800

RGB 87 104 0

HSL 69.81, 1%, 0.2%

LAB 41.1, -19.23, 47.18

 

CMYK 19 / 0 / 100 / 66

HEX #465600

RGB 70 86 0

HSL 71.16, 1%, 0.17%

LAB 33.89, -17.61, 41.18

 

CMYK 22 / 0 / 100 / 73

HEX #354400

RGB 53 68 0

HSL 73.24, 1%, 0.13%

LAB 26.42, -15.95, 34.72

 

CMYK 28 / 0 / 100 / 80

HEX #243200

RGB 36 50 0

HSL 76.8, 1%, 0.1%

LAB 18.61, -14.25, 26.16

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 30 / 0 / 100 / 52

HEX #557A00

RGB 85 122 0

HSL 78.2, 1%, 0.24%

LAB 46.78, -29.12, 51.43

 

CMYK 47 / 0 / 100 / 52

HEX #417A00

RGB 65 122 0

HSL 88.03, 1%, 0.24%

LAB 45.69, -36.85, 50.12

 

CMYK 64 / 0 / 100 / 52

HEX #2C7A00

RGB 44 122 0

HSL 98.36, 1%, 0.24%

LAB 44.88, -43.3, 49.13

 

CMYK 80 / 0 / 100 / 52

HEX #187A00

RGB 24 122 0

HSL 108.2, 1%, 0.24%

LAB 44.39, -47.44, 48.54

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 15 / 0 / 100 / 32

HEX #93AD00

RGB 147 173 0

HSL 69.02, 1%, 0.34%

LAB 66.59, -27.4, 68.26

 

CMYK 15 / 0 / 100 / 12

HEX #BFE000

RGB 191 224 0

HSL 68.84, 1%, 0.44%

LAB 84.17, -33.19, 82.8

 

CMYK 15 / 0 / 100 / 92

HEX #111400

RGB 17 20 0

HSL 69, 1%, 0.04%

LAB 5.6, -4.4, 8.3

 

CMYK 14 / 0 / 100 / 72

HEX #3D4700

RGB 61 71 0

HSL 68.45, 1%, 0.14%

LAB 28.11, -13.68, 36.44

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 100 / 0 / 67 / 52

HEX #007A28

RGB 0 122 40

HSL 139.67, 1%, 0.24%

LAB 44.34, -47.12, 35.73

 

CMYK 27 / 100 / 0 / 52

HEX #59007A

RGB 89 0 122

HSL 283.77, 1%, 0.24%

LAB 22.05, 51.71, -45.55

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 100 / 13 / 0 / 52

HEX #006A7A

RGB 0 106 122

HSL 187.87, 1%, 0.24%

LAB 40.76, -19.59, -16.24

 

CMYK 0 / 100 / 13 / 52

HEX #7A006A

RGB 122 0 106

HSL 307.87, 1%, 0.24%

LAB 27.24, 54.52, -26.58

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 100 / 0 / 67 / 52

HEX #007A28

RGB 0 122 40

HSL 139.67, 1%, 0.24%

LAB 44.34, -47.12, 35.73

 

CMYK 87 / 100 / 0 / 52

HEX #10007A

RGB 16 0 122

HSL 247.87, 1%, 0.24%

LAB 12.7, 46.13, -61.3

 

CMYK 0 / 100 / 34 / 52

HEX #7A0051

RGB 122 0 81

HSL 320.16, 1%, 0.24%

LAB 25.96, 51.29, -12.11

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 100 / 0 / 37 / 52

HEX #007A4D

RGB 0 122 77

HSL 157.87, 1%, 0.24%

LAB 44.88, -40.59, 16.65

 

CMYK 87 / 100 / 0 / 52

HEX #10007A

RGB 16 0 122

HSL 247.87, 1%, 0.24%

LAB 12.7, 46.13, -61.3

 

CMYK 0 / 100 / 64 / 52

HEX #7A002C

RGB 122 0 44

HSL 338.36, 1%, 0.24%

LAB 24.7, 47.99, 11.35

 

Description

Color code: CMYK 15 / 0 / 100 / 52 | qconv.com Color code: CMYK 15 / 0 / 100 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 122 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 122 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 100 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 100% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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