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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAC1C it is the complementary color #5453E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAC1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAC1C shade: #B0AC17, #C1BE2A, #D2D03D, #E3E250 and #F4F463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAC1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAC1C shade: #ABAC1C, #9A9A09, #898800, #787600 and #676400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAC1C shade: #AAAB1C, #AB851C, #AB5F1C, #AB381C and #AB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAC1C shade: #AAAB1C, #83AB1C, #5DAB1C, #36AB1C and #1CAB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAC1C shade matches the following richer shades: #AAAB1C and #BABB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAC1C shade: #AAAB1C, #9A9B2C, #8A8B3C, #7A7B4C and #6B6B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAC1C shade: #AB5F1C, #AB851C, #ABAB1C, #85AB1C and #5FAB1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAC1C shade: #646410, #878816, #AAAB1C, #CDCF22 and #DEDF3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAC1C shade: #ABAC1C, #1CAB38 and #721CAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAC1C shade: #ABAC1C, #1CABAB and #AB1CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAC1C shade: #ABAC1C, #1CAB38, #1C1CAB and #AB1C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAC1C shade: #ABAC1C, #1CAB63, #1C1CAB and #AB1C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

Complementary color

CMYK 63 / 63 / 0 / 11

HEX #5453E3

RGB 84 83 227

HSL 240.42, 0.72%, 0.61%

LAB 43.68, 43.17, -73.12

 

CMYK 0 / 2 / 87 / 31

HEX #B0AC17

RGB 176 172 23

HSL 58.43, 0.77%, 0.39%

LAB 68.6, -13.92, 67.42

 

CMYK 0 / 2 / 78 / 24

HEX #C1BE2A

RGB 193 190 42

HSL 58.81, 0.64%, 0.46%

LAB 75.03, -15.14, 68.66

 

CMYK 0 / 1 / 71 / 18

HEX #D2D03D

RGB 210 208 61

HSL 59.19, 0.62%, 0.53%

LAB 81.37, -16.15, 68.91

 

CMYK 0 / 0 / 65 / 11

HEX #E3E250

RGB 227 226 80

HSL 59.59, 0.72%, 0.6%

LAB 87.63, -17, 68.56

 

CMYK 0 / 0 / 59 / 4

HEX #F4F463

RGB 244 244 99

HSL 60, 0.87%, 0.67%

LAB 93.81, -17.72, 67.87

 

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

CMYK 0 / 0 / 94 / 40

HEX #9A9A09

RGB 154 154 9

HSL 60, 0.89%, 0.32%

LAB 61.66, -14.65, 63.56

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 0 / 2 / 100 / 53

HEX #787600

RGB 120 118 0

HSL 59, 1%, 0.24%

LAB 48.2, -11.25, 53.67

 

CMYK 0 / 3 / 100 / 60

HEX #676400

RGB 103 100 0

HSL 58.25, 1%, 0.2%

LAB 41.21, -9.38, 47.88

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1C

RGB 170 171 28

HSL 60.42, 0.72%, 0.39%

LAB 67.84, -15.92, 65.46

 

CMYK 0 / 22 / 84 / 33

HEX #AB851C

RGB 171 133 28

HSL 44.06, 0.72%, 0.39%

LAB 57.58, 4.89, 56.77

 

CMYK 0 / 44 / 84 / 33

HEX #AB5F1C

RGB 171 95 28

HSL 28.11, 0.72%, 0.39%

LAB 48.17, 26.15, 48.57

 

CMYK 0 / 67 / 84 / 33

HEX #AB381C

RGB 171 56 28

HSL 11.75, 0.72%, 0.39%

LAB 40.52, 45.7, 41.68

 

CMYK 0 / 84 / 84 / 33

HEX #AB1C1C

RGB 171 28 28

HSL 0, 0.72%, 0.39%

LAB 37.06, 55.29, 38.47

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1C

RGB 170 171 28

HSL 60.42, 0.72%, 0.39%

LAB 67.84, -15.92, 65.46

 

CMYK 23 / 0 / 84 / 33

HEX #83AB1C

RGB 131 171 28

HSL 76.78, 0.72%, 0.39%

LAB 64.99, -32.49, 61.89

 

CMYK 46 / 0 / 84 / 33

HEX #5DAB1C

RGB 93 171 28

HSL 92.73, 0.72%, 0.39%

LAB 62.96, -46.52, 59.32

 

CMYK 68 / 0 / 84 / 33

HEX #36AB1C

RGB 54 171 28

HSL 109.09, 0.72%, 0.39%

LAB 61.65, -56.94, 57.65

 

CMYK 84 / 0 / 77 / 33

HEX #1CAB28

RGB 28 171 40

HSL 125.03, 0.72%, 0.39%

LAB 61.24, -60.22, 53.47

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1C

RGB 170 171 28

HSL 60.42, 0.72%, 0.39%

LAB 67.84, -15.92, 65.46

 

CMYK 1 / 0 / 94 / 27

HEX #BABB0C

RGB 186 187 12

HSL 60.34, 0.88%, 0.39%

LAB 73.55, -17.37, 73.44

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1C

RGB 170 171 28

HSL 60.42, 0.72%, 0.39%

LAB 67.84, -15.92, 65.46

 

CMYK 1 / 0 / 72 / 39

HEX #9A9B2C

RGB 154 155 44

HSL 60.54, 0.56%, 0.39%

LAB 62.08, -14.05, 54.79

 

CMYK 1 / 0 / 57 / 45

HEX #8A8B3C

RGB 138 139 60

HSL 60.76, 0.4%, 0.39%

LAB 56.28, -11.56, 41.34

 

CMYK 1 / 0 / 38 / 52

HEX #7A7B4C

RGB 122 123 76

HSL 61.28, 0.24%, 0.39%

LAB 50.48, -8.13, 25.59

 

CMYK 0 / 0 / 14 / 58

HEX #6B6B5C

RGB 107 107 92

HSL 60, 0.08%, 0.39%

LAB 44.82, -2.88, 8.42

 

CMYK 0 / 44 / 84 / 33

HEX #AB5F1C

RGB 171 95 28

HSL 28.11, 0.72%, 0.39%

LAB 48.17, 26.15, 48.57

 

CMYK 0 / 22 / 84 / 33

HEX #AB851C

RGB 171 133 28

HSL 44.06, 0.72%, 0.39%

LAB 57.58, 4.89, 56.77

 

CMYK 0 / 0 / 84 / 33

HEX #ABAB1C

RGB 171 171 28

HSL 60, 0.72%, 0.39%

LAB 67.92, -15.48, 65.56

 

CMYK 22 / 0 / 84 / 33

HEX #85AB1C

RGB 133 171 28

HSL 75.94, 0.72%, 0.39%

LAB 65.12, -31.67, 62.05

 

CMYK 44 / 0 / 84 / 33

HEX #5FAB1C

RGB 95 171 28

HSL 91.89, 0.72%, 0.39%

LAB 63.05, -45.86, 59.43

 

CMYK 0 / 0 / 84 / 61

HEX #646410

RGB 100 100 16

HSL 60, 0.72%, 0.23%

LAB 40.99, -10.36, 43.32

 

CMYK 1 / 0 / 84 / 47

HEX #878816

RGB 135 136 22

HSL 60.53, 0.72%, 0.31%

LAB 54.88, -13.48, 54.83

 

CMYK 1 / 0 / 84 / 33

HEX #AAAB1C

RGB 170 171 28

HSL 60.42, 0.72%, 0.39%

LAB 67.84, -15.92, 65.46

 

CMYK 1 / 0 / 84 / 19

HEX #CDCF22

RGB 205 207 34

HSL 60.69, 0.72%, 0.47%

LAB 80.58, -18.75, 75.88

 

CMYK 0 / 0 / 74 / 13

HEX #DEDF3A

RGB 222 223 58

HSL 60.36, 0.72%, 0.55%

LAB 86.31, -18.67, 74.91

 

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

CMYK 84 / 0 / 67 / 33

HEX #1CAB38

RGB 28 171 56

HSL 131.75, 0.72%, 0.39%

LAB 61.36, -58.78, 47.45

 

CMYK 33 / 84 / 0 / 33

HEX #721CAB

RGB 114 28 171

HSL 276.08, 0.72%, 0.39%

LAB 32.59, 58.99, -58.47

 

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

CMYK 84 / 0 / 0 / 33

HEX #1CABAB

RGB 28 171 171

HSL 180, 0.72%, 0.39%

LAB 63.6, -34.3, -10.15

 

CMYK 0 / 84 / 0 / 33

HEX #AB1CAB

RGB 171 28 171

HSL 300, 0.72%, 0.39%

LAB 41.89, 68.95, -42.99

 

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

CMYK 84 / 0 / 67 / 33

HEX #1CAB38

RGB 28 171 56

HSL 131.75, 0.72%, 0.39%

LAB 61.36, -58.78, 47.45

 

CMYK 84 / 84 / 0 / 33

HEX #1C1CAB

RGB 28 28 171

HSL 240, 0.72%, 0.39%

LAB 23.73, 50.09, -73.38

 

CMYK 0 / 84 / 17 / 33

HEX #AB1C8E

RGB 171 28 142

HSL 312.17, 0.72%, 0.39%

LAB 40.31, 64.69, -27.99

 

CMYK 1 / 0 / 84 / 33

HEX #ABAC1C

RGB 171 172 28

HSL 60.42, 0.72%, 0.39%

LAB 68.2, -15.99, 65.8

 

CMYK 84 / 0 / 42 / 33

HEX #1CAB63

RGB 28 171 99

HSL 149.79, 0.72%, 0.39%

LAB 61.89, -52.4, 27.16

 

CMYK 84 / 84 / 0 / 33

HEX #1C1CAB

RGB 28 28 171

HSL 240, 0.72%, 0.39%

LAB 23.73, 50.09, -73.38

 

CMYK 0 / 84 / 42 / 33

HEX #AB1C63

RGB 171 28 99

HSL 330.21, 0.72%, 0.39%

LAB 38.53, 59.65, -3.91

 

Description

Color code: HEX #ABAC1C | qconv.com Color code: HEX #ABAC1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 172 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 172 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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