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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #898800 it is the complementary color #7677FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #898800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #898800: #8E8800, #9F9A0E, #B0AC21, #C1BE34 and #D2D047

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #898800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #898800: #898800, #787600, #676400, #565200 and #454000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

Complementary color

CMYK 54 / 53 / 0 / 0

HEX #7677FF

RGB 118 119 255

HSL 239.56, 1%, 0.73%

LAB 56.35, 36.4, -68.09

 

CMYK 0 / 4 / 100 / 44

HEX #8E8800

RGB 142 136 0

HSL 57.46, 1%, 0.28%

LAB 55.44, -10.74, 59.84

 

CMYK 0 / 3 / 91 / 38

HEX #9F9A0E

RGB 159 154 14

HSL 57.93, 0.84%, 0.34%

LAB 62.1, -12.32, 63.32

 

CMYK 0 / 2 / 81 / 31

HEX #B0AC21

RGB 176 172 33

HSL 58.32, 0.68%, 0.41%

LAB 68.64, -13.64, 65.05

 

CMYK 0 / 2 / 73 / 24

HEX #C1BE34

RGB 193 190 52

HSL 58.72, 0.58%, 0.48%

LAB 75.08, -14.73, 65.53

 

CMYK 0 / 1 / 66 / 18

HEX #D2D047

RGB 210 208 71

HSL 59.14, 0.61%, 0.55%

LAB 81.44, -15.64, 65.28

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 0 / 2 / 100 / 53

HEX #787600

RGB 120 118 0

HSL 59, 1%, 0.24%

LAB 48.2, -11.25, 53.67

 

CMYK 0 / 3 / 100 / 60

HEX #676400

RGB 103 100 0

HSL 58.25, 1%, 0.2%

LAB 41.21, -9.38, 47.88

 

CMYK 0 / 5 / 100 / 66

HEX #565200

RGB 86 82 0

HSL 57.21, 1%, 0.17%

LAB 34.01, -7.43, 41.9

 

CMYK 0 / 7 / 100 / 73

HEX #454000

RGB 69 64 0

HSL 55.65, 1%, 0.14%

LAB 26.54, -5.37, 35.37

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 15 / 0 / 100 / 46

HEX #758900

RGB 117 137 0

HSL 68.76, 1%, 0.27%

LAB 53.68, -22.65, 57.62

 

CMYK 31 / 0 / 100 / 46

HEX #5E8900

RGB 94 137 0

HSL 78.83, 1%, 0.27%

LAB 52.14, -32.44, 55.78

 

CMYK 48 / 0 / 100 / 46

HEX #478900

RGB 71 137 0

HSL 88.91, 1%, 0.27%

LAB 50.96, -40.99, 54.35

 

CMYK 65 / 0 / 100 / 46

HEX #308900

RGB 48 137 0

HSL 98.98, 1%, 0.27%

LAB 50.12, -47.67, 53.33

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 0 / 1 / 100 / 26

HEX #BCBB00

RGB 188 187 0

HSL 59.68, 1%, 0.37%

LAB 73.7, -16.64, 74.93

 

CMYK 0 / 1 / 100 / 6

HEX #EFED00

RGB 239 237 0

HSL 59.5, 1%, 0.47%

LAB 91.2, -19.56, 89.58

 

CMYK 0 / 0 / 100 / 86

HEX #232300

RGB 35 35 0

HSL 60, 1%, 0.07%

LAB 12.98, -5.52, 19.05

 

CMYK 0 / 1 / 100 / 66

HEX #565500

RGB 86 85 0

HSL 59.3, 1%, 0.17%

LAB 34.95, -9.19, 42.58

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 100 / 0 / 82 / 46

HEX #008919

RGB 0 137 25

HSL 130.95, 1%, 0.27%

LAB 49.45, -53.19, 46.88

 

CMYK 42 / 100 / 0 / 46

HEX #500089

RGB 80 0 137

HSL 275.04, 1%, 0.27%

LAB 21.99, 53.77, -55.21

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 100 / 0 / 1 / 46

HEX #008987

RGB 0 137 135

HSL 179.12, 1%, 0.27%

LAB 51.43, -30.94, -7.84

 

CMYK 1 / 100 / 0 / 46

HEX #870089

RGB 135 0 137

HSL 299.12, 1%, 0.27%

LAB 31.71, 61.57, -38.97

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 100 / 0 / 82 / 46

HEX #008919

RGB 0 137 25

HSL 130.95, 1%, 0.27%

LAB 49.45, -53.19, 46.88

 

CMYK 100 / 99 / 0 / 46

HEX #000289

RGB 0 2 137

HSL 239.12, 1%, 0.27%

LAB 14.68, 49.15, -67.56

 

CMYK 0 / 100 / 18 / 46

HEX #890070

RGB 137 0 112

HSL 310.95, 1%, 0.27%

LAB 30.61, 58.28, -24.92

 

CMYK 0 / 1 / 100 / 46

HEX #898800

RGB 137 136 0

HSL 59.56, 1%, 0.27%

LAB 55, -13.05, 59.32

 

CMYK 100 / 0 / 52 / 46

HEX #008942

RGB 0 137 66

HSL 148.91, 1%, 0.27%

LAB 49.84, -48.31, 29.19

 

CMYK 100 / 99 / 0 / 46

HEX #000289

RGB 0 2 137

HSL 239.12, 1%, 0.27%

LAB 14.68, 49.15, -67.56

 

CMYK 0 / 100 / 48 / 46

HEX #890047

RGB 137 0 71

HSL 328.91, 1%, 0.27%

LAB 28.83, 53.72, -0.75

 

Description

Color code: HEX #898800 | qconv.com Color code: HEX #898800 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 136 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 136 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 100 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 100% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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