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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 0 / 65 / 11 it is the complementary color CMYK 84 / 84 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 0 / 65 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 0 / 65 / 11: CMYK 0 / 2 / 68 / 9, CMYK 0 / 2 / 63 / 2, CMYK 0 / 0 / 56 / 0, CMYK 0 / 0 / 49 / 0 and CMYK 0 / 0 / 41 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 0 / 65 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 0 / 65 / 11: CMYK 0 / 0 / 65 / 11, CMYK 0 / 0 / 71 / 18, CMYK 0 / 1 / 79 / 24, CMYK 0 / 2 / 88 / 31 and CMYK 0 / 3 / 98 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

Complementary color

CMYK 84 / 84 / 0 / 31

HEX #1C1CB0

RGB 28 28 176

HSL 240, 0.73%, 0.4%

LAB 24.36, 51.63, -75.34

 

CMYK 0 / 2 / 68 / 9

HEX #E8E34A

RGB 232 227 74

HSL 58.1, 0.77%, 0.6%

LAB 88.25, -15.76, 71.58

 

CMYK 0 / 2 / 63 / 2

HEX #F9F55D

RGB 249 245 93

HSL 58.46, 0.93%, 0.67%

LAB 94.41, -16.57, 71.05

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 0 / 0 / 71 / 18

HEX #D2D13C

RGB 210 209 60

HSL 59.6, 0.63%, 0.53%

LAB 81.64, -16.7, 69.51

 

CMYK 0 / 1 / 79 / 24

HEX #C1BF29

RGB 193 191 41

HSL 59.21, 0.65%, 0.46%

LAB 75.3, -15.68, 69.19

 

CMYK 0 / 2 / 88 / 31

HEX #B0AD16

RGB 176 173 22

HSL 58.83, 0.78%, 0.39%

LAB 68.88, -14.46, 67.85

 

CMYK 0 / 3 / 98 / 38

HEX #9F9B03

RGB 159 155 3

HSL 58.46, 0.96%, 0.32%

LAB 62.36, -13.02, 65.12

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 11 / 0 / 66 / 11

HEX #CAE34E

RGB 202 227 78

HSL 70.07, 0.73%, 0.6%

LAB 86.03, -27.72, 67.09

 

CMYK 22 / 0 / 66 / 11

HEX #B1E34E

RGB 177 227 78

HSL 80.13, 0.73%, 0.6%

LAB 84.4, -37.43, 64.89

 

CMYK 33 / 0 / 66 / 11

HEX #99E34E

RGB 153 227 78

HSL 89.8, 0.73%, 0.6%

LAB 83.05, -46.17, 63.06

 

CMYK 44 / 0 / 66 / 11

HEX #80E34E

RGB 128 227 78

HSL 99.87, 0.73%, 0.6%

LAB 81.88, -54.38, 61.46

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 0 / 0 / 65 / 91

HEX #171708

RGB 23 23 8

HSL 60, 0.48%, 0.06%

LAB 7.34, -2.81, 7.65

 

CMYK 0 / 0 / 65 / 71

HEX #4A4A1A

RGB 74 74 26

HSL 60, 0.48%, 0.2%

LAB 30.47, -7.37, 27.97

 

CMYK 0 / 0 / 65 / 51

HEX #7D7D2C

RGB 125 125 44

HSL 60, 0.48%, 0.33%

LAB 50.93, -11.01, 42.68

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03D

RGB 176 176 61

HSL 60, 0.49%, 0.46%

LAB 69.91, -14.41, 56.55

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 66 / 0 / 52 / 11

HEX #4EE36C

RGB 78 227 108

HSL 132.08, 0.73%, 0.6%

LAB 80.54, -63.57, 46.38

 

CMYK 26 / 66 / 0 / 11

HEX #A74EE3

RGB 167 78 227

HSL 275.84, 0.73%, 0.6%

LAB 50.93, 61.23, -60.97

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 66 / 0 / 0 / 11

HEX #4EE3E3

RGB 78 227 227

HSL 180, 0.73%, 0.6%

LAB 82.97, -38.41, -11.56

 

CMYK 0 / 66 / 0 / 11

HEX #E34EE3

RGB 227 78 227

HSL 300, 0.73%, 0.6%

LAB 59.27, 74.45, -47.16

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 66 / 0 / 52 / 11

HEX #4EE36C

RGB 78 227 108

HSL 132.08, 0.73%, 0.6%

LAB 80.54, -63.57, 46.38

 

CMYK 66 / 66 / 0 / 11

HEX #4E4EE3

RGB 78 78 227

HSL 240, 0.73%, 0.6%

LAB 42.18, 45.3, -75.59

 

CMYK 0 / 66 / 13 / 11

HEX #E34EC5

RGB 227 78 197

HSL 312.08, 0.73%, 0.6%

LAB 57.86, 69.84, -32.38

 

CMYK 0 / 0 / 65 / 11

HEX #E3E34F

RGB 227 227 79

HSL 60, 0.73%, 0.6%

LAB 87.89, -17.55, 69.21

 

CMYK 66 / 0 / 33 / 11

HEX #4EE399

RGB 78 227 153

HSL 150.2, 0.73%, 0.6%

LAB 81.21, -56.06, 24.87

 

CMYK 66 / 66 / 0 / 11

HEX #4E4EE3

RGB 78 78 227

HSL 240, 0.73%, 0.6%

LAB 42.18, 45.3, -75.59

 

CMYK 0 / 66 / 33 / 11

HEX #E34E99

RGB 227 78 153

HSL 329.8, 0.73%, 0.6%

LAB 56.17, 64.1, -9.47

 

Description

Color code: CMYK 0 / 0 / 65 / 11 | qconv.com Color code: CMYK 0 / 0 / 65 / 11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 227 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 227 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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