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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA1F6 it is the complementary color #545E09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA1F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ABA1F6: #B0A1F1, #C1B3FF, #D2C5FF, #E3D7FF and #F4E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA1F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ABA1F6: #ABA1F6, #9A8FE3, #897DD0, #786BBD and #6759AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

Complementary color

CMYK 11 / 0 / 90 / 63

HEX #545E09

RGB 84 94 9

HSL 67.06, 0.83%, 0.2%

LAB 37.68, -14.96, 41.94

 

CMYK 27 / 33 / 0 / 5

HEX #B0A1F1

RGB 176 161 241

HSL 251.25, 0.74%, 0.79%

LAB 70.23, 22.39, -38.12

 

CMYK 24 / 30 / 0 / 0

HEX #C1B3FF

RGB 193 179 255

HSL 251.05, 1%, 0.85%

LAB 76.56, 20.62, -35.76

 

CMYK 18 / 23 / 0 / 0

HEX #D2C5FF

RGB 210 197 255

HSL 253.45, 1%, 0.89%

LAB 82.3, 15.89, -26.82

 

CMYK 11 / 16 / 0 / 0

HEX #E3D7FF

RGB 227 215 255

HSL 258, 1%, 0.92%

LAB 88.04, 11.58, -17.98

 

CMYK 4 / 9 / 0 / 0

HEX #F4E9FF

RGB 244 233 255

HSL 270, 1%, 0.96%

LAB 93.77, 7.64, -9.28

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 32 / 37 / 0 / 11

HEX #9A8FE3

RGB 154 143 227

HSL 247.86, 0.6%, 0.73%

LAB 63.39, 22.92, -41.23

 

CMYK 34 / 40 / 0 / 18

HEX #897DD0

RGB 137 125 208

HSL 248.67, 0.47%, 0.65%

LAB 56.62, 23.71, -41.34

 

CMYK 37 / 43 / 0 / 26

HEX #786BBD

RGB 120 107 189

HSL 249.51, 0.38%, 0.58%

LAB 49.72, 24.61, -41.49

 

CMYK 39 / 48 / 0 / 33

HEX #6759AA

RGB 103 89 170

HSL 250.37, 0.32%, 0.51%

LAB 42.66, 25.64, -41.7

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 25 / 35 / 0 / 4

HEX #B9A1F6

RGB 185 161 246

HSL 256.94, 0.83%, 0.8%

LAB 71.19, 26.17, -39.29

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 13 / 35 / 0 / 4

HEX #D5A1F6

RGB 213 161 246

HSL 276.71, 0.83%, 0.8%

LAB 73.73, 34.42, -35.14

 

CMYK 8 / 35 / 0 / 4

HEX #E3A1F6

RGB 227 161 246

HSL 286.59, 0.83%, 0.8%

LAB 75.12, 38.65, -32.87

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 31 / 36 / 0 / 84

HEX #1D1B2A

RGB 29 27 42

HSL 248, 0.22%, 0.14%

LAB 10.65, 5.22, -9.78

 

CMYK 30 / 34 / 0 / 64

HEX #413D5D

RGB 65 61 93

HSL 247.5, 0.21%, 0.3%

LAB 27.44, 9.88, -18.43

 

CMYK 31 / 35 / 0 / 44

HEX #645E90

RGB 100 94 144

HSL 247.2, 0.21%, 0.47%

LAB 42.35, 14.37, -26.71

 

CMYK 30 / 34 / 0 / 24

HEX #8880C3

RGB 136 128 195

HSL 247.16, 0.36%, 0.63%

LAB 56.7, 18.25, -33.87

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 0 / 35 / 11 / 4

HEX #F6A1DB

RGB 246 161 219

HSL 319.06, 0.83%, 0.8%

LAB 76.19, 39.82, -16.38

 

CMYK 25 / 0 / 35 / 4

HEX #B9F6A1

RGB 185 246 161

HSL 103.06, 0.83%, 0.8%

LAB 91.14, -34.35, 34.88

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 0 / 30 / 35 / 4

HEX #F6ABA1

RGB 246 171 161

HSL 7.06, 0.83%, 0.8%

LAB 76.86, 26.29, 16.25

 

CMYK 35 / 0 / 30 / 4

HEX #A1F6AB

RGB 161 246 171

HSL 127.06, 0.83%, 0.8%

LAB 90.06, -40.48, 28.17

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 0 / 35 / 11 / 4

HEX #F6A1DB

RGB 246 161 219

HSL 319.06, 0.83%, 0.8%

LAB 76.19, 39.82, -16.38

 

CMYK 4 / 0 / 35 / 4

HEX #ECF6A1

RGB 236 246 161

HSL 67.06, 0.83%, 0.8%

LAB 94.45, -16.13, 39.84

 

CMYK 35 / 0 / 24 / 4

HEX #A1F6BC

RGB 161 246 188

HSL 139.06, 0.83%, 0.8%

LAB 90.38, -37.54, 19.92

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 0 / 35 / 21 / 4

HEX #F6A1C2

RGB 246 161 194

HSL 336.71, 0.83%, 0.8%

LAB 75.44, 35.95, -3.82

 

CMYK 4 / 0 / 35 / 4

HEX #ECF6A1

RGB 236 246 161

HSL 67.06, 0.83%, 0.8%

LAB 94.45, -16.13, 39.84

 

CMYK 35 / 0 / 13 / 4

HEX #A1F6D5

RGB 161 246 213

HSL 156.71, 0.83%, 0.8%

LAB 90.91, -32.72, 7.77

 

Description

Color code: HEX #ABA1F6 | qconv.com Color code: HEX #ABA1F6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 161 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 161 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 35 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 35% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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