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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 161 246 it is the complementary color RGB 56 94 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 161 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 161 246: RGB 204 161 241, RGB 221 179 255, RGB 238 197 255, RGB 255 215 255 and RGB 255 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 161 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 161 246: RGB 199 161 246, RGB 182 143 227, RGB 165 125 208, RGB 148 107 189 and RGB 131 89 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

Complementary color

CMYK 40 / 0 / 90 / 63

HEX #385E09

RGB 56 94 9

HSL 86.82, 0.83%, 0.2%

LAB 35.72, -27.44, 39.49

 

CMYK 15 / 33 / 0 / 5

HEX #CCA1F1

RGB 204 161 241

HSL 272.25, 0.74%, 0.79%

LAB 72.68, 30.66, -34.12

 

CMYK 13 / 30 / 0 / 0

HEX #DDB3FF

RGB 221 179 255

HSL 273.16, 1%, 0.85%

LAB 78.94, 28.98, -31.88

 

CMYK 7 / 23 / 0 / 0

HEX #EEC5FF

RGB 238 197 255

HSL 282.41, 1%, 0.89%

LAB 84.65, 24.62, -23.02

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 20 / 37 / 0 / 11

HEX #B68FE3

RGB 182 143 227

HSL 267.86, 0.6%, 0.73%

LAB 65.85, 30.95, -37.2

 

CMYK 21 / 40 / 0 / 18

HEX #A57DD0

RGB 165 125 208

HSL 268.92, 0.47%, 0.65%

LAB 59.18, 31.71, -37.15

 

CMYK 22 / 43 / 0 / 26

HEX #946BBD

RGB 148 107 189

HSL 270, 0.38%, 0.58%

LAB 52.38, 32.53, -37.11

 

CMYK 23 / 48 / 0 / 33

HEX #8359AA

RGB 131 89 170

HSL 271.11, 0.32%, 0.51%

LAB 45.46, 33.42, -37.08

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 14 / 35 / 0 / 4

HEX #D4A1F6

RGB 212 161 246

HSL 276, 0.83%, 0.8%

LAB 73.64, 34.12, -35.29

 

CMYK 8 / 35 / 0 / 4

HEX #E2A1F6

RGB 226 161 246

HSL 285.88, 0.83%, 0.8%

LAB 75.02, 38.35, -33.04

 

CMYK 2 / 35 / 0 / 4

HEX #F0A1F6

RGB 240 161 246

HSL 295.76, 0.83%, 0.8%

LAB 76.48, 42.61, -30.67

 

CMYK 0 / 35 / 4 / 4

HEX #F6A1ED

RGB 246 161 237

HSL 306.35, 0.83%, 0.8%

LAB 76.8, 42.85, -25.25

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 19 / 36 / 0 / 84

HEX #221B2A

RGB 34 27 42

HSL 268, 0.22%, 0.14%

LAB 11.21, 7.26, -8.86

 

CMYK 19 / 34 / 0 / 64

HEX #4B3D5D

RGB 75 61 93

HSL 266.25, 0.21%, 0.3%

LAB 28.44, 13.39, -16.79

 

CMYK 19 / 35 / 0 / 44

HEX #745E90

RGB 116 94 144

HSL 266.4, 0.21%, 0.47%

LAB 43.85, 19.49, -24.27

 

CMYK 19 / 34 / 0 / 24

HEX #9E80C3

RGB 158 128 195

HSL 266.87, 0.36%, 0.63%

LAB 58.65, 24.88, -30.68

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 0 / 35 / 22 / 4

HEX #F6A1C0

RGB 246 161 192

HSL 338.12, 0.83%, 0.8%

LAB 75.38, 35.66, -2.81

 

CMYK 35 / 0 / 33 / 4

HEX #A1F6A4

RGB 161 246 164

HSL 122.12, 0.83%, 0.8%

LAB 89.94, -41.61, 31.54

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 0 / 20 / 35 / 4

HEX #F6C6A1

RGB 246 198 161

HSL 26.12, 0.83%, 0.8%

LAB 83.21, 12.07, 25.01

 

CMYK 35 / 0 / 20 / 4

HEX #A1F6C6

RGB 161 246 198

HSL 146.12, 0.83%, 0.8%

LAB 90.58, -35.68, 15.06

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 0 / 35 / 22 / 4

HEX #F6A1C0

RGB 246 161 192

HSL 338.12, 0.83%, 0.8%

LAB 75.38, 35.66, -2.81

 

CMYK 15 / 0 / 35 / 4

HEX #D1F6A1

RGB 209 246 161

HSL 86.12, 0.83%, 0.8%

LAB 92.59, -26.02, 37.06

 

CMYK 35 / 0 / 13 / 4

HEX #A1F6D7

RGB 161 246 215

HSL 158.12, 0.83%, 0.8%

LAB 90.96, -32.31, 6.8

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 0 / 35 / 32 / 4

HEX #F6A1A7

RGB 246 161 167

HSL 355.76, 0.83%, 0.8%

LAB 74.74, 32.29, 10

 

CMYK 15 / 0 / 35 / 4

HEX #D1F6A1

RGB 209 246 161

HSL 86.12, 0.83%, 0.8%

LAB 92.59, -26.02, 37.06

 

CMYK 35 / 0 / 2 / 4

HEX #A1F6F0

RGB 161 246 240

HSL 175.76, 0.83%, 0.8%

LAB 91.59, -26.9, -5.28

 

Description

Color code: RGB 199 161 246 | qconv.com Color code: RGB 199 161 246 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 161 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 161 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 35 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 35% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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