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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3178 it is the complementary color #54CE87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AB3178: #B03173, #C14386, #D25599, #E367AC and #F479BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AB3178: #AB3178, #9A1F65, #890D52, #78003F and #67002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

Complementary color

CMYK 59 / 0 / 34 / 19

HEX #54CE87

RGB 84 206 135

HSL 145.08, 0.55%, 0.57%

LAB 74.68, -50.07, 25.41

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 0 / 65 / 31 / 24

HEX #C14386

RGB 193 67 134

HSL 328.1, 0.5%, 0.51%

LAB 48.35, 56.51, -10.46

 

CMYK 0 / 60 / 27 / 18

HEX #D25599

RGB 210 85 153

HSL 327.36, 0.58%, 0.58%

LAB 54.55, 56.24, -12.16

 

CMYK 0 / 55 / 24 / 11

HEX #E367AC

RGB 227 103 172

HSL 326.61, 0.69%, 0.65%

LAB 60.79, 55.72, -13.55

 

CMYK 0 / 50 / 22 / 4

HEX #F479BF

RGB 244 121 191

HSL 325.85, 0.85%, 0.72%

LAB 67.03, 55.08, -14.71

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 80 / 34 / 40

HEX #9A1F65

RGB 154 31 101

HSL 325.85, 0.66%, 0.36%

LAB 35.58, 54.71, -9.95

 

CMYK 0 / 91 / 40 / 46

HEX #890D52

RGB 137 13 82

HSL 326.61, 0.83%, 0.29%

LAB 29.95, 52.66, -6.42

 

CMYK 0 / 100 / 48 / 53

HEX #78003F

RGB 120 0 63

HSL 328.5, 1%, 0.24%

LAB 24.8, 48.97, -1.68

 

CMYK 0 / 100 / 57 / 60

HEX #67002C

RGB 103 0 44

HSL 334.37, 1%, 0.2%

LAB 20.3, 43.13, 4.59

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 71 / 41 / 34

HEX #A93163

RGB 169 49 99

HSL 335, 0.55%, 0.43%

LAB 40.46, 52.59, -1.11

 

CMYK 0 / 71 / 53 / 34

HEX #A9314F

RGB 169 49 79

HSL 345, 0.55%, 0.43%

LAB 39.91, 50.71, 10.71

 

CMYK 0 / 71 / 65 / 34

HEX #A9313B

RGB 169 49 59

HSL 355, 0.55%, 0.43%

LAB 39.49, 49.27, 22.7

 

CMYK 0 / 65 / 71 / 34

HEX #A93B31

RGB 169 59 49

HSL 5, 0.55%, 0.43%

LAB 40.87, 44.53, 30.44

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 71 / 30 / 13

HEX #DE409C

RGB 222 64 156

HSL 325.06, 0.71%, 0.56%

LAB 53.6, 68.22, -15.19

 

CMYK 0 / 72 / 28 / 93

HEX #12050D

RGB 18 5 13

HSL 323.08, 0.57%, 0.05%

LAB 2.4, 5.05, -1.75

 

CMYK 0 / 71 / 30 / 73

HEX #451430

RGB 69 20 48

HSL 325.71, 0.55%, 0.17%

LAB 15.38, 26.84, -6.36

 

CMYK 0 / 72 / 30 / 53

HEX #782254

RGB 120 34 84

HSL 325.12, 0.56%, 0.3%

LAB 28.84, 42.11, -9.74

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 27 / 71 / 34

HEX #A97B31

RGB 169 123 49

HSL 37, 0.55%, 0.43%

LAB 54.89, 10.47, 45.92

 

CMYK 71 / 1 / 0 / 34

HEX #31A7A9

RGB 49 167 169

HSL 181, 0.55%, 0.43%

LAB 62.64, -30.82, -10.44

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 30 / 0 / 71 / 34

HEX #77A931

RGB 119 169 49

HSL 85, 0.55%, 0.43%

LAB 63.77, -35.22, 53.75

 

CMYK 71 / 30 / 0 / 34

HEX #3177A9

RGB 49 119 169

HSL 205, 0.55%, 0.43%

LAB 47.89, -5.05, -33.04

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 27 / 71 / 34

HEX #A97B31

RGB 169 123 49

HSL 37, 0.55%, 0.43%

LAB 54.89, 10.47, 45.92

 

CMYK 71 / 0 / 41 / 34

HEX #31A963

RGB 49 169 99

HSL 145, 0.55%, 0.43%

LAB 61.59, -48.89, 26.84

 

CMYK 71 / 44 / 0 / 34

HEX #315FA9

RGB 49 95 169

HSL 217, 0.55%, 0.43%

LAB 40.74, 9.84, -44.37

 

CMYK 0 / 71 / 30 / 33

HEX #AB3178

RGB 171 49 120

HSL 325.08, 0.55%, 0.43%

LAB 41.55, 55.57, -12.55

 

CMYK 0 / 6 / 71 / 34

HEX #A99F31

RGB 169 159 49

HSL 55, 0.55%, 0.43%

LAB 64.53, -9.27, 55.71

 

CMYK 71 / 0 / 41 / 34

HEX #31A963

RGB 49 169 99

HSL 145, 0.55%, 0.43%

LAB 61.59, -48.89, 26.84

 

CMYK 71 / 65 / 0 / 34

HEX #313BA9

RGB 49 59 169

HSL 235, 0.55%, 0.43%

LAB 30.99, 33.45, -60.16

 

Description

Color code: HEX #AB3178 | qconv.com Color code: HEX #AB3178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 49 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 49 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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