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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B03173 it is the complementary color #4FCE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B03173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B03173 shade: #B5316E, #C64381, #D75594, #E867A7 and #F979BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B03173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B03173 shade: #B03173, #9F1F60, #8E0D4D, #7D003A and #6C0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B03173 shade: #AF3173, #AF3151 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B03173 shade: #AF3173, #AF3195, #A831AF, #8631AF and #6431AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B03173 shade matches the following richer shades: #AF3173, #C11F73 and #D30D74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B03173 shade: #AF3173, #9D4472, #8B5671, #796871 and #667A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B03173 shade: #A731AF, #AF3196, #AF3174, #AF3153 and #AF3131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B03173 shade: #6F1F49, #8F285E, #AF3173, #C94088 and #D2619C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B03173 shade: #B03173, #AF8531 and #31A7AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B03173 shade: #B03173, #74AF31 and #3174AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B03173 shade: #B03173, #AF8531, #31AF6C and #315BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B03173 shade: #B03173, #AFAB31, #31AF6C and #3136AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

Complementary color

CMYK 62 / 0 / 32 / 19

HEX #4FCE8C

RGB 79 206 140

HSL 148.82, 0.56%, 0.56%

LAB 74.63, -50.12, 22.69

 

CMYK 0 / 73 / 39 / 29

HEX #B5316E

RGB 181 49 110

HSL 332.27, 0.57%, 0.45%

LAB 42.98, 57.2, -4.02

 

CMYK 0 / 66 / 35 / 22

HEX #C64381

RGB 198 67 129

HSL 331.6, 0.53%, 0.52%

LAB 49.01, 57.37, -6.37

 

CMYK 0 / 60 / 31 / 16

HEX #D75594

RGB 215 85 148

HSL 330.92, 0.62%, 0.59%

LAB 55.16, 57.11, -8.24

 

CMYK 0 / 56 / 28 / 9

HEX #E867A7

RGB 232 103 167

HSL 330.23, 0.74%, 0.66%

LAB 61.35, 56.6, -9.77

 

CMYK 0 / 51 / 25 / 2

HEX #F979BA

RGB 249 121 186

HSL 329.53, 0.91%, 0.73%

LAB 67.55, 55.96, -11.05

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 0 / 81 / 40 / 38

HEX #9F1F60

RGB 159 31 96

HSL 329.53, 0.67%, 0.37%

LAB 36.36, 55.48, -5.49

 

CMYK 0 / 91 / 46 / 44

HEX #8E0D4D

RGB 142 13 77

HSL 330.23, 0.83%, 0.3%

LAB 30.82, 53.41, -1.71

 

CMYK 0 / 100 / 54 / 51

HEX #7D003A

RGB 125 0 58

HSL 332.16, 1%, 0.25%

LAB 25.76, 49.75, 3.28

 

CMYK 0 / 100 / 64 / 58

HEX #6C0027

RGB 108 0 39

HSL 338.33, 1%, 0.21%

LAB 21.34, 44.06, 9.75

 

CMYK 0 / 72 / 34 / 31

HEX #AF3173

RGB 175 49 115

HSL 328.57, 0.56%, 0.44%

LAB 42.07, 56.08, -8.59

 

CMYK 0 / 72 / 54 / 31

HEX #AF3151

RGB 175 49 81

HSL 344.76, 0.56%, 0.44%

LAB 41.06, 52.73, 11.22

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 72 / 34 / 31

HEX #AF3173

RGB 175 49 115

HSL 328.57, 0.56%, 0.44%

LAB 42.07, 56.08, -8.59

 

CMYK 0 / 72 / 15 / 31

HEX #AF3195

RGB 175 49 149

HSL 312.38, 0.56%, 0.44%

LAB 43.48, 60.54, -27.24

 

CMYK 4 / 72 / 0 / 31

HEX #A831AF

RGB 168 49 175

HSL 296.67, 0.56%, 0.44%

LAB 43.68, 63.06, -42.54

 

CMYK 23 / 72 / 0 / 31

HEX #8631AF

RGB 134 49 175

HSL 280.48, 0.56%, 0.44%

LAB 38.48, 55.81, -51.16

 

CMYK 43 / 72 / 0 / 31

HEX #6431AF

RGB 100 49 175

HSL 264.29, 0.56%, 0.44%

LAB 33.99, 49.18, -58.66

 

CMYK 0 / 72 / 34 / 31

HEX #AF3173

RGB 175 49 115

HSL 328.57, 0.56%, 0.44%

LAB 42.07, 56.08, -8.59

 

CMYK 0 / 84 / 40 / 24

HEX #C11F73

RGB 193 31 115

HSL 328.89, 0.72%, 0.44%

LAB 43.59, 65.96, -5.98

 

CMYK 0 / 94 / 45 / 17

HEX #D30D74

RGB 211 13 116

HSL 328.79, 0.88%, 0.44%

LAB 46.17, 73.05, -2.38

 

CMYK 0 / 72 / 34 / 31

HEX #AF3173

RGB 175 49 115

HSL 328.57, 0.56%, 0.44%

LAB 42.07, 56.08, -8.59

 

CMYK 0 / 57 / 27 / 38

HEX #9D4472

RGB 157 68 114

HSL 328.99, 0.4%, 0.44%

LAB 42.03, 42.28, -8.35

 

CMYK 0 / 38 / 19 / 45

HEX #8B5671

RGB 139 86 113

HSL 329.43, 0.24%, 0.44%

LAB 43.27, 26.01, -6.15

 

CMYK 0 / 14 / 7 / 53

HEX #796871

RGB 121 104 113

HSL 328.24, 0.08%, 0.44%

LAB 45.85, 8.42, -2.55

 

CMYK 16 / 0 / 8 / 52

HEX #667A70

RGB 102 122 112

HSL 150, 0.09%, 0.44%

LAB 49.39, -9.49, 3.02

 

CMYK 5 / 72 / 0 / 31

HEX #A731AF

RGB 167 49 175

HSL 296.19, 0.56%, 0.44%

LAB 43.52, 62.84, -42.81

 

CMYK 0 / 72 / 14 / 31

HEX #AF3196

RGB 175 49 150

HSL 311.9, 0.56%, 0.44%

LAB 43.53, 60.69, -27.77

 

CMYK 0 / 72 / 34 / 31

HEX #AF3174

RGB 175 49 116

HSL 328.1, 0.56%, 0.44%

LAB 42.11, 56.19, -9.15

 

CMYK 0 / 72 / 53 / 31

HEX #AF3153

RGB 175 49 83

HSL 343.81, 0.56%, 0.44%

LAB 41.11, 52.89, 10.03

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 72 / 34 / 56

HEX #6F1F49

RGB 111 31 73

HSL 328.5, 0.56%, 0.28%

LAB 26.28, 39.14, -6.47

 

CMYK 0 / 72 / 34 / 44

HEX #8F285E

RGB 143 40 94

HSL 328.54, 0.56%, 0.36%

LAB 34.32, 47.81, -7.56

 

CMYK 0 / 72 / 34 / 31

HEX #AF3173

RGB 175 49 115

HSL 328.57, 0.56%, 0.44%

LAB 42.07, 56.08, -8.59

 

CMYK 0 / 68 / 32 / 21

HEX #C94088

RGB 201 64 136

HSL 328.47, 0.56%, 0.52%

LAB 49.33, 60.22, -10.06

 

CMYK 0 / 54 / 26 / 18

HEX #D2619C

RGB 210 97 156

HSL 328.67, 0.56%, 0.6%

LAB 56.73, 51.09, -10.64

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 0 / 24 / 72 / 31

HEX #AF8531

RGB 175 133 49

HSL 40, 0.56%, 0.44%

LAB 58.14, 7.56, 49.5

 

CMYK 72 / 5 / 0 / 31

HEX #31A7AF

RGB 49 167 175

HSL 183.81, 0.56%, 0.44%

LAB 62.83, -29.01, -13.51

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 34 / 0 / 72 / 31

HEX #74AF31

RGB 116 175 49

HSL 88.1, 0.56%, 0.44%

LAB 65.43, -39.03, 55.37

 

CMYK 72 / 34 / 0 / 31

HEX #3174AF

RGB 49 116 175

HSL 208.1, 0.56%, 0.44%

LAB 47.29, -1.09, -37.49

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 0 / 24 / 72 / 31

HEX #AF8531

RGB 175 133 49

HSL 40, 0.56%, 0.44%

LAB 58.14, 7.56, 49.5

 

CMYK 72 / 0 / 38 / 31

HEX #31AF6C

RGB 49 175 108

HSL 148.1, 0.56%, 0.44%

LAB 63.67, -49.5, 24.77

 

CMYK 72 / 48 / 0 / 31

HEX #315BAF

RGB 49 91 175

HSL 220, 0.56%, 0.44%

LAB 39.97, 14.69, -49.16

 

CMYK 0 / 72 / 35 / 31

HEX #B03173

RGB 176 49 115

HSL 328.82, 0.56%, 0.44%

LAB 42.25, 56.35, -8.3

 

CMYK 0 / 2 / 72 / 31

HEX #AFAB31

RGB 175 171 49

HSL 58.1, 0.56%, 0.44%

LAB 68.36, -12.92, 59.63

 

CMYK 72 / 0 / 38 / 31

HEX #31AF6C

RGB 49 175 108

HSL 148.1, 0.56%, 0.44%

LAB 63.67, -49.5, 24.77

 

CMYK 72 / 69 / 0 / 31

HEX #3136AF

RGB 49 54 175

HSL 237.62, 0.56%, 0.44%

LAB 30.37, 38.7, -64.77

 

Description

Color code: HEX #B03173 | qconv.com Color code: HEX #B03173 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 49 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 49 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 35 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 35% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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