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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB934 it is the complementary color #5546CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB934 shade: #AFB92F, #C0CB42, #D1DD55, #E2EF68 and #F3FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB934 shade: #AAB934, #99A721, #88950E, #778300 and #667100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB934 shade: #A8B734, #B7A234, #B77F34, #B75C34 and #B73834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB934 shade: #A8B734, #85B734, #61B734, #3EB734 and #34B74D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB934 shade matches the following richer shades: #A8B734, #B7CA21 and #C6DD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB934 shade: #A8B734, #99A447, #8B915A, #7C7E6D and #6D6B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB934 shade: #B77E34, #B7A134, #AAB734, #87B734 and #64B734

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB934 shade: #6D7721, #8B972B, #A8B734, #BDCB48 and #C8D569

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB934 shade: #AAB934, #34B75B and #9034B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB934 shade: #AAB934, #34AAB7 and #B734AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB934 shade: #AAB934, #34B75B, #4134B7 and #B73490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB934 shade: #AAB934, #34B782, #4134B7 and #B73468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

Complementary color

CMYK 58 / 66 / 0 / 20

HEX #5546CB

RGB 85 70 203

HSL 246.77, 0.56%, 0.54%

LAB 38.94, 43.33, -67.1

 

CMYK 5 / 0 / 75 / 27

HEX #AFB92F

RGB 175 185 47

HSL 64.35, 0.59%, 0.45%

LAB 72.24, -20.12, 64.02

 

CMYK 5 / 0 / 67 / 20

HEX #C0CB42

RGB 192 203 66

HSL 64.82, 0.57%, 0.53%

LAB 78.64, -20.93, 63.91

 

CMYK 5 / 0 / 62 / 13

HEX #D1DD55

RGB 209 221 85

HSL 65.29, 0.67%, 0.6%

LAB 84.96, -21.58, 63.32

 

CMYK 5 / 0 / 56 / 6

HEX #E2EF68

RGB 226 239 104

HSL 65.78, 0.81%, 0.67%

LAB 91.19, -22.12, 62.48

 

CMYK 5 / 0 / 52 / 0

HEX #F3FF7B

RGB 243 255 123

HSL 65.45, 1%, 0.74%

LAB 96.82, -21.62, 60.89

 

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

CMYK 8 / 0 / 80 / 35

HEX #99A721

RGB 153 167 33

HSL 66.27, 0.67%, 0.39%

LAB 65.37, -21.13, 61.47

 

CMYK 9 / 0 / 91 / 42

HEX #88950E

RGB 136 149 14

HSL 65.78, 0.83%, 0.32%

LAB 58.75, -20.03, 59.86

 

CMYK 9 / 0 / 100 / 49

HEX #778300

RGB 119 131 0

HSL 65.5, 1%, 0.26%

LAB 52.01, -18.67, 56.44

 

CMYK 10 / 0 / 100 / 56

HEX #667100

RGB 102 113 0

HSL 65.84, 1%, 0.22%

LAB 45.13, -17.02, 50.72

 

CMYK 8 / 0 / 72 / 28

HEX #A8B734

RGB 168 183 52

HSL 66.87, 0.56%, 0.46%

LAB 71.17, -21.85, 61.08

 

CMYK 0 / 11 / 72 / 28

HEX #B7A234

RGB 183 162 52

HSL 50.38, 0.56%, 0.46%

LAB 66.64, -4.54, 57.06

 

CMYK 0 / 31 / 72 / 28

HEX #B77F34

RGB 183 127 52

HSL 34.35, 0.56%, 0.46%

LAB 57.55, 14.61, 47.83

 

CMYK 0 / 50 / 72 / 28

HEX #B75C34

RGB 183 92 52

HSL 18.32, 0.56%, 0.46%

LAB 49.46, 33.77, 39.14

 

CMYK 0 / 69 / 72 / 28

HEX #B73834

RGB 183 56 52

HSL 1.83, 0.56%, 0.46%

LAB 42.98, 50.73, 31.78

 

CMYK 8 / 0 / 72 / 28

HEX #A8B734

RGB 168 183 52

HSL 66.87, 0.56%, 0.46%

LAB 71.17, -21.85, 61.08

 

CMYK 27 / 0 / 72 / 28

HEX #85B734

RGB 133 183 52

HSL 82.9, 0.56%, 0.46%

LAB 68.82, -36.02, 57.98

 

CMYK 47 / 0 / 72 / 28

HEX #61B734

RGB 97 183 52

HSL 99.39, 0.56%, 0.46%

LAB 67.02, -48.61, 55.57

 

CMYK 66 / 0 / 72 / 28

HEX #3EB734

RGB 62 183 52

HSL 115.42, 0.56%, 0.46%

LAB 65.86, -57.73, 54.01

 

CMYK 72 / 0 / 58 / 28

HEX #34B74D

RGB 52 183 77

HSL 131.45, 0.56%, 0.46%

LAB 65.85, -56.96, 43.24

 

CMYK 8 / 0 / 72 / 28

HEX #A8B734

RGB 168 183 52

HSL 66.87, 0.56%, 0.46%

LAB 71.17, -21.85, 61.08

 

CMYK 9 / 0 / 84 / 21

HEX #B7CA21

RGB 183 202 33

HSL 66.75, 0.72%, 0.46%

LAB 77.53, -25.59, 72.87

 

CMYK 10 / 0 / 94 / 13

HEX #C6DD0E

RGB 198 221 14

HSL 66.67, 0.88%, 0.46%

LAB 83.84, -28.8, 81.52

 

CMYK 8 / 0 / 72 / 28

HEX #A8B734

RGB 168 183 52

HSL 66.87, 0.56%, 0.46%

LAB 71.17, -21.85, 61.08

 

CMYK 7 / 0 / 57 / 36

HEX #99A447

RGB 153 164 71

HSL 67.1, 0.4%, 0.46%

LAB 64.79, -17.32, 46.06

 

CMYK 4 / 0 / 38 / 43

HEX #8B915A

RGB 139 145 90

HSL 66.55, 0.23%, 0.46%

LAB 58.49, -11.22, 28.47

 

CMYK 2 / 0 / 13 / 51

HEX #7C7E6D

RGB 124 126 109

HSL 67.06, 0.07%, 0.46%

LAB 52.19, -3.97, 9.01

 

CMYK 15 / 16 / 0 / 50

HEX #6D6B80

RGB 109 107 128

HSL 245.71, 0.09%, 0.46%

LAB 46.08, 5.37, -11.33

 

CMYK 0 / 31 / 72 / 28

HEX #B77E34

RGB 183 126 52

HSL 33.89, 0.56%, 0.46%

LAB 57.31, 15.17, 47.57

 

CMYK 0 / 12 / 72 / 28

HEX #B7A134

RGB 183 161 52

HSL 49.92, 0.56%, 0.46%

LAB 66.37, -4, 56.79

 

CMYK 7 / 0 / 72 / 28

HEX #AAB734

RGB 170 183 52

HSL 65.95, 0.56%, 0.46%

LAB 71.32, -21.01, 61.28

 

CMYK 26 / 0 / 72 / 28

HEX #87B734

RGB 135 183 52

HSL 81.98, 0.56%, 0.46%

LAB 68.94, -35.25, 58.14

 

CMYK 45 / 0 / 72 / 28

HEX #64B734

RGB 100 183 52

HSL 98.02, 0.56%, 0.46%

LAB 67.14, -47.67, 55.74

 

CMYK 8 / 0 / 72 / 53

HEX #6D7721

RGB 109 119 33

HSL 66.98, 0.57%, 0.3%

LAB 47.69, -15.76, 43.67

 

CMYK 8 / 0 / 72 / 41

HEX #8B972B

RGB 139 151 43

HSL 66.67, 0.56%, 0.38%

LAB 59.7, -18.62, 52.43

 

CMYK 8 / 0 / 72 / 28

HEX #A8B734

RGB 168 183 52

HSL 66.87, 0.56%, 0.46%

LAB 71.17, -21.85, 61.08

 

CMYK 7 / 0 / 65 / 20

HEX #BDCB48

RGB 189 203 72

HSL 66.41, 0.56%, 0.54%

LAB 78.46, -21.81, 61.3

 

CMYK 6 / 0 / 51 / 16

HEX #C8D569

RGB 200 213 105

HSL 67.22, 0.56%, 0.62%

LAB 82.32, -19.72, 51.32

 

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

CMYK 72 / 0 / 50 / 28

HEX #34B75B

RGB 52 183 91

HSL 137.86, 0.56%, 0.46%

LAB 66.02, -54.97, 36.64

 

CMYK 21 / 72 / 0 / 28

HEX #9034B7

RGB 144 52 183

HSL 282.14, 0.56%, 0.46%

LAB 40.9, 58.32, -51.91

 

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

CMYK 72 / 7 / 0 / 28

HEX #34AAB7

RGB 52 170 183

HSL 185.95, 0.56%, 0.46%

LAB 64.08, -27.66, -16.1

 

CMYK 0 / 72 / 7 / 28

HEX #B734AA

RGB 183 52 170

HSL 305.95, 0.56%, 0.46%

LAB 46.21, 64.59, -35.42

 

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

CMYK 72 / 0 / 50 / 28

HEX #34B75B

RGB 52 183 91

HSL 137.86, 0.56%, 0.46%

LAB 66.02, -54.97, 36.64

 

CMYK 64 / 72 / 0 / 28

HEX #4134B7

RGB 65 52 183

HSL 245.95, 0.56%, 0.46%

LAB 31.8, 44.47, -67.13

 

CMYK 0 / 72 / 21 / 28

HEX #B73490

RGB 183 52 144

HSL 317.86, 0.56%, 0.46%

LAB 44.99, 60.8, -21.77

 

CMYK 8 / 0 / 72 / 27

HEX #AAB934

RGB 170 185 52

HSL 66.77, 0.56%, 0.46%

LAB 71.89, -22, 61.83

 

CMYK 72 / 0 / 29 / 28

HEX #34B782

RGB 52 183 130

HSL 155.73, 0.56%, 0.46%

LAB 66.68, -47.63, 17.01

 

CMYK 64 / 72 / 0 / 28

HEX #4134B7

RGB 65 52 183

HSL 245.95, 0.56%, 0.46%

LAB 31.8, 44.47, -67.13

 

CMYK 0 / 72 / 43 / 28

HEX #B73468

RGB 183 52 104

HSL 336.18, 0.56%, 0.46%

LAB 43.54, 56.09, 0.57

 

Description

Color code: HEX #AAB934 | qconv.com Color code: HEX #AAB934 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 185 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 185 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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