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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 11 / 72 / 28 it is the complementary color CMYK 65 / 55 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 11 / 72 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 11 / 72 / 28: CMYK 0 / 14 / 76 / 26, CMYK 0 / 12 / 68 / 19, CMYK 0 / 11 / 62 / 13, CMYK 0 / 10 / 57 / 6 and CMYK 0 / 8 / 52 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 11 / 72 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 11 / 72 / 28: CMYK 0 / 11 / 72 / 28, CMYK 0 / 13 / 81 / 35, CMYK 0 / 15 / 91 / 41, CMYK 0 / 18 / 100 / 48 and CMYK 0 / 22 / 100 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

Complementary color

CMYK 65 / 55 / 0 / 20

HEX #475CCC

RGB 71 92 204

HSL 230.53, 0.57%, 0.54%

LAB 43.29, 27.93, -60.63

 

CMYK 0 / 14 / 76 / 26

HEX #BDA32E

RGB 189 163 46

HSL 49.09, 0.61%, 0.46%

LAB 67.43, -2.7, 60.28

 

CMYK 0 / 12 / 68 / 19

HEX #CEB541

RGB 206 181 65

HSL 49.36, 0.59%, 0.53%

LAB 73.9, -3.87, 59.86

 

CMYK 0 / 11 / 62 / 13

HEX #DFC754

RGB 223 199 84

HSL 49.64, 0.68%, 0.6%

LAB 80.28, -4.86, 59.03

 

CMYK 0 / 10 / 57 / 6

HEX #F0D967

RGB 240 217 103

HSL 49.93, 0.82%, 0.67%

LAB 86.57, -5.7, 58

 

CMYK 0 / 8 / 52 / 0

HEX #FFEB7A

RGB 255 235 122

HSL 50.98, 1%, 0.74%

LAB 92.61, -7.22, 56.64

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 0 / 13 / 81 / 35

HEX #A79120

RGB 167 145 32

HSL 50.22, 0.68%, 0.39%

LAB 60.4, -3.4, 57.82

 

CMYK 0 / 15 / 91 / 41

HEX #967F0D

RGB 150 127 13

HSL 49.93, 0.84%, 0.32%

LAB 53.7, -1.85, 56.57

 

CMYK 0 / 18 / 100 / 48

HEX #856D00

RGB 133 109 0

HSL 49.17, 1%, 0.26%

LAB 46.87, 0.04, 53.31

 

CMYK 0 / 22 / 100 / 55

HEX #745B00

RGB 116 91 0

HSL 47.07, 1%, 0.23%

LAB 39.91, 2.26, 47.57

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 0 / 0 / 73 / 28

HEX #B8B832

RGB 184 184 50

HSL 60, 0.57%, 0.46%

LAB 72.69, -15.64, 63.69

 

CMYK 13 / 0 / 73 / 28

HEX #A1B832

RGB 161 184 50

HSL 70.3, 0.57%, 0.46%

LAB 70.93, -25.38, 61.39

 

CMYK 24 / 0 / 73 / 28

HEX #8BB832

RGB 139 184 50

HSL 80.15, 0.57%, 0.46%

LAB 69.47, -34.28, 59.46

 

CMYK 36 / 0 / 73 / 28

HEX #75B832

RGB 117 184 50

HSL 90, 0.57%, 0.46%

LAB 68.24, -42.5, 57.83

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 0 / 11 / 72 / 8

HEX #EBD041

RGB 235 208 65

HSL 50.47, 0.81%, 0.59%

LAB 83.52, -5.44, 70.3

 

CMYK 0 / 13 / 71 / 88

HEX #1F1B09

RGB 31 27 9

HSL 49.09, 0.55%, 0.08%

LAB 9.76, -1.24, 10.86

 

CMYK 0 / 11 / 72 / 68

HEX #524917

RGB 82 73 23

HSL 50.85, 0.56%, 0.21%

LAB 30.93, -3, 30.23

 

CMYK 0 / 11 / 72 / 48

HEX #857625

RGB 133 118 37

HSL 50.63, 0.56%, 0.33%

LAB 49.59, -3.87, 44.61

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 73 / 0 / 71 / 28

HEX #32B836

RGB 50 184 54

HSL 121.79, 0.57%, 0.46%

LAB 65.92, -60.14, 53.23

 

CMYK 41 / 73 / 0 / 28

HEX #6C32B8

RGB 108 50 184

HSL 265.97, 0.57%, 0.46%

LAB 35.85, 52.45, -60.92

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 73 / 0 / 13 / 28

HEX #32B8A1

RGB 50 184 161

HSL 169.7, 0.57%, 0.46%

LAB 67.67, -40.78, 1.44

 

CMYK 13 / 73 / 0 / 28

HEX #A132B8

RGB 161 50 184

HSL 289.7, 0.57%, 0.46%

LAB 43.24, 62.82, -48.61

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 73 / 0 / 71 / 28

HEX #32B836

RGB 50 184 54

HSL 121.79, 0.57%, 0.46%

LAB 65.92, -60.14, 53.23

 

CMYK 73 / 61 / 0 / 28

HEX #3248B8

RGB 50 72 184

HSL 230.15, 0.57%, 0.46%

LAB 35.54, 30.62, -61.63

 

CMYK 0 / 73 / 3 / 28

HEX #B832B3

RGB 184 50 179

HSL 302.24, 0.57%, 0.46%

LAB 46.61, 66.89, -40.08

 

CMYK 0 / 11 / 72 / 28

HEX #B8A333

RGB 184 163 51

HSL 50.53, 0.57%, 0.46%

LAB 66.99, -4.68, 57.83

 

CMYK 73 / 0 / 48 / 28

HEX #32B85F

RGB 50 184 95

HSL 140.15, 0.57%, 0.46%

LAB 66.36, -55.02, 35.04

 

CMYK 73 / 61 / 0 / 28

HEX #3248B8

RGB 50 72 184

HSL 230.15, 0.57%, 0.46%

LAB 35.54, 30.62, -61.63

 

CMYK 0 / 73 / 24 / 28

HEX #B8328B

RGB 184 50 139

HSL 320.15, 0.57%, 0.46%

LAB 44.71, 61.08, -19.16

 

Description

Color code: CMYK 0 / 11 / 72 / 28 | qconv.com Color code: CMYK 0 / 11 / 72 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 163 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 163 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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