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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 7 / 0 / 28 it is the complementary color CMYK 0 / 59 / 65 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 7 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 7 / 0 / 28: CMYK 69 / 4 / 0 / 30, CMYK 63 / 5 / 0 / 22, CMYK 59 / 5 / 0 / 15, CMYK 55 / 5 / 0 / 7 and CMYK 51 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 7 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 7 / 0 / 28: CMYK 72 / 7 / 0 / 28, CMYK 79 / 7 / 0 / 35, CMYK 88 / 8 / 0 / 43, CMYK 100 / 8 / 0 / 50 and CMYK 100 / 8 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

Complementary color

CMYK 0 / 59 / 65 / 20

HEX #CC5447

RGB 204 84 71

HSL 5.86, 0.57%, 0.54%

LAB 51.42, 46.81, 31.74

 

CMYK 69 / 4 / 0 / 30

HEX #38ABB3

RGB 56 171 179

HSL 183.9, 0.52%, 0.46%

LAB 64.34, -28.82, -13.46

 

CMYK 63 / 5 / 0 / 22

HEX #49BDC6

RGB 73 189 198

HSL 184.32, 0.52%, 0.53%

LAB 70.79, -29.43, -14.2

 

CMYK 59 / 5 / 0 / 15

HEX #5ACFD9

RGB 90 207 217

HSL 184.72, 0.63%, 0.6%

LAB 77.17, -29.86, -14.88

 

CMYK 55 / 5 / 0 / 7

HEX #6BE1EC

RGB 107 225 236

HSL 185.12, 0.77%, 0.67%

LAB 83.46, -30.18, -15.51

 

CMYK 51 / 5 / 0 / 0

HEX #7CF3FF

RGB 124 243 255

HSL 185.5, 1%, 0.74%

LAB 89.68, -30.4, -16.09

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 79 / 7 / 0 / 35

HEX #2299A5

RGB 34 153 165

HSL 185.5, 0.66%, 0.39%

LAB 57.88, -26.92, -15.36

 

CMYK 88 / 8 / 0 / 43

HEX #118792

RGB 17 135 146

HSL 185.12, 0.79%, 0.32%

LAB 51.29, -25.47, -14.44

 

CMYK 100 / 8 / 0 / 50

HEX #00757F

RGB 0 117 127

HSL 184.72, 1%, 0.25%

LAB 44.6, -23.65, -13.4

 

CMYK 100 / 8 / 0 / 58

HEX #00636C

RGB 0 99 108

HSL 185, 1%, 0.21%

LAB 37.85, -20.88, -12.12

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 73 / 18 / 0 / 28

HEX #3296B8

RGB 50 150 184

HSL 195.22, 0.57%, 0.46%

LAB 57.99, -17.26, -25.96

 

CMYK 73 / 30 / 0 / 28

HEX #3280B8

RGB 50 128 184

HSL 205.07, 0.57%, 0.46%

LAB 51.36, -4.87, -36.29

 

CMYK 73 / 42 / 0 / 28

HEX #326AB8

RGB 50 106 184

HSL 214.93, 0.57%, 0.46%

LAB 44.87, 8.57, -46.57

 

CMYK 73 / 55 / 0 / 28

HEX #3253B8

RGB 50 83 184

HSL 225.22, 0.57%, 0.46%

LAB 38.42, 23.44, -56.95

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 72 / 7 / 0 / 8

HEX #41DAEB

RGB 65 218 235

HSL 186, 0.81%, 0.59%

LAB 80.33, -33.63, -19.81

 

CMYK 71 / 6 / 0 / 88

HEX #091D1F

RGB 9 29 31

HSL 185.45, 0.55%, 0.08%

LAB 9.29, -7.28, -3.85

 

CMYK 72 / 7 / 0 / 68

HEX #174C52

RGB 23 76 82

HSL 186.1, 0.56%, 0.21%

LAB 29.31, -14.96, -8.67

 

CMYK 72 / 7 / 0 / 48

HEX #257C85

RGB 37 124 133

HSL 185.63, 0.56%, 0.33%

LAB 47.63, -22, -12.33

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 52 / 73 / 0 / 28

HEX #5832B8

RGB 88 50 184

HSL 257.01, 0.57%, 0.46%

LAB 33.6, 49.12, -64.7

 

CMYK 0 / 23 / 73 / 28

HEX #B88D32

RGB 184 141 50

HSL 40.75, 0.57%, 0.46%

LAB 61.19, 7.2, 52.47

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 0 / 73 / 6 / 28

HEX #B832AD

RGB 184 50 173

HSL 304.93, 0.57%, 0.46%

LAB 46.3, 65.95, -37.05

 

CMYK 6 / 0 / 73 / 28

HEX #ADB832

RGB 173 184 50

HSL 64.93, 0.57%, 0.46%

LAB 71.82, -20.33, 62.55

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 52 / 73 / 0 / 28

HEX #5832B8

RGB 88 50 184

HSL 257.01, 0.57%, 0.46%

LAB 33.6, 49.12, -64.7

 

CMYK 0 / 67 / 73 / 28

HEX #B83D32

RGB 184 61 50

HSL 4.93, 0.57%, 0.46%

LAB 43.88, 48.93, 34.03

 

CMYK 21 / 0 / 73 / 28

HEX #92B832

RGB 146 184 50

HSL 77.01, 0.57%, 0.46%

LAB 69.91, -31.5, 60.04

 

CMYK 72 / 7 / 0 / 28

HEX #33ABB8

RGB 51 171 184

HSL 185.86, 0.57%, 0.46%

LAB 64.4, -27.98, -16.18

 

CMYK 30 / 73 / 0 / 28

HEX #8032B8

RGB 128 50 184

HSL 274.93, 0.57%, 0.46%

LAB 38.43, 56.16, -56.61

 

CMYK 0 / 67 / 73 / 28

HEX #B83D32

RGB 184 61 50

HSL 4.93, 0.57%, 0.46%

LAB 43.88, 48.93, 34.03

 

CMYK 42 / 0 / 73 / 28

HEX #6AB832

RGB 106 184 50

HSL 94.93, 0.57%, 0.46%

LAB 67.71, -46.27, 57.12

 

Description

Color code: CMYK 72 / 7 / 0 / 28 | qconv.com Color code: CMYK 72 / 7 / 0 / 28 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 171 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 171 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 7 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 7% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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