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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A86F3D it is the complementary color #5790C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A86F3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A86F3D: #AD6F38, #BE814B, #CF935E, #E0A571 and #F1B784

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A86F3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A86F3D: #A86F3D, #975D2A, #864B17, #753904 and #642700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

Complementary color

CMYK 55 / 26 / 0 / 24

HEX #5790C2

RGB 87 144 194

HSL 208.04, 0.47%, 0.55%

LAB 57.91, -4.14, -31.64

 

CMYK 0 / 36 / 68 / 32

HEX #AD6F38

RGB 173 111 56

HSL 28.21, 0.51%, 0.45%

LAB 52.44, 19.4, 40

 

CMYK 0 / 32 / 61 / 25

HEX #BE814B

RGB 190 129 75

HSL 28.17, 0.47%, 0.52%

LAB 59.12, 17.99, 38.39

 

CMYK 0 / 29 / 55 / 19

HEX #CF935E

RGB 207 147 94

HSL 28.14, 0.54%, 0.59%

LAB 65.7, 16.78, 36.84

 

CMYK 0 / 26 / 50 / 12

HEX #E0A571

RGB 224 165 113

HSL 28.11, 0.64%, 0.66%

LAB 72.19, 15.73, 35.38

 

CMYK 0 / 24 / 45 / 5

HEX #F1B784

RGB 241 183 132

HSL 28.07, 0.8%, 0.73%

LAB 78.6, 14.82, 34.02

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 0 / 38 / 72 / 41

HEX #975D2A

RGB 151 93 42

HSL 28.07, 0.56%, 0.38%

LAB 45.05, 19.1, 38.2

 

CMYK 0 / 44 / 83 / 47

HEX #864B17

RGB 134 75 23

HSL 28.11, 0.71%, 0.31%

LAB 38.13, 20.96, 39.58

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 61 / 100 / 61

HEX #642700

RGB 100 39 0

HSL 23.4, 1%, 0.2%

LAB 24.19, 25.62, 34.74

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 0 / 23 / 64 / 34

HEX #A8813C

RGB 168 129 60

HSL 38.33, 0.47%, 0.45%

LAB 56.44, 7.33, 42.3

 

CMYK 0 / 13 / 64 / 34

HEX #A8933C

RGB 168 147 60

HSL 48.33, 0.47%, 0.45%

LAB 61.24, -2.63, 47.59

 

CMYK 0 / 2 / 64 / 34

HEX #A8A53C

RGB 168 165 60

HSL 58.33, 0.47%, 0.45%

LAB 66.18, -12.23, 52.88

 

CMYK 8 / 0 / 64 / 34

HEX #9AA83C

RGB 154 168 60

HSL 67.78, 0.47%, 0.45%

LAB 65.91, -19.78, 52.24

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 0 / 34 / 63 / 14

HEX #DB9150

RGB 219 145 80

HSL 28.06, 0.66%, 0.59%

LAB 66.44, 21.81, 45.27

 

CMYK 0 / 33 / 67 / 94

HEX #0F0A05

RGB 15 10 5

HSL 30, 0.5%, 0.04%

LAB 2.98, 0.81, 2.42

 

CMYK 0 / 33 / 64 / 74

HEX #422C18

RGB 66 44 24

HSL 28.57, 0.47%, 0.18%

LAB 20.15, 7.52, 16.92

 

CMYK 0 / 34 / 64 / 54

HEX #754D2A

RGB 117 77 42

HSL 28, 0.47%, 0.31%

LAB 36.47, 13.03, 27.32

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 43 / 0 / 64 / 34

HEX #60A83C

RGB 96 168 60

HSL 100, 0.47%, 0.45%

LAB 62.35, -42.12, 47.37

 

CMYK 60 / 64 / 0 / 34

HEX #443CA8

RGB 68 60 168

HSL 244.44, 0.47%, 0.45%

LAB 32.45, 35.31, -57.11

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 64 / 0 / 34 / 34

HEX #3CA86F

RGB 60 168 111

HSL 148.33, 0.47%, 0.45%

LAB 61.75, -44.15, 20.62

 

CMYK 34 / 64 / 0 / 34

HEX #6F3CA8

RGB 111 60 168

HSL 268.33, 0.47%, 0.45%

LAB 36.81, 43.98, -49.83

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 43 / 0 / 64 / 34

HEX #60A83C

RGB 96 168 60

HSL 100, 0.47%, 0.45%

LAB 62.35, -42.12, 47.37

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 21 / 64 / 0 / 34

HEX #843CA8

RGB 132 60 168

HSL 280, 0.47%, 0.45%

LAB 39.52, 48.88, -45.34

 

CMYK 0 / 34 / 64 / 34

HEX #A86F3D

RGB 168 111 61

HSL 28.04, 0.47%, 0.45%

LAB 51.87, 17.55, 36.57

 

CMYK 62 / 0 / 64 / 34

HEX #40A83C

RGB 64 168 60

HSL 117.78, 0.47%, 0.45%

LAB 61.15, -51.21, 45.7

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 2 / 64 / 0 / 34

HEX #A53CA8

RGB 165 60 168

HSL 298.33, 0.47%, 0.45%

LAB 44.32, 56.92, -37.41

 

Description

Color code: HEX #A86F3D | qconv.com Color code: HEX #A86F3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 111 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 111 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 64 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 64% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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