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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C76A8 it is the complementary color #C38957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C76A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C76A8 shade: #4176A3, #5288B6, #639AC9, #74ACDC and #85BEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C76A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C76A8 shade: #3C76A8, #2B6495, #1A5282, #09406F and #002E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C76A8 shade: #3C76A8, #3C59A8, #3D3CA8, #5A3CA8 and #773CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C76A8 shade: #3C76A8, #3C59A8 and #3C3CA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C76A8 shade matches the following richer shades: #3C76A8, #2A78BB, #1779CD and #057AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C76A8 shade: #3C76A8, #4F7596, #617383, #747270 and #87715E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C76A8 shade: #3CA89F, #3C94A8, #3C78A8, #3C5BA8 and #3C3EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C76A8 shade: #264C6C, #31618A, #3C76A8, #4F8BBF and #6D9FCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C76A8 shade: #3C76A8, #823CA8 and #A3A83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C76A8 shade: #3C76A8, #A83C78 and #78A83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C76A8 shade: #3C76A8, #823CA8, #A86D3C and #62A83C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C76A8 shade: #3C76A8, #A33CA8, #A86D3C and #42A83C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

Complementary color

CMYK 0 / 30 / 55 / 24

HEX #C38957

RGB 195 137 87

HSL 27.78, 0.47%, 0.55%

LAB 61.81, 16.64, 35.44

 

CMYK 60 / 28 / 0 / 36

HEX #4176A3

RGB 65 118 163

HSL 207.55, 0.43%, 0.45%

LAB 47.91, -3.67, -29.47

 

CMYK 55 / 25 / 0 / 29

HEX #5288B6

RGB 82 136 182

HSL 207.6, 0.41%, 0.52%

LAB 54.84, -4.41, -29.6

 

CMYK 51 / 23 / 0 / 21

HEX #639AC9

RGB 99 154 201

HSL 207.65, 0.49%, 0.59%

LAB 61.64, -4.98, -29.75

 

CMYK 47 / 22 / 0 / 14

HEX #74ACDC

RGB 116 172 220

HSL 207.69, 0.6%, 0.66%

LAB 68.3, -5.43, -29.92

 

CMYK 44 / 21 / 0 / 6

HEX #85BEEF

RGB 133 190 239

HSL 207.74, 0.77%, 0.73%

LAB 74.85, -5.8, -30.1

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 71 / 33 / 0 / 42

HEX #2B6495

RGB 43 100 149

HSL 207.74, 0.55%, 0.38%

LAB 40.89, -1.73, -32.24

 

CMYK 80 / 37 / 0 / 49

HEX #1A5282

RGB 26 82 130

HSL 207.69, 0.67%, 0.31%

LAB 33.7, -0.04, -32.1

 

CMYK 92 / 42 / 0 / 56

HEX #09406F

RGB 9 64 111

HSL 207.65, 0.85%, 0.24%

LAB 26.37, 2.39, -31.88

 

CMYK 100 / 50 / 0 / 64

HEX #002E5C

RGB 0 46 92

HSL 210, 1%, 0.18%

LAB 18.91, 5.9, -31.51

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 64 / 64 / 0 / 34

HEX #3D3CA8

RGB 61 60 168

HSL 240.56, 0.47%, 0.45%

LAB 31.92, 34.17, -58

 

CMYK 46 / 64 / 0 / 34

HEX #5A3CA8

RGB 90 60 168

HSL 256.67, 0.47%, 0.45%

LAB 34.46, 39.44, -53.75

 

CMYK 29 / 64 / 0 / 34

HEX #773CA8

RGB 119 60 168

HSL 272.78, 0.47%, 0.45%

LAB 37.81, 45.81, -48.18

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 64 / 64 / 0 / 34

HEX #3C3CA8

RGB 60 60 168

HSL 240, 0.47%, 0.45%

LAB 31.85, 34.02, -58.12

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 78 / 36 / 0 / 27

HEX #2A78BB

RGB 42 120 187

HSL 207.72, 0.63%, 0.45%

LAB 48.9, -0.03, -41.91

 

CMYK 89 / 41 / 0 / 20

HEX #1779CD

RGB 23 121 205

HSL 207.69, 0.8%, 0.45%

LAB 49.82, 4.56, -50.79

 

CMYK 98 / 46 / 0 / 12

HEX #057AE0

RGB 5 122 224

HSL 207.95, 0.96%, 0.45%

LAB 51.07, 10.62, -59.54

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 47 / 22 / 0 / 41

HEX #4F7596

RGB 79 117 150

HSL 207.89, 0.31%, 0.45%

LAB 47.74, -3.98, -22.05

 

CMYK 26 / 12 / 0 / 49

HEX #617383

RGB 97 115 131

HSL 208.24, 0.15%, 0.45%

LAB 47.55, -2.77, -10.99

 

CMYK 0 / 2 / 3 / 55

HEX #747270

RGB 116 114 112

HSL 30, 0.02%, 0.45%

LAB 48.16, 0.37, 1.37

 

CMYK 0 / 16 / 30 / 47

HEX #87715E

RGB 135 113 94

HSL 27.8, 0.18%, 0.45%

LAB 49.22, 5.59, 13.77

 

CMYK 64 / 0 / 5 / 34

HEX #3CA89F

RGB 60 168 159

HSL 175, 0.47%, 0.45%

LAB 62.9, -32.52, -4.41

 

CMYK 64 / 12 / 0 / 34

HEX #3C94A8

RGB 60 148 168

HSL 191.11, 0.47%, 0.45%

LAB 57.04, -19.84, -18.29

 

CMYK 64 / 29 / 0 / 34

HEX #3C78A8

RGB 60 120 168

HSL 206.67, 0.47%, 0.45%

LAB 48.54, -4.14, -31.42

 

CMYK 64 / 46 / 0 / 34

HEX #3C5BA8

RGB 60 91 168

HSL 222.78, 0.47%, 0.45%

LAB 40.03, 13.92, -44.89

 

CMYK 64 / 63 / 0 / 34

HEX #3C3EA8

RGB 60 62 168

HSL 238.89, 0.47%, 0.45%

LAB 32.33, 32.75, -57.33

 

CMYK 65 / 30 / 0 / 58

HEX #264C6C

RGB 38 76 108

HSL 207.43, 0.48%, 0.29%

LAB 31.03, -2.63, -22.56

 

CMYK 64 / 30 / 0 / 46

HEX #31618A

RGB 49 97 138

HSL 207.64, 0.48%, 0.37%

LAB 39.64, -2.79, -27.57

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 59 / 27 / 0 / 25

HEX #4F8BBF

RGB 79 139 191

HSL 207.86, 0.47%, 0.53%

LAB 55.98, -3.9, -32.98

 

CMYK 46 / 21 / 0 / 21

HEX #6D9FCA

RGB 109 159 202

HSL 207.74, 0.47%, 0.61%

LAB 63.6, -5.09, -27.24

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 23 / 64 / 0 / 34

HEX #823CA8

RGB 130 60 168

HSL 278.89, 0.47%, 0.45%

LAB 39.25, 48.4, -45.79

 

CMYK 3 / 0 / 64 / 34

HEX #A3A83C

RGB 163 168 60

HSL 62.78, 0.47%, 0.45%

LAB 66.61, -15.94, 53.2

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 0 / 64 / 29 / 34

HEX #A83C78

RGB 168 60 120

HSL 326.67, 0.47%, 0.45%

LAB 42.63, 50.29, -10.96

 

CMYK 29 / 0 / 64 / 34

HEX #78A83C

RGB 120 168 60

HSL 86.67, 0.47%, 0.45%

LAB 63.61, -33.55, 49.1

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 23 / 64 / 0 / 34

HEX #823CA8

RGB 130 60 168

HSL 278.89, 0.47%, 0.45%

LAB 39.25, 48.4, -45.79

 

CMYK 0 / 35 / 64 / 34

HEX #A86D3C

RGB 168 109 60

HSL 27.22, 0.47%, 0.45%

LAB 51.37, 18.61, 36.52

 

CMYK 42 / 0 / 64 / 34

HEX #62A83C

RGB 98 168 60

HSL 98.89, 0.47%, 0.45%

LAB 62.45, -41.46, 47.5

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 3 / 64 / 0 / 34

HEX #A33CA8

RGB 163 60 168

HSL 297.22, 0.47%, 0.45%

LAB 44.01, 56.43, -37.92

 

CMYK 0 / 35 / 64 / 34

HEX #A86D3C

RGB 168 109 60

HSL 27.22, 0.47%, 0.45%

LAB 51.37, 18.61, 36.52

 

CMYK 61 / 0 / 64 / 34

HEX #42A83C

RGB 66 168 60

HSL 116.67, 0.47%, 0.45%

LAB 61.21, -50.74, 45.78

 

Description

Color code: HEX #3C76A8 | qconv.com Color code: HEX #3C76A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 118 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 118 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 30 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 30% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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