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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01A2C it is the complementary color #5FE5D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A01A2C: #A51A27, #B62C3A, #C73E4D, #D85060 and #E96273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A01A2C: #A01A2C, #8F0819, #7E0006, #6D0000 and #5C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

Complementary color

CMYK 59 / 0 / 8 / 10

HEX #5FE5D3

RGB 95 229 211

HSL 171.94, 0.72%, 0.64%

LAB 83.53, -40.79, -2.21

 

CMYK 0 / 84 / 76 / 35

HEX #A51A27

RGB 165 26 39

HSL 354.39, 0.73%, 0.37%

LAB 35.76, 54.41, 30.37

 

CMYK 0 / 76 / 68 / 29

HEX #B62C3A

RGB 182 44 58

HSL 353.91, 0.61%, 0.44%

LAB 41.3, 55.08, 26.11

 

CMYK 0 / 69 / 61 / 22

HEX #C73E4D

RGB 199 62 77

HSL 353.43, 0.55%, 0.51%

LAB 47.14, 54.98, 22.61

 

CMYK 0 / 63 / 56 / 15

HEX #D85060

RGB 216 80 96

HSL 352.94, 0.64%, 0.58%

LAB 53.15, 54.43, 19.74

 

CMYK 0 / 58 / 51 / 9

HEX #E96273

RGB 233 98 115

HSL 352.44, 0.75%, 0.65%

LAB 59.25, 53.65, 17.34

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 0 / 94 / 83 / 44

HEX #8F0819

RGB 143 8 25

HSL 352.44, 0.89%, 0.3%

LAB 29.62, 51.3, 30.9

 

CMYK 0 / 100 / 95 / 51

HEX #7E0006

RGB 126 0 6

HSL 357.14, 1%, 0.25%

LAB 25.1, 47.62, 35.05

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 0 / 83 / 84 / 38

HEX #9D1B19

RGB 157 27 25

HSL 0.91, 0.73%, 0.36%

LAB 34.03, 51.35, 36.22

 

CMYK 0 / 69 / 84 / 38

HEX #9D3119

RGB 157 49 25

HSL 10.91, 0.73%, 0.36%

LAB 36.81, 43.65, 38.8

 

CMYK 0 / 55 / 84 / 38

HEX #9D4719

RGB 157 71 25

HSL 20.91, 0.73%, 0.36%

LAB 40.81, 33.12, 42.45

 

CMYK 0 / 40 / 84 / 38

HEX #9D5E19

RGB 157 94 25

HSL 31.36, 0.73%, 0.36%

LAB 45.97, 20.48, 47.05

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 0 / 84 / 73 / 17

HEX #D3223A

RGB 211 34 58

HSL 351.86, 0.72%, 0.48%

LAB 46.04, 66.07, 33.17

 

CMYK 0 / 86 / 71 / 97

HEX #070102

RGB 7 1 2

HSL 350, 0.75%, 0.02%

LAB 0.64, 1.71, 0.17

 

CMYK 0 / 84 / 72 / 77

HEX #3A0910

RGB 58 9 16

HSL 351.43, 0.73%, 0.13%

LAB 10.05, 24.28, 8.65

 

CMYK 0 / 83 / 72 / 57

HEX #6D121E

RGB 109 18 30

HSL 352.09, 0.72%, 0.25%

LAB 22.92, 39.37, 18.11

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 4 / 0 / 84 / 38

HEX #979D19

RGB 151 157 25

HSL 62.73, 0.73%, 0.36%

LAB 62.31, -17.19, 60.9

 

CMYK 84 / 38 / 0 / 38

HEX #19629D

RGB 25 98 157

HSL 206.82, 0.73%, 0.36%

LAB 40.21, 0.31, -38.14

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 71 / 0 / 84 / 38

HEX #2D9D19

RGB 45 157 25

HSL 110.91, 0.73%, 0.36%

LAB 56.82, -54.22, 53.97

 

CMYK 84 / 71 / 0 / 38

HEX #192D9D

RGB 25 45 157

HSL 230.91, 0.73%, 0.36%

LAB 25.31, 35.66, -62.26

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 4 / 0 / 84 / 38

HEX #979D19

RGB 151 157 25

HSL 62.73, 0.73%, 0.36%

LAB 62.31, -17.19, 60.9

 

CMYK 84 / 0 / 12 / 38

HEX #199D8A

RGB 25 157 138

HSL 171.36, 0.73%, 0.36%

LAB 58.18, -37.8, 0.43

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 0 / 84 / 73 / 37

HEX #A01A2C

RGB 160 26 44

HSL 351.94, 0.72%, 0.36%

LAB 34.79, 53.19, 25.88

 

CMYK 29 / 0 / 84 / 38

HEX #6F9D19

RGB 111 157 25

HSL 80.91, 0.73%, 0.36%

LAB 59.49, -34.14, 57.37

 

CMYK 84 / 0 / 12 / 38

HEX #199D8A

RGB 25 157 138

HSL 171.36, 0.73%, 0.36%

LAB 58.18, -37.8, 0.43

 

CMYK 55 / 84 / 0 / 38

HEX #47199D

RGB 71 25 157

HSL 260.91, 0.73%, 0.36%

LAB 25.17, 50.73, -62.39

 

Description

Color code: HEX #A01A2C | qconv.com Color code: HEX #A01A2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 26 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 26 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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