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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20199D it is the complementary color #DFE662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20199D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20199D shade: #251998, #362BAB, #473DBE, #584FD1 and #6961E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20199D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20199D shade: #20199D, #0F078A, #000077, #000064 and #000051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20199D shade: #1F189E, #44189E, #68189E, #8C189E and #9E188D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20199D shade: #1F189E and #18189E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20199D shade matches the following richer shades: #1F189E and #1209AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20199D shade: #1F189E, #2D278F, #3A3681, #474572 and #555463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20199D shade: #18599E, #18359E, #1F189E, #43189E and #66189E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20199D shade: #110D57, #18137B, #1F189E, #271EC2 and #352CDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20199D shade: #20199D, #9E187D and #479E18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20199D shade: #20199D, #9E1F18 and #189E1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20199D shade: #20199D, #9E187D, #989E18 and #189E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20199D shade: #20199D, #9E1855, #989E18 and #189E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

Complementary color

CMYK 3 / 0 / 57 / 10

HEX #DFE662

RGB 223 230 98

HSL 63.18, 0.73%, 0.64%

LAB 88.53, -19.41, 62.03

 

CMYK 76 / 84 / 0 / 40

HEX #251998

RGB 37 25 152

HSL 245.67, 0.72%, 0.35%

LAB 21.42, 46.07, -65.63

 

CMYK 68 / 75 / 0 / 33

HEX #362BAB

RGB 54 43 171

HSL 245.16, 0.6%, 0.42%

LAB 27.99, 44.35, -66.28

 

CMYK 63 / 68 / 0 / 25

HEX #473DBE

RGB 71 61 190

HSL 244.65, 0.51%, 0.49%

LAB 34.79, 42.34, -66.34

 

CMYK 58 / 62 / 0 / 18

HEX #584FD1

RGB 88 79 209

HSL 244.15, 0.59%, 0.56%

LAB 41.64, 40.41, -66.14

 

CMYK 54 / 57 / 0 / 11

HEX #6961E4

RGB 105 97 228

HSL 243.66, 0.71%, 0.64%

LAB 48.45, 38.67, -65.85

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 89 / 95 / 0 / 46

HEX #0F078A

RGB 15 7 138

HSL 243.66, 0.9%, 0.28%

LAB 15.94, 47.89, -66.06

 

CMYK 100 / 100 / 0 / 53

HEX #000077

RGB 0 0 119

HSL 240, 1%, 0.23%

LAB 11.5, 45.08, -61.4

 

CMYK 100 / 100 / 0 / 61

HEX #000064

RGB 0 0 100

HSL 240, 1%, 0.2%

LAB 8.31, 39.85, -54.28

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 57 / 85 / 0 / 38

HEX #44189E

RGB 68 24 158

HSL 259.7, 0.74%, 0.36%

LAB 24.8, 51.04, -63.62

 

CMYK 34 / 85 / 0 / 38

HEX #68189E

RGB 104 24 158

HSL 275.82, 0.74%, 0.36%

LAB 29.58, 55.82, -55.59

 

CMYK 11 / 85 / 0 / 38

HEX #8C189E

RGB 140 24 158

HSL 291.94, 0.74%, 0.36%

LAB 35.39, 61.9, -45.89

 

CMYK 0 / 85 / 11 / 38

HEX #9E188D

RGB 158 24 141

HSL 307.61, 0.74%, 0.36%

LAB 37.56, 62.68, -31.87

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 85 / 85 / 0 / 38

HEX #18189E

RGB 24 24 158

HSL 240, 0.74%, 0.36%

LAB 21.27, 47.69, -69.58

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 90 / 95 / 0 / 32

HEX #1209AD

RGB 18 9 173

HSL 243.29, 0.9%, 0.36%

LAB 21.36, 57.07, -78.54

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 69 / 73 / 0 / 44

HEX #2D278F

RGB 45 39 143

HSL 243.46, 0.57%, 0.36%

LAB 23.65, 36.33, -56.36

 

CMYK 55 / 58 / 0 / 49

HEX #3A3681

RGB 58 54 129

HSL 243.2, 0.41%, 0.36%

LAB 27.08, 24.15, -41.98

 

CMYK 38 / 39 / 0 / 55

HEX #474572

RGB 71 69 114

HSL 242.67, 0.25%, 0.36%

LAB 31.37, 12.76, -25.65

 

CMYK 14 / 15 / 0 / 61

HEX #555463

RGB 85 84 99

HSL 244, 0.08%, 0.36%

LAB 36.31, 3.82, -8.52

 

CMYK 85 / 44 / 0 / 38

HEX #18599E

RGB 24 89 158

HSL 210.9, 0.74%, 0.36%

LAB 37.49, 6.41, -43.06

 

CMYK 85 / 66 / 0 / 38

HEX #18359E

RGB 24 53 158

HSL 227.01, 0.74%, 0.36%

LAB 27.32, 30.75, -59.57

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 58 / 85 / 0 / 38

HEX #43189E

RGB 67 24 158

HSL 259.25, 0.74%, 0.36%

LAB 24.69, 50.93, -63.81

 

CMYK 35 / 85 / 0 / 38

HEX #66189E

RGB 102 24 158

HSL 274.93, 0.74%, 0.36%

LAB 29.28, 55.52, -56.09

 

CMYK 80 / 85 / 0 / 66

HEX #110D57

RGB 17 13 87

HSL 243.24, 0.74%, 0.2%

LAB 9.76, 29.16, -43.09

 

CMYK 80 / 85 / 0 / 52

HEX #18137B

RGB 24 19 123

HSL 242.88, 0.73%, 0.28%

LAB 15.95, 38.83, -56.52

 

CMYK 80 / 85 / 0 / 38

HEX #1F189E

RGB 31 24 158

HSL 243.13, 0.74%, 0.36%

LAB 21.63, 48.02, -68.97

 

CMYK 80 / 85 / 0 / 24

HEX #271EC2

RGB 39 30 194

HSL 243.29, 0.73%, 0.44%

LAB 27.45, 56.67, -80.89

 

CMYK 76 / 80 / 0 / 13

HEX #352CDE

RGB 53 44 222

HSL 243.03, 0.73%, 0.52%

LAB 33.63, 59.56, -86.88

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 0 / 85 / 21 / 38

HEX #9E187D

RGB 158 24 125

HSL 314.78, 0.74%, 0.36%

LAB 36.75, 60.45, -23.24

 

CMYK 55 / 0 / 85 / 38

HEX #479E18

RGB 71 158 24

HSL 98.96, 0.74%, 0.36%

LAB 57.9, -48.41, 55.49

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 0 / 80 / 85 / 38

HEX #9E1F18

RGB 158 31 24

HSL 3.13, 0.74%, 0.36%

LAB 34.63, 50.49, 37.39

 

CMYK 85 / 0 / 80 / 38

HEX #189E1F

RGB 24 158 31

HSL 123.13, 0.74%, 0.36%

LAB 56.83, -57.29, 52.1

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 0 / 85 / 21 / 38

HEX #9E187D

RGB 158 24 125

HSL 314.78, 0.74%, 0.36%

LAB 36.75, 60.45, -23.24

 

CMYK 4 / 0 / 85 / 38

HEX #989E18

RGB 152 158 24

HSL 62.69, 0.74%, 0.36%

LAB 62.67, -17.3, 61.49

 

CMYK 85 / 0 / 63 / 38

HEX #189E3A

RGB 24 158 58

HSL 135.22, 0.74%, 0.36%

LAB 57.03, -54.77, 41.75

 

CMYK 80 / 84 / 0 / 38

HEX #20199D

RGB 32 25 157

HSL 243.18, 0.73%, 0.36%

LAB 21.71, 47.31, -68.21

 

CMYK 0 / 85 / 46 / 38

HEX #9E1855

RGB 158 24 85

HSL 332.69, 0.74%, 0.36%

LAB 35.16, 55.95, -0.2

 

CMYK 4 / 0 / 85 / 38

HEX #989E18

RGB 152 158 24

HSL 62.69, 0.74%, 0.36%

LAB 62.67, -17.3, 61.49

 

CMYK 85 / 0 / 38 / 38

HEX #189E62

RGB 24 158 98

HSL 153.13, 0.74%, 0.36%

LAB 57.59, -48.15, 21.99

 

Description

Color code: HEX #20199D | qconv.com Color code: HEX #20199D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 25 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 25 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 84 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 84% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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