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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E4733 it is the complementary color #61B8CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E4733. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9E4733: #A3472E, #B45941, #C56B54, #D67D67 and #E78F7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E4733. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9E4733: #9E4733, #8D3520, #7C230D, #6B1100 and #5A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

Complementary color

CMYK 52 / 10 / 0 / 20

HEX #61B8CC

RGB 97 184 204

HSL 191.21, 0.51%, 0.59%

LAB 70.3, -20.68, -18.16

 

CMYK 0 / 56 / 72 / 36

HEX #A3472E

RGB 163 71 46

HSL 12.82, 0.56%, 0.41%

LAB 41.98, 36.4, 33.19

 

CMYK 0 / 51 / 64 / 29

HEX #B45941

RGB 180 89 65

HSL 12.52, 0.47%, 0.48%

LAB 48.55, 34.92, 30.8

 

CMYK 0 / 46 / 57 / 23

HEX #C56B54

RGB 197 107 84

HSL 12.21, 0.49%, 0.55%

LAB 55.1, 33.53, 28.72

 

CMYK 0 / 42 / 52 / 16

HEX #D67D67

RGB 214 125 103

HSL 11.89, 0.58%, 0.62%

LAB 61.6, 32.26, 26.88

 

CMYK 0 / 38 / 47 / 9

HEX #E78F7A

RGB 231 143 122

HSL 11.56, 0.69%, 0.69%

LAB 68.05, 31.11, 25.26

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 0 / 62 / 77 / 45

HEX #8D3520

RGB 141 53 32

HSL 11.56, 0.63%, 0.34%

LAB 34.63, 36.17, 31.91

 

CMYK 0 / 72 / 90 / 51

HEX #7C230D

RGB 124 35 13

HSL 11.89, 0.81%, 0.27%

LAB 28.16, 37.44, 34.65

 

CMYK 0 / 84 / 100 / 58

HEX #6B1100

RGB 107 17 0

HSL 9.53, 1%, 0.21%

LAB 22.04, 37.99, 32.99

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 0 / 44 / 68 / 38

HEX #9D5833

RGB 157 88 51

HSL 20.94, 0.51%, 0.41%

LAB 44.78, 25.1, 33.37

 

CMYK 0 / 32 / 68 / 38

HEX #9D6A33

RGB 157 106 51

HSL 31.13, 0.51%, 0.41%

LAB 49.15, 14.87, 38.33

 

CMYK 0 / 21 / 68 / 38

HEX #9D7C33

RGB 157 124 51

HSL 41.32, 0.51%, 0.41%

LAB 53.84, 4.61, 43.47

 

CMYK 0 / 10 / 68 / 38

HEX #9D8D33

RGB 157 141 51

HSL 50.94, 0.51%, 0.41%

LAB 58.47, -4.84, 48.38

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 0 / 60 / 60 / 98

HEX #050202

RGB 5 2 2

HSL 0, 0.43%, 0.01%

LAB 0.72, 0.78, 0.28

 

CMYK 0 / 55 / 68 / 78

HEX #381912

RGB 56 25 18

HSL 11.05, 0.51%, 0.15%

LAB 13.11, 14.57, 11.62

 

CMYK 0 / 55 / 67 / 58

HEX #6B3023

RGB 107 48 35

HSL 10.83, 0.51%, 0.28%

LAB 27.74, 25.2, 20.66

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 26 / 0 / 68 / 38

HEX #749D33

RGB 116 157 51

HSL 83.21, 0.51%, 0.41%

LAB 59.95, -30.68, 48.95

 

CMYK 68 / 53 / 0 / 38

HEX #334A9D

RGB 51 74 157

HSL 226.98, 0.51%, 0.41%

LAB 34.06, 19.49, -47.94

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 68 / 0 / 55 / 38

HEX #339D46

RGB 51 157 70

HSL 130.75, 0.51%, 0.41%

LAB 57.33, -48.73, 36.48

 

CMYK 55 / 68 / 0 / 38

HEX #46339D

RGB 70 51 157

HSL 250.75, 0.51%, 0.41%

LAB 29.67, 37.55, -55

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 26 / 0 / 68 / 38

HEX #749D33

RGB 116 157 51

HSL 83.21, 0.51%, 0.41%

LAB 59.95, -30.68, 48.95

 

CMYK 68 / 12 / 0 / 38

HEX #338A9D

RGB 51 138 157

HSL 190.75, 0.51%, 0.41%

LAB 53.29, -19.53, -17.72

 

CMYK 41 / 68 / 0 / 38

HEX #5C339D

RGB 92 51 157

HSL 263.21, 0.51%, 0.41%

LAB 31.98, 41.79, -51.14

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 46 / 0 / 68 / 38

HEX #549D33

RGB 84 157 51

HSL 101.32, 0.51%, 0.41%

LAB 58.26, -42.24, 46.65

 

CMYK 68 / 12 / 0 / 38

HEX #338A9D

RGB 51 138 157

HSL 190.75, 0.51%, 0.41%

LAB 53.29, -19.53, -17.72

 

CMYK 21 / 68 / 0 / 38

HEX #7C339D

RGB 124 51 157

HSL 281.32, 0.51%, 0.41%

LAB 36.15, 48.86, -44.2

 

Description

Color code: HEX #9E4733 | qconv.com Color code: HEX #9E4733 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 71 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 71 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 68 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 68% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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