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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 55 / 68 / 18 it is the complementary color CMYK 76 / 14 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 55 / 68 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 55 / 68 / 18: CMYK 0 / 56 / 71 / 16, CMYK 0 / 52 / 65 / 9, CMYK 0 / 48 / 60 / 3, CMYK 0 / 42 / 53 / 0 and CMYK 0 / 35 / 46 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 55 / 68 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 55 / 68 / 18: CMYK 0 / 55 / 68 / 18, CMYK 0 / 60 / 75 / 25, CMYK 0 / 67 / 83 / 31, CMYK 0 / 75 / 94 / 38 and CMYK 0 / 84 / 100 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

Complementary color

CMYK 76 / 14 / 0 / 26

HEX #2EA1BC

RGB 46 161 188

HSL 191.41, 0.61%, 0.46%

LAB 61.4, -22.26, -22.99

 

CMYK 0 / 56 / 71 / 16

HEX #D65E3E

RGB 214 94 62

HSL 12.63, 0.65%, 0.54%

LAB 54.71, 45.23, 41

 

CMYK 0 / 52 / 65 / 9

HEX #E77051

RGB 231 112 81

HSL 12.4, 0.76%, 0.61%

LAB 60.93, 43.82, 38.67

 

CMYK 0 / 48 / 60 / 3

HEX #F88264

RGB 248 130 100

HSL 12.16, 0.91%, 0.68%

LAB 67.16, 42.46, 36.56

 

CMYK 0 / 42 / 53 / 0

HEX #FF9477

RGB 255 148 119

HSL 12.79, 1%, 0.73%

LAB 72.08, 37.42, 32.75

 

CMYK 0 / 35 / 46 / 0

HEX #FFA68A

RGB 255 166 138

HSL 14.36, 1%, 0.77%

LAB 76.29, 29.82, 28.08

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 0 / 60 / 75 / 25

HEX #C04C30

RGB 192 76 48

HSL 11.67, 0.6%, 0.47%

LAB 47.74, 45.01, 39.79

 

CMYK 0 / 67 / 83 / 31

HEX #AF3A1D

RGB 175 58 29

HSL 11.92, 0.72%, 0.4%

LAB 41.58, 46.28, 42.43

 

CMYK 0 / 75 / 94 / 38

HEX #9E280A

RGB 158 40 10

HSL 12.16, 0.88%, 0.33%

LAB 35.61, 47.21, 44.46

 

CMYK 0 / 84 / 100 / 45

HEX #8D1600

RGB 141 22 0

HSL 9.36, 1%, 0.28%

LAB 30, 47.37, 43.01

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 0 / 44 / 68 / 18

HEX #D17442

RGB 209 116 66

HSL 20.98, 0.61%, 0.54%

LAB 58.45, 32.36, 42.92

 

CMYK 0 / 33 / 68 / 18

HEX #D18C42

RGB 209 140 66

HSL 31.05, 0.61%, 0.54%

LAB 63.92, 19.46, 48.98

 

CMYK 0 / 22 / 68 / 18

HEX #D1A342

RGB 209 163 66

HSL 40.7, 0.61%, 0.54%

LAB 69.57, 7.02, 55.03

 

CMYK 0 / 11 / 68 / 18

HEX #D1BB42

RGB 209 187 66

HSL 50.77, 0.61%, 0.54%

LAB 75.75, -5.66, 61.43

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 0 / 60 / 60 / 98

HEX #050202

RGB 5 2 2

HSL 0, 0.43%, 0.01%

LAB 0.72, 0.78, 0.28

 

CMYK 0 / 55 / 68 / 78

HEX #381912

RGB 56 25 18

HSL 11.05, 0.51%, 0.15%

LAB 13.11, 14.57, 11.62

 

CMYK 0 / 55 / 68 / 58

HEX #6B3022

RGB 107 48 34

HSL 11.51, 0.52%, 0.28%

LAB 27.72, 25.12, 21.27

 

CMYK 0 / 55 / 68 / 38

HEX #9E4733

RGB 158 71 51

HSL 11.21, 0.51%, 0.41%

LAB 41.24, 34.72, 29.25

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 26 / 0 / 68 / 18

HEX #9AD142

RGB 154 209 66

HSL 83.08, 0.61%, 0.54%

LAB 77.79, -38.84, 62.23

 

CMYK 68 / 54 / 0 / 18

HEX #4261D1

RGB 66 97 209

HSL 226.99, 0.61%, 0.54%

LAB 44.68, 25.76, -61.28

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 68 / 0 / 56 / 18

HEX #42D15C

RGB 66 209 92

HSL 130.91, 0.61%, 0.54%

LAB 74.53, -61.61, 46.57

 

CMYK 56 / 68 / 0 / 18

HEX #5C42D1

RGB 92 66 209

HSL 250.91, 0.61%, 0.54%

LAB 39.2, 48.51, -70.12

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 26 / 0 / 68 / 18

HEX #9AD142

RGB 154 209 66

HSL 83.08, 0.61%, 0.54%

LAB 77.79, -38.84, 62.23

 

CMYK 68 / 12 / 0 / 18

HEX #42B7D1

RGB 66 183 209

HSL 190.91, 0.61%, 0.54%

LAB 69.2, -24.24, -22.66

 

CMYK 42 / 68 / 0 / 18

HEX #7942D1

RGB 121 66 209

HSL 263.08, 0.61%, 0.54%

LAB 42.1, 53.47, -65.26

 

CMYK 0 / 55 / 68 / 18

HEX #D15E43

RGB 209 94 67

HSL 11.41, 0.61%, 0.54%

LAB 53.99, 43.63, 37.26

 

CMYK 47 / 0 / 68 / 18

HEX #6FD142

RGB 111 209 66

HSL 101.12, 0.61%, 0.54%

LAB 75.68, -53.48, 59.38

 

CMYK 68 / 12 / 0 / 18

HEX #42B7D1

RGB 66 183 209

HSL 190.91, 0.61%, 0.54%

LAB 69.2, -24.24, -22.66

 

CMYK 22 / 68 / 0 / 18

HEX #A342D1

RGB 163 66 209

HSL 280.7, 0.61%, 0.54%

LAB 47.35, 61.85, -56.51

 

Description

Color code: CMYK 0 / 55 / 68 / 18 | qconv.com Color code: CMYK 0 / 55 / 68 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 94 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 94 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 68 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 68% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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