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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CBC4A it is the complementary color #6343B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CBC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CBC4A shade: #A1BC45, #B2CE58, #C3E06B, #D4F27E and #E5FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CBC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CBC4A shade: #9CBC4A, #8BAA37, #7A9824, #698611 and #587400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CBC4A shade: #9BBC49, #BABC49, #BC9E49, #BC7F49 and #BC6049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CBC4A shade: #9BBC49, #7CBC49, #5DBC49, #49BC53 and #49BC72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CBC4A shade matches the following richer shades: #9BBC49, #A4D034, #ADE420 and #B6F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CBC4A shade: #9BBC49, #92A75D, #8A9371, #817F85 and #786B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CBC4A shade: #BC9D49, #BCBC49, #9DBC49, #7EBC49 and #60BC49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CBC4A shade: #6B8230, #84A03B, #9BBC49, #ACC767 and #BCD285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CBC4A shade: #9CBC4A, #49BC7E and #AC49BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CBC4A shade: #9CBC4A, #499DBC and #BC499D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CBC4A shade: #9CBC4A, #49BC7E, #6749BC and #BC4986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CBC4A shade: #9CBC4A, #49BCA1, #6749BC and #BC4963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

Complementary color

CMYK 45 / 63 / 0 / 29

HEX #6343B5

RGB 99 67 181

HSL 256.84, 0.46%, 0.49%

LAB 37.85, 41.03, -55.95

 

CMYK 14 / 0 / 63 / 26

HEX #A1BC45

RGB 161 188 69

HSL 73.61, 0.47%, 0.5%

LAB 72.21, -26.14, 55.3

 

CMYK 14 / 0 / 57 / 19

HEX #B2CE58

RGB 178 206 88

HSL 74.24, 0.55%, 0.58%

LAB 78.64, -26.53, 54.45

 

CMYK 13 / 0 / 52 / 12

HEX #C3E06B

RGB 195 224 107

HSL 74.87, 0.65%, 0.65%

LAB 84.98, -26.82, 53.44

 

CMYK 12 / 0 / 48 / 5

HEX #D4F27E

RGB 212 242 126

HSL 75.52, 0.82%, 0.72%

LAB 91.24, -27.04, 52.36

 

CMYK 10 / 0 / 43 / 0

HEX #E5FF91

RGB 229 255 145

HSL 74.18, 1%, 0.78%

LAB 96.09, -24.86, 49.61

 

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

CMYK 18 / 0 / 68 / 33

HEX #8BAA37

RGB 139 170 55

HSL 76.17, 0.51%, 0.44%

LAB 65.37, -27.36, 53.42

 

CMYK 20 / 0 / 76 / 40

HEX #7A9824

RGB 122 152 36

HSL 75.52, 0.62%, 0.37%

LAB 58.72, -26.79, 53.59

 

CMYK 22 / 0 / 87 / 47

HEX #698611

RGB 105 134 17

HSL 74.87, 0.77%, 0.3%

LAB 51.94, -25.99, 52.67

 

CMYK 24 / 0 / 100 / 55

HEX #587400

RGB 88 116 0

HSL 74.48, 1%, 0.23%

LAB 45.03, -24.93, 50.18

 

CMYK 18 / 0 / 61 / 26

HEX #9BBC49

RGB 155 188 73

HSL 77.22, 0.46%, 0.51%

LAB 71.84, -28.24, 53.06

 

CMYK 1 / 0 / 61 / 26

HEX #BABC49

RGB 186 188 73

HSL 61.04, 0.46%, 0.51%

LAB 74.12, -15.51, 56.2

 

CMYK 0 / 16 / 61 / 26

HEX #BC9E49

RGB 188 158 73

HSL 44.35, 0.46%, 0.51%

LAB 66.23, 1.07, 47.58

 

CMYK 0 / 32 / 61 / 26

HEX #BC7F49

RGB 188 127 73

HSL 28.17, 0.46%, 0.51%

LAB 58.37, 18.09, 38.49

 

CMYK 0 / 49 / 61 / 26

HEX #BC6049

RGB 188 96 73

HSL 12, 0.46%, 0.51%

LAB 51.31, 34.96, 29.92

 

CMYK 18 / 0 / 61 / 26

HEX #9BBC49

RGB 155 188 73

HSL 77.22, 0.46%, 0.51%

LAB 71.84, -28.24, 53.06

 

CMYK 34 / 0 / 61 / 26

HEX #7CBC49

RGB 124 188 73

HSL 93.39, 0.46%, 0.51%

LAB 69.99, -39.95, 50.5

 

CMYK 51 / 0 / 61 / 26

HEX #5DBC49

RGB 93 188 73

HSL 109.57, 0.46%, 0.51%

LAB 68.59, -49.89, 48.54

 

CMYK 61 / 0 / 56 / 26

HEX #49BC53

RGB 73 188 83

HSL 125.22, 0.46%, 0.51%

LAB 68.03, -53.83, 43.11

 

CMYK 61 / 0 / 39 / 26

HEX #49BC72

RGB 73 188 114

HSL 141.39, 0.46%, 0.51%

LAB 68.46, -49.04, 28.05

 

CMYK 18 / 0 / 61 / 26

HEX #9BBC49

RGB 155 188 73

HSL 77.22, 0.46%, 0.51%

LAB 71.84, -28.24, 53.06

 

CMYK 21 / 0 / 75 / 18

HEX #A4D034

RGB 164 208 52

HSL 76.92, 0.62%, 0.51%

LAB 78.02, -35.37, 67.57

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 27 / 0 / 95 / 3

HEX #B6F80C

RGB 182 248 12

HSL 76.78, 0.94%, 0.51%

LAB 90.37, -47.14, 86.35

 

CMYK 18 / 0 / 61 / 26

HEX #9BBC49

RGB 155 188 73

HSL 77.22, 0.46%, 0.51%

LAB 71.84, -28.24, 53.06

 

CMYK 13 / 0 / 44 / 35

HEX #92A75D

RGB 146 167 93

HSL 77.03, 0.3%, 0.51%

LAB 65.39, -19.52, 35.75

 

CMYK 6 / 0 / 23 / 42

HEX #8A9371

RGB 138 147 113

HSL 75.88, 0.14%, 0.51%

LAB 59.4, -9.43, 16.95

 

CMYK 3 / 5 / 0 / 48

HEX #817F85

RGB 129 127 133

HSL 260, 0.02%, 0.51%

LAB 53.53, 1.96, -2.98

 

CMYK 22 / 30 / 0 / 40

HEX #786B99

RGB 120 107 153

HSL 256.96, 0.18%, 0.51%

LAB 48.02, 15.14, -23.14

 

CMYK 0 / 16 / 61 / 26

HEX #BC9D49

RGB 188 157 73

HSL 43.83, 0.46%, 0.51%

LAB 65.97, 1.61, 47.28

 

CMYK 0 / 0 / 61 / 26

HEX #BCBC49

RGB 188 188 73

HSL 60, 0.46%, 0.51%

LAB 74.28, -14.67, 56.42

 

CMYK 16 / 0 / 61 / 26

HEX #9DBC49

RGB 157 188 73

HSL 76.17, 0.46%, 0.51%

LAB 71.97, -27.44, 53.25

 

CMYK 33 / 0 / 61 / 26

HEX #7EBC49

RGB 126 188 73

HSL 92.35, 0.46%, 0.51%

LAB 70.09, -39.24, 50.64

 

CMYK 49 / 0 / 61 / 26

HEX #60BC49

RGB 96 188 73

HSL 108, 0.46%, 0.51%

LAB 68.7, -49.03, 48.7

 

CMYK 18 / 0 / 63 / 49

HEX #6B8230

RGB 107 130 48

HSL 76.83, 0.46%, 0.35%

LAB 51.04, -21.32, 40.54

 

CMYK 18 / 0 / 63 / 37

HEX #84A03B

RGB 132 160 59

HSL 76.63, 0.46%, 0.43%

LAB 61.97, -25.04, 47.98

 

CMYK 18 / 0 / 61 / 26

HEX #9BBC49

RGB 155 188 73

HSL 77.22, 0.46%, 0.51%

LAB 71.84, -28.24, 53.06

 

CMYK 14 / 0 / 48 / 22

HEX #ACC767

RGB 172 199 103

HSL 76.88, 0.46%, 0.59%

LAB 76.43, -24.09, 44.75

 

CMYK 10 / 0 / 37 / 18

HEX #BCD285

RGB 188 210 133

HSL 77.14, 0.46%, 0.67%

LAB 81, -19.89, 35.75

 

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

CMYK 61 / 0 / 33 / 26

HEX #49BC7E

RGB 73 188 126

HSL 147.65, 0.46%, 0.51%

LAB 68.67, -46.77, 21.98

 

CMYK 9 / 61 / 0 / 26

HEX #AC49BC

RGB 172 73 188

HSL 291.65, 0.46%, 0.51%

LAB 48.47, 56.67, -42.52

 

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 0 / 61 / 16 / 26

HEX #BC499D

RGB 188 73 157

HSL 316.17, 0.46%, 0.51%

LAB 49.36, 55.67, -22.74

 

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

CMYK 61 / 0 / 33 / 26

HEX #49BC7E

RGB 73 188 126

HSL 147.65, 0.46%, 0.51%

LAB 68.67, -46.77, 21.98

 

CMYK 45 / 61 / 0 / 26

HEX #6749BC

RGB 103 73 188

HSL 255.65, 0.46%, 0.51%

LAB 40.05, 40.42, -56.48

 

CMYK 0 / 61 / 29 / 26

HEX #BC4986

RGB 188 73 134

HSL 328.17, 0.46%, 0.51%

LAB 48.48, 52.45, -10.34

 

CMYK 17 / 0 / 61 / 26

HEX #9CBC4A

RGB 156 188 74

HSL 76.84, 0.46%, 0.51%

LAB 71.91, -27.76, 52.73

 

CMYK 61 / 0 / 14 / 26

HEX #49BCA1

RGB 73 188 161

HSL 165.91, 0.46%, 0.51%

LAB 69.44, -38.92, 4.07

 

CMYK 45 / 61 / 0 / 26

HEX #6749BC

RGB 103 73 188

HSL 255.65, 0.46%, 0.51%

LAB 40.05, 40.42, -56.48

 

CMYK 0 / 61 / 47 / 26

HEX #BC4963

RGB 188 73 99

HSL 346.43, 0.46%, 0.51%

LAB 47.44, 48.5, 9.34

 

Description

Color code: HEX #9CBC4A | qconv.com Color code: HEX #9CBC4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 188 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 188 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 61 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 61% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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