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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE420 it is the complementary color #521BDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE420. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE420 shade: #B2E41B, #C3F62E, #D4FF41, #E5FF54 and #F6FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE420. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE420 shade: #ADE420, #9CD20D, #8BC000, #7AAE00 and #699C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE420 shade: #ADE421, #E1E421, #E4B121, #E47D21 and #E44821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE420 shade: #ADE421, #78E421, #44E421, #21E432 and #21E467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE420 shade matches the following richer shades: #ADE421 and #B6F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE420 shade: #ADE421, #A4CF35, #9BBB49, #92A75D and #899371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE420 shade: #E4B021, #E4E421, #B0E421, #7CE421 and #48E421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE420 shade: #779E14, #93C318, #ADE421, #BAE845 and #C8ED6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE420 shade: #ADE420, #21E47C and #CA21E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE420 shade: #ADE420, #21B0E4 and #E421B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE420 shade: #ADE420, #21E47C, #5521E4 and #E42189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE420 shade: #ADE420, #21E4B6, #5521E4 and #E4214E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

Complementary color

CMYK 63 / 88 / 0 / 13

HEX #521BDF

RGB 82 27 223

HSL 256.84, 0.78%, 0.49%

LAB 33.79, 68.17, -87.13

 

CMYK 22 / 0 / 88 / 11

HEX #B2E41B

RGB 178 228 27

HSL 74.93, 0.79%, 0.5%

LAB 84.5, -39.77, 79.71

 

CMYK 21 / 0 / 81 / 4

HEX #C3F62E

RGB 195 246 46

HSL 75.3, 0.92%, 0.57%

LAB 90.65, -40.64, 81.43

 

CMYK 17 / 0 / 75 / 0

HEX #D4FF41

RGB 212 255 65

HSL 73.58, 1%, 0.63%

LAB 94.27, -37.36, 79.92

 

CMYK 10 / 0 / 67 / 0

HEX #E5FF54

RGB 229 255 84

HSL 69.12, 1%, 0.66%

LAB 95.5, -29.79, 75.14

 

CMYK 4 / 0 / 60 / 0

HEX #F6FF67

RGB 246 255 103

HSL 63.55, 1%, 0.7%

LAB 96.86, -21.94, 69.57

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 26 / 0 / 94 / 18

HEX #9CD20D

RGB 156 210 13

HSL 76.45, 0.88%, 0.44%

LAB 77.99, -40.6, 75.88

 

CMYK 28 / 0 / 100 / 25

HEX #8BC000

RGB 139 192 0

HSL 76.56, 1%, 0.38%

LAB 71.68, -39.42, 71.9

 

CMYK 30 / 0 / 100 / 32

HEX #7AAE00

RGB 122 174 0

HSL 77.93, 1%, 0.34%

LAB 65.29, -38.06, 66.57

 

CMYK 33 / 0 / 100 / 39

HEX #699C00

RGB 105 156 0

HSL 79.62, 1%, 0.31%

LAB 58.77, -36.68, 61.15

 

CMYK 24 / 0 / 86 / 11

HEX #ADE421

RGB 173 228 33

HSL 76.92, 0.78%, 0.51%

LAB 84.22, -41.54, 78.25

 

CMYK 1 / 0 / 86 / 11

HEX #E1E421

RGB 225 228 33

HSL 60.92, 0.78%, 0.51%

LAB 87.78, -20.63, 82.65

 

CMYK 0 / 22 / 86 / 11

HEX #E4B121

RGB 228 177 33

HSL 44.31, 0.78%, 0.51%

LAB 74.86, 6.53, 72.24

 

CMYK 0 / 45 / 86 / 11

HEX #E47D21

RGB 228 125 33

HSL 28.31, 0.78%, 0.51%

LAB 62.74, 34.07, 62.33

 

CMYK 0 / 68 / 86 / 11

HEX #E44821

RGB 228 72 33

HSL 12, 0.78%, 0.51%

LAB 53.21, 58.65, 54.46

 

CMYK 24 / 0 / 86 / 11

HEX #ADE421

RGB 173 228 33

HSL 76.92, 0.78%, 0.51%

LAB 84.22, -41.54, 78.25

 

CMYK 47 / 0 / 86 / 11

HEX #78E421

RGB 120 228 33

HSL 93.23, 0.78%, 0.51%

LAB 81.61, -59.78, 75

 

CMYK 70 / 0 / 86 / 11

HEX #44E421

RGB 68 228 33

HSL 109.23, 0.78%, 0.51%

LAB 80.08, -72.2, 73.06

 

CMYK 86 / 0 / 78 / 11

HEX #21E432

RGB 33 228 50

HSL 125.23, 0.78%, 0.51%

LAB 79.64, -75.83, 68.19

 

CMYK 86 / 0 / 55 / 11

HEX #21E467

RGB 33 228 103

HSL 141.54, 0.78%, 0.51%

LAB 80.06, -70.55, 47.96

 

CMYK 24 / 0 / 86 / 11

HEX #ADE421

RGB 173 228 33

HSL 76.92, 0.78%, 0.51%

LAB 84.22, -41.54, 78.25

 

CMYK 27 / 0 / 95 / 3

HEX #B6F80C

RGB 182 248 12

HSL 76.78, 0.94%, 0.51%

LAB 90.37, -47.14, 86.35

 

CMYK 24 / 0 / 86 / 11

HEX #ADE421

RGB 173 228 33

HSL 76.92, 0.78%, 0.51%

LAB 84.22, -41.54, 78.25

 

CMYK 21 / 0 / 74 / 19

HEX #A4CF35

RGB 164 207 53

HSL 76.75, 0.62%, 0.51%

LAB 77.74, -34.86, 66.98

 

CMYK 17 / 0 / 61 / 27

HEX #9BBB49

RGB 155 187 73

HSL 76.84, 0.46%, 0.51%

LAB 71.55, -27.76, 52.74

 

CMYK 13 / 0 / 44 / 35

HEX #92A75D

RGB 146 167 93

HSL 77.03, 0.3%, 0.51%

LAB 65.39, -19.52, 35.75

 

CMYK 7 / 0 / 23 / 42

HEX #899371

RGB 137 147 113

HSL 77.65, 0.14%, 0.51%

LAB 59.32, -9.82, 16.83

 

CMYK 0 / 23 / 86 / 11

HEX #E4B021

RGB 228 176 33

HSL 44, 0.78%, 0.51%

LAB 74.61, 7.06, 72.04

 

CMYK 0 / 0 / 86 / 11

HEX #E4E421

RGB 228 228 33

HSL 60, 0.78%, 0.51%

LAB 88.01, -19.38, 82.94

 

CMYK 23 / 0 / 86 / 11

HEX #B0E421

RGB 176 228 33

HSL 76, 0.78%, 0.51%

LAB 84.39, -40.39, 78.47

 

CMYK 46 / 0 / 86 / 11

HEX #7CE421

RGB 124 228 33

HSL 92, 0.78%, 0.51%

LAB 81.77, -58.57, 75.2

 

CMYK 68 / 0 / 86 / 11

HEX #48E421

RGB 72 228 33

HSL 108, 0.78%, 0.51%

LAB 80.17, -71.48, 73.17

 

CMYK 25 / 0 / 87 / 38

HEX #779E14

RGB 119 158 20

HSL 76.96, 0.78%, 0.35%

LAB 60.27, -31.56, 59.43

 

CMYK 25 / 0 / 88 / 24

HEX #93C318

RGB 147 195 24

HSL 76.84, 0.78%, 0.43%

LAB 73.09, -37.21, 70.06

 

CMYK 24 / 0 / 86 / 11

HEX #ADE421

RGB 173 228 33

HSL 76.92, 0.78%, 0.51%

LAB 84.22, -41.54, 78.25

 

CMYK 20 / 0 / 70 / 9

HEX #BAE845

RGB 186 232 69

HSL 76.93, 0.78%, 0.59%

LAB 86.3, -36.82, 70.35

 

CMYK 16 / 0 / 55 / 7

HEX #C8ED6A

RGB 200 237 106

HSL 76.95, 0.78%, 0.67%

LAB 88.87, -31.11, 58.49

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 86 / 0 / 46 / 11

HEX #21E47C

RGB 33 228 124

HSL 148, 0.78%, 0.51%

LAB 80.33, -67.34, 38.25

 

CMYK 11 / 86 / 0 / 11

HEX #CA21E4

RGB 202 33 228

HSL 292, 0.78%, 0.51%

LAB 50.97, 82.56, -61.21

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 86 / 23 / 0 / 11

HEX #21B0E4

RGB 33 176 228

HSL 196, 0.78%, 0.51%

LAB 67.26, -17.85, -36.13

 

CMYK 0 / 86 / 23 / 11

HEX #E421B0

RGB 228 33 176

HSL 316, 0.78%, 0.51%

LAB 52.64, 80.01, -28.33

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 86 / 0 / 46 / 11

HEX #21E47C

RGB 33 228 124

HSL 148, 0.78%, 0.51%

LAB 80.33, -67.34, 38.25

 

CMYK 63 / 86 / 0 / 11

HEX #5521E4

RGB 85 33 228

HSL 256, 0.78%, 0.51%

LAB 35.24, 67.81, -87.57

 

CMYK 0 / 86 / 40 / 11

HEX #E42189

RGB 228 33 137

HSL 328, 0.78%, 0.51%

LAB 51.14, 75.87, -7.45

 

CMYK 24 / 0 / 86 / 11

HEX #ADE420

RGB 173 228 32

HSL 76.84, 0.78%, 0.51%

LAB 84.21, -41.57, 78.44

 

CMYK 86 / 0 / 20 / 11

HEX #21E4B6

RGB 33 228 182

HSL 165.85, 0.78%, 0.51%

LAB 81.39, -55.33, 9.87

 

CMYK 63 / 86 / 0 / 11

HEX #5521E4

RGB 85 33 228

HSL 256, 0.78%, 0.51%

LAB 35.24, 67.81, -87.57

 

CMYK 0 / 86 / 66 / 11

HEX #E4214E

RGB 228 33 78

HSL 346.15, 0.78%, 0.51%

LAB 49.66, 71.64, 26.34

 

Description

Color code: HEX #ADE420 | qconv.com Color code: HEX #ADE420 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 228 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 228 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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